Growing Up in America

During the turbulent sixties, there was a safe haven from the chaos - a hippie treehouse village on a Kauai beach.

It is El Salvador, 1989, three years before the end of a brutal civil war that took 75,000 lives. Maria Serrano, wife, mother, and guerrilla leader is on the front lines of the battle for her people and her country. With unprecedented access to FMLN guerrilla camps, the filmmakers dramatically chronicle Maria's daily life in the war.

Documentary on the French comedian, actor, humanitarian and legend Coluche.

Jazz and decolonization are intertwined in a powerful narrative that recounts one of the tensest episodes of the Cold War. In 1960, the UN became the stage for a political earthquake as the struggle for independence in the Congo put the world on high alert. The newly independent nation faced its first coup d'état, orchestrated by Western forces and Belgium, which were reluctant to relinquish control over their resource-rich former colony. The US tried to divert attention by sending jazz ambassador Louis Armstrong to the African continent. In 1961, Congolese leader Patrice Lumumba was brutally assassinated, silencing a key voice in the fight against colonialism; his death was facilitated by Belgian and CIA operatives. Musicians Abbey Lincoln and Max Roach took action, denouncing imperialism and structural racism. Soviet Premier Nikita Khrushchev intensified his criticism of the US, highlighting the racial barriers that characterized American society.

'L'ultimo pugno di terra' (The Last Fistful of Land) is a 1966 documentary film directed by Fiorenzo Serra about the anguish and instability of the lower classes in a destitute Sardinia. Originally commissioned by the Sardinian regional government as a celebratory piece on the 'miraculous' effects of the 'Piano di Rinascita della Sardegna' (Sardinia's Rebirth Plan), the film instead shows an island still 'standing still in time', barely affected by the painful oxymoron of the inevitable changes taking place.

Before tackling the ascent of urban buildings, Alain Robert was considered one of the best specialists in the "climbing" of cliffs. His passion nearly cost him his life in 1982, when a fall rendered him 66% disabled. At the time the doctors were convinced that he could no longer indulge in this passion. This does not prevent him, by dint of motivation and training, from climbing more than 170 buildings around the world to date, and from soloing technical routes at his maximum level, such as "La Nuit du Lézard". (8a+) in Buoux (France), where here is "L'Ange en Décomposition", in 1991, a mythical course in the Gorges du Verdon.

Long considered a cult classic, "Mondo Hollywood" captures the underside of Hollywood by documenting a moment in time (1965-67), when an inquisitive trust in the unknown was paramount, hope for the future was tangible and life was worth living on the fringe. An interior monologue narrative approach is used throughout the film, where each principal person shown not only decided on what they wanted to be filmed doing, but also narrated their own scenes. The film opens with Gypsy Boots (the original hippie vegan - desert hopping blender salesman), and stripper Jennie Lee, working out 'Watusi-style' beneath the 'Hollywood' sign -- leading into the 'sustainable community' insight of Lewis Beach Marvin III, the S&H Green Stamp heir, who lived in a $10 a month garage while owning a mountain retreat in Malibu.

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.

Equal parts punk and psychedelia, the Flaming Lips emerged from Oklahoma City as one of the most bracing bands of the late 1980s. The Fearless Freaks documents their rise from Butthole Surfers-imitating noisemakers to grand poobahs of orchestral pop masterpieces. Filmmaker Bradley Beesely had the good fortune of living in the same neighborhood as lead Lip Wayne Coyne, who quickly enlisted his buddy to document his band's many concerts and assorted exploits. The early footage is a riot, with tragic hair styles on proud display as the boys attempt to cover up their lack of natural talent with sheer volume. During one show, they even have a friend bring a motorcycle on stage, which is then miked for sound and revved throughout the performance, clearing the club with toxic levels of carbon monoxide. Great punk rock stuff. Interspersed among the live bits are interviews with the band's family and friends, revealing the often tragic circumstances of their childhoods and early career.

Copa Libertadores, 1989. A true story about football, corruption and the power of Pablo Escobar and his cartel, told by its protagonists: five referees who resisted the dramatic weight of an era.

Blistering live performance by British black metal pioneers Venom captured at the Hammersmith Odeon in London in June of 1984. One of the most legendary shows in the history of metal featuring the classic line-up of Cronos (vocals/bass), Mantas (guitar) and Abaddon (drums). TRACKLIST: 01. Leave Me In Hell 02. Countess Bathory 03. Die Hard 04. 7 Gates Of Hell 05. Buried Alive 06. Don't Burn The Witch 07. In Nomine Satanus 08. Welcome To Hell 09. Warhead 10. Stand Up And Be Counted 11. Blood Lust

The career of French comic author René Goscinny was a living blend of cultures and an expression of the great importance this artist attached to the production and dissemination of sophisticated popular culture. Goscinny left behind an extremely extensive body of work: "Asterix", "Lucky Luke", "Isnogud", "Little Nick" and many more.

Best known for their megahit ’80s anthem "Don't You (Forget About Me)”—made famous in John Hughes’ The Breakfast Club—Simple Minds is one of the most iconic and influential Scottish bands in history. From working-class kids growing up in post-industrial Glasgow to rock stars playing Live Aid, this is the unlikely story of an extraordinary band that continues touring to this day.

Women At Large was a video series by Sharlyne Powell for larger sized women. Music by Entertainment Tonight's very own John Tesh and Michael Hanna of the John Tesh Project.

Thirty years after the release of his film JFK (1991), filmmaker Oliver Stone reviews recently declassified evidence related to the assassination of President John F. Kennedy, which took place in Dallas on November 22, 1963.

An intimate portrait, in his own words, of the Indian writer Salman Rushdie, author of The Satanic Verses (1988), thirty years after the fatwa uttered by the Iranian Ayatollah Khomeini: his youth in multicultural Bombay, his life in England, his many years of forced hiding, his thoughts on President Trump's United States of America.

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

Directed by journalist Ricardo Alexandre, the documentary tells the story of the Napalm nightclub, responsible for the new wave and post-punk generation in Sao Paulo. Mixing live shows, cutting-edge DJing and videos in its "modern" internal television system, the venue quickly became a meeting point for young people who shaped the grayer side of Brazilian rock in the 80s.

L'Adieu à Solférino

In the fifties, when the future Democratic Republic of Congo was still a Belgian colony, an entire generation of musicians fused traditional African tunes with Afro-Cuban music to create the electrifying Congolese rumba, a style that conquered the entire continent thanks to an infectious rhythm, captivating guitar sounds and smooth vocals.