The Physics of Sorrow

This Spanish-language short was made using stop-motion animation and features very simple sets and characters. However, despite the relatively low budget, the film turns out to be a very effective way to teach kids about the dangers of unprotected sex. The film begins with three teenage girl dolls sitting on a bench. Without using actual words but sort of a Sims-type speech ("Bla, bla, bla"), the first girl describes her perfect man. Then, suddenly, he appears---as does a bed...

Fishboy lives in darkness, his guilt about the past slowly consuming him. His girlfriend Laura is a light of hope in his dark world. But despite his efforts, his past continues to chase him, eventually putting them both in danger.

A film about a boy who loves flowers and butterflies, based on a short story by Anton Hansen Tammsaar. In his thoughtless pursuit of the butterfly, he shatters all the flowers in his path.

"An animated absurdist exploration of North American popular culture and fast food. Made for the 5th anniversary of the Bookmobile project." - Cartune Xprez

O Voo

This animation is based on Stephen Coates composition under the same title. This film is about The Great Revolution of the British Cuckoos, who bravely took over London, forcing all the people to move inside the cuckoo clocks. Animation by Alex Budovsky. Music by "(The Real) Tuesday Weld."

A hand-made, scratched-on film experiment in intermittent animation. The images are a group of twenty-four visuals, all non-representational, which arrange and rearrange on the screen in many combinations. The result is a changing pattern of sound and image that has its own rhythm for eye and ear.

Director: George Debels | Production Country: The Netherlands | Production Year: 1935 | Production Company: Rex Film Bureau voor Filmreclame (Amsterdam) | FLM3818 | Film from the collection of EYE (Amsterdam)

A short sketchbook-style animated film that takes a look at people at a 'La Fete Nationale' celebration in Montreal, Quebec.

It's midnight in a graveyard. The principal characters are spooks, ghosts, bats, bells, and, at the end, the sun. As midnight strikes, 12 spooks appear, then two ghosts. They move to the music's rhythm. Against the black night, they are blue and yellow. Bats appear as does a xylophone of bones. Mist rises, spooks swirl. A bell tolls. The sky turns light blue, the ghosts' dance slows. Then black night returns bringing intimations of frenzy. Bones play snare drums; spooks peek out of square graves. Scary faces appear. Frenetic movement takes over. A rooster crows and all return to earth as the sun's light appears.

The film is based on the well-known short story 'Oil of Dog'. The rough and simple chalk animation technique is match for the absurd and surrealistic style of the story. The line-drawing character representation over a black background is in the flavour of film noir. This is the story of Boffer Bings, who lives in a village where his father manages a prosperous business producing dog-oil. Boffer Bings not only assists his father in procuring dogs for distill, but also helps to carry away the debris of his mother's studio, where she disposes of unwelcome babes. Martin is accomplished in his jobs, until his accidental invention steers the family business into an economic boom. Tragedy is inevitable.

Mother Earth practices on "The Creation" of the first human beings, in this mythical act some faults and disconnections are revealed when they launch into life in coexistence with themselves and with nature. An animation in Stop Motion made entirely with mud, a technique that challenges the animation process due to the quick drying of the mud that requires an animation instantly, generating unique and unrepeatable shots.

"Afloat" is a short animated film on domestic abuse based on the poem "A Smile to Remember’"by Charles Bukowski. This is a story about courage, a story about staying afloat.

Janky and strange computer animated adventures of a pyromaniac admiral.

Admiral Flipside is one crazy sea-dog. Driven by a darker than black alter-ego he embarks upon a bizarre voyage of destruction and self discovery. Haunted by his subconscious he is driven by ghostly manifestations into a surreal world of circus and theatre inspired by Sebastian Brant’s 1494 book ‘Das Narrenschyff’ (The Ship of Fools). Unbeknown to him he is the leading actor in a stage play based on the ship of fools. He leads the witless fools on a disastrous voyage to find ‘Narragonia’ (Fools Utopia). Flipside finds himself the sole survivor after the ship is set upon by fire breathing monsters from the deep. He is washed up on the very beach that he left many years ago, only to discover his innocence waiting for him. Here at last, after so many long years searching, he is forced to confront the grim reality that is himself. These short films combine computer animation, traditional animation, video and concepts of theatre to produce a bizarre visual story.

Is that what mass graves are like, one body on top of the other and nothing else? Through the rain, Oliver sends signals to his mother to help her unearth the truth.

Village, like a human being, is born out of love. Village, like a human being, is ruined, if left without love.

The featherless nightingale sings in the forest. His birdsong soothes the little bear who is having trouble sleeping, calms the squabbling squirrels and entertains the pair of swans swimming in the pond.

When the long-awaited dream dies, the reality begins to circle around us and encage us in the claustrophobic space of our fears and distorting anxiety.

Ayesha