A mysterious man with a cup full of money stands in a dark alley. After a woman throws money into the cup, the two kiss. The woman has thus been cursed.
In the Iranian ghost-town Bad City, a place that reeks of death and loneliness, the townspeople are unaware they are being stalked by a lonesome vampire.
Nahid's husband squanders his wife's money on his mistress, and after his wife's wealth is lost, he begins to embezzle from his business's money, until his matter is exposed and he is imprisoned while Nahid is pregnant with his child. When Nahid gives birth to her baby girl, Hazem Bey's wife happens to give birth to a girl, but the nurse tells Nahid that there is a baby girl. Hazem Bey has died, so Nahid asks the nurse to replace her daughter with Hazem’s daughter.
Mohsen is a wealthy, romantic young man who lives in his grandfather's palace. One day, he decides to shelter a number of homeless children in order to reform them. This turns his family against him, expelling him from the palace and filing a quarantine lawsuit against him.
Three young men boycott their fiancées following a dispute between them and them, in an attempt to live without women. They think that by doing so they can live a life full of freedom and enjoy everything, but this life is not right and human nature overpowers them.
(Hassan), the simple contractor, lives a happy life with his wife (Amina) and his daughter (Laila). He succeeds in his work, becomes a wealthy contractor, and meets (Murad) Bey and they start a company. (Nima), (Murad's) playful sister, tries to lure (Hassan) into... She falls into her trap, and succeeds in doing so in order to cover up the suspicious actions of her brother (Murad). Hassan leaves his wife (Amina) and divorces her. His daughter, Laila, and her fiancé, Aziz, try to expose Naama and Murad and reunite the family.
Hussein and Laila are children who pledge to love. Circumstances separate them and they meet after they grow up and their feelings are renewed, but Laila is exposed to an accident that loses her sight, so she decides to sacrifice her love so that Hussein can avoid life with a co-wife.
Khurshid Pasha lost his daughter Nadia in Sudan fifteen years ago. He fled to Egypt with his secretary Murad. He advised him to search for her while he was on his deathbed. Murad intends to search for Nadia so that the wealth does not go to relatives. Murad and his followers travel to the jungle and finally find her, but the rest of the family are looking for her in order to kidnap her.
The play is distinguished and deals with several major issues ... It starts when Sa'id Saleh works in several exhausting jobs and in the end he does not benefit from cheating and harassment. He sees the beggars and the large sums of money that he thinks of this work and brings together several people to be with him and be the leader of the Shehata. It begins with a series of comic paradoxes that address important issues ...
Ayoub Gad al-Haq, "Fouad El Mohandes," a simple employee, is struck by the great resemblance between him and the husband of the deceased employer in a big trouble where the small employer's daughter is concerned, thinking that he is her father who died in an accident. The employer asks him to hire a secretary at home so that her daughter, who is not aware of the death of her father, will not be shocked. He falls in love with her, but he does not forget the fact that she is Hanim and he is just a poor employee
Aida is an Egyptian musical produced in 1942, scripted and directed by Ahmed Badrakhan and the story of Abdul Warth Asr about the opera Aida participated in singing Fathia Ahmed, Abdel Ghani Sayed. Represented by: Umm Kalthoum, Ibrahim Hamouda, Suleiman Najib, Abbas Fares.
The film revolves around a couple who were joined by love but the intense quarrels between the husband and wife until they reached the judiciary to separate them, but the ruling was in favor of the husband and entered the wife in the rule of obedience to her husband means the house of obedience and dream here the husband to discipline his wife
A singer who works in a nightclub, and seeks to retire from this world, meets a poor young man who falls in love with her and asks for her hand in marriage, so she accepts, and leaves the world of cabarets and the two live a happy life. The woman appears to be very loyal, as she serves her disabled father-in-law, but her husband feels that he does not provide her with happiness, so he is forced to embezzle an amount of money from the company he works for, and he goes to prison, and in light of the life circumstances she lives in, she decides to return to work in the bar again.
“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.
For Billie and Nico, life with their father is a roller-coaster ride of playfulness and unease. When he is in the grip of alcohol, tears flow and their apparently idyllic family life collapses. Their mostly absent and irresponsible mother is not much help either. But their friendship with Malik, a boy of Billie’s age, frees them from their shackles. Together they embark on a journey full of intense moments of freedom. The colourful, emotional world of the three young people is depicted in kaleidoscopic black and white imagery, which opens space for their own notions of childhood. Alexandre Rockwell's tale portrays a profound sense of solidarity and deep love: for cinema and Billie Holiday, and also for risk and adventure.
The son of a wealthy man wants to be a musician but his father, the factory owner, objects and kicks him out. When his father announces a competition for the name of a new soap, his son wins the prize and has enough money to finance the theater of his dreams and he becomes famous for his shows.
Dalyal is a girl of astonishing beauty. Because of this beauty, she suffers from a psychological complex with acute self-esteem issues. She marries a rich man, but cannot give him what men demand. Her husband's nephew, Professor of Psychology Dr. Mukhtar, tries to cure her of this psychological condition, but the rich old man becomes jealous of his nephew.
Meeting by chance when they return to their tiny California hometown, two former high-school sweethearts reflect on their shared past.
Detectives Brian McNeely and John Hubbard team up once again to solve a death at the local high-school.
After a dark night, a man considers his options in life