Light A Candle, Write A History - Candlelight Revolution

YU Wooseong who had been working as a civil servant is on trial for espionage following his sibling’s confession. A reporter who has been laid off begins following the traces of a spy story manipulated by a government agency. The clues lead to a confession and false evidence that society and the press have turned their back on.

YouTube musician and Korean American adoptee Dan Matthews travels to South Korea to perform and reunite with his biological family, including a long lost twin he never knew he had.

Grindcore punks Bamseom Pirates make music suitable for a sick society.

Over 98 days from August 20th to November 25th 2013, 2821 people from around the world sent 11,852 video featuring many different faces of Seoul. 154 were selected, edited, and made into a movie.

Rewriting history every step of their way, SEVENTEEN’s first Seoul World Cup Stadium concert and encore tour [SEVENTEEN TOUR ‘FOLLOW’ AGAIN TO SEOUL] is coming to big screens worldwide this August! From the eagerly awaited full thirteen-member performances to the premiere of “MAESTRO” and unique unit performances of “Spell”, “LALALI”, “Cheers to youth”, the film captures these unforgettable moments with cinematic cameras from multiple angles, ensuring an immersive experience. This concert film begins with a powerful daylight performance that transitions into an event brimming with a diverse array of music. Culminating under a night sky illuminated by CARAT lightsticks, it captures the essence of SEVENTEEN’s record-breaking nine-year legacy. Relive the exhilaration of the concert in ScreenX, 4DX, and ULTRA 4DX for an unparalleled experience.

Korea's past was whale worship; its present is industry. Is the future whales AND industry?

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

PyeongChang 2018 Olympic Opening Ceremony: Peace in Motion

August 2011, Seoul station was ‘reborn’ restoring the historical traces it once had. It was named as ‘Cultural Station 284’. To commemorate this very day, an opening exhibition was held, named as ‘COUNTDOWN’. However, among all the fine works of art alongside the exhibition, the best piece of art was not to be found. To be precise, that very piece of art was not available at that time. That work of art needed time to be established. After observing and speculating the abject moments of the restoration process, finally, it was completed.

South Korean cinema is in the throes of a creative explosion where mavericks are encouraged and masters are venerated. But from where has this phenomenon emerged? What is the culture that has yielded this range of filmmakers? With The Nine Lives of Korean Cinema, French critic, writer and documentarian Hubert Niogret provides a broad overview but, nevertheless, an excellent entry point into this unique type of national cinema that still remains a mystery for many people. The product of a troubled social and political history, Korean cinema sports an identity that is unique in much modern film. Niogret's documentary tells of the country's cinematic history - the ups along with the downs - and gives further voice to the artists striving to express their concerns, fears and aspirations.

Oryu Market

Eddie and Jason, two Korean-American brothers get in over their heads when they are called to Korea to make a short film on prostitution and sex-trafficking. Things get complicated when they meet Crystal and Esther, two prostitutes who reveal just how deep the problem goes and set off on a dangerous mission to capture the truth. With the use of hidden cameras and access to pimps, johns, and sex-workers, the filmmakers explore and unravel the complexity of the sex trade in Seoul. They learn that this problem is rooted in issues far deeper than exploited girls and lustful men. Instead, it's a consequence of a culture and government that condones and turns a blind eye to the biggest human injustice of our time.

An investigative reporter seeks to expose the whereabouts of a slush fund belonging to the former president of South Korea, Lee Myung-bak.

Interpreting an event of ROKS Cheonan corvette, torpedoed and sunken by North Korea, this documentary rebuilds the event with a different insight. No one can tell if the investigation of Cheonan has reached compelling conclusion. But the film tells and reveals how unreasonable Korean society is.

The public yearns for a hero who will solve the economic crisis, and MB bursts onto the scene. However, what made voters excited now makes them disappointed. How the then voters were seen from the MB’s perspective? A political documentary that makes people laugh and cry.

The church is the body of Christ. In Greece, the church embodied a philosophy. Then in Rome, it became an institution. Spreading throughout Europe, it became one with the culture there. Traveling to the US, the church became a business. And when it arrived in Korea, it became a conglomerate. The top five largest churches in the world are located in Korea. However, Christ has long been absent in the nation. So then, what is the church? Who is Jesus Christ? What kind of world do Christians want? If the church is indeed the body of Christ, then we must ask the questions point-blank. Where do we stand in all this? And where exactly are we headed? Korean churches—“Quo Vadis?” Korean society—“Quo Vadis?”

The story of the ancient and sacred Gureombi Rock. The story of the people of Gangjeong Village who rise up against the construction of a US/Korea Naval base on their holy and precious land. The winds of peace, like the winds of Jeju Island, are blowing.

In our 3-year marriage, we have fought on every holiday, on parents' birthdays, during ancestral rituals, and even on Christmas. We argue all the time. The tension between my wife and my mother is killing me.

Documentary on director Kim Ki-Duk looking back at his film career.

The drastic economic development in South Korea once surprised the rest of the world. However, behind of it was an oppression the marginalized female laborers had to endure. The film invites us to the lives of the working class women engaged in the textile industry of the 1960s, all the way through the stories of flight attendants, cashiers, and non-regular workers of today. As we encounter the vista of female factory workers in Cambodia that poignantly resembles the labor history of Korea, the form of labor changes its appearance but the essence of the bread-and-butter question remains still.