Diary

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

Belly

Giano and Luc are traveling through the woods when a storm breaks, forcing them to take shelter in Luc's villa. Gradually and insidiously, a competition emerges between them, with terrible consequences.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

Filmed in IMAX, a young Mayan boy who lives close to the ruins becomes acquainted with an archaeologist (Guerra) and asks her to tell him about his ancestors. The crew travelled to over 15 locations in Mexico and Guatemala, including Tulum and Chichén Itzá.

Lost Worlds looks at untouched aspects of nature in parts of the world where humans rarely tread. From plants, to animals, to geology, this artfully photographed documentary presents facets of the biological world that you are not likely to see anywhere else.

From the unique vantage point of 200 miles above Earth's surface, we see how natural forces - volcanoes, earthquakes and hurricanes - affect our world, and how a powerful new force - humankind - has begun to alter the face of the planet. From Amazon rain forests to Serengeti grasslands, Blue Planet inspires a new appreciation of life on Earth, our only home.

A documentary on the history on mankind's attempts to reach high speeds. Starting with the invention of the bicycle, going on to sports cars, cars with jet engines, rocket-powered cars, attempts to break the sound barrier, and rocket-engine airplanes. Each achievement is documented by title card indicating the speed reached in miles per hour.

An experimental documentary about the life-story of a British teenager, Sam.

A library assistant plods through an ordinary life in LA until a chance meeting opens his eyes to the power of creativity and ultimately, love. When this new life and love begin to fall apart, he discovers he has a lot to give. This short film proves that ordinary is no place to be.

Aïssa is a Congolese immigrant in France. She says that she is under eighteen but the authorities consider her an adult. To determine if she can be deported, a doctor must give her a physical examination.

The intersecting lives of two otherwise unrelated people in a rural Bolivian village adjacent to the Uyani salt flats are presented. The first is Carlos, a poor salt miner. Unlike his colleagues, he is unwilling to take the one time compensation package from an American conglomerate who wants to purchase the mining rights. Carlos would rather get paid for doing actual work than risk living off a one time payment without a guarantee of any other work in the area. Carlos being the one holdout irks his fellow miners, who cannot get their compensation until Carlos also agrees to the terms. Carlos views all gringos in a bad light because of this situation. The second is Marc, an American doctor who has worked in various third world countries providing aide where needed. Marc is completing his term here. Carlos and Marc have a turbulent few meetings based on Carlos' feelings toward gringos and his want for a simple stable life.

Zoë is a single mother who lives with her four children in Dartford. She is poor and can't afford to buy food. One day her old flame drives by and asks her to go on a date with him. Scared that he doesn't want to go out with her, she lies and tells him that she is just babysitting the kids. This will be her first date in years.

In a repressive boarding school with rigid rules of behavior, four boys decide to rebel against the director on a celebration day.

Short film spinoff of CONFESSIONAL featuring one of the minor characters.

"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

An intimate moment between a father and an almost grown-up son leads to a fundamental, though subtle, change in their relationship. Their unconditional love towards each other becomes clear, albeit unsaid.

After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.