Turn Me On, Dammit!

After more than 20 years, the marriage of Bevon consultant Thea and car mechanic Rainer has been worn down by years of routine. Thea lacks appreciation from her family and no longer has access to her teenage daughter Janina. Her husband Rainer is still mourning his missed chance of a career as a rock star and is hopelessly at odds with his son Patrick. When Heinrich Bittner, a supposedly close friend of Thea's deceased father, suddenly moves in with the Cronpichels, Thea enjoys his presence and begins to see her life with new eyes. But is the charming and mysterious Heinrich really who he claims to be?

Eric and Louise's honeymoon is disrupted by a stranger who claims he will perform a miracle. Meanwhile, Eric's brother and best friend are both experiencing trouble with their own relationships and want to warn him about challenges of marriage.

The basic story in Love under the Crucifix is about Ogin, daughter of a tea master, who are both Christians in feudal Japan. Ogin falls in love with a feudal prince, also a Christian who is already married, and that creates problems. Further, when the Shogun bans Christianity, the situation worsens.

A comedy-drama about best friends - one a straight woman, Abbie, the other a gay man, Robert - who decide to have a child together. Five years later, Abbie falls in love with a straight man and wants to move away with her and Robert's little boy Sam, and a nasty custody battle ensues.

Esther's life is panning out nicely. She will soon move in with her boyfriend Vincent and she seems set to get a permanent position at the public relations company where she freelances. All would be fine if Esther didn't accidentally discover a piercing curiosity about her own body.

Marie, who works as a successful door-to-door encyclopedia salesperson, has been married to her husband Francois for 12 years and has a two-year-old son. Though she is relatively content with her life, she feels something is wanting. Enter 50-year old African-American Bill. Initially she is annoyed by his insouciance, but she finds that she is irresistibly attracted to him. Soon the two are in the midst of sordid illicit affair. She knows little about her new lover, and he seems uninterested in learning about her, but the long sessions of lovemaking are something else entirely. Feeling out of control, Marie is increasingly repelled by her own actions. Psychologically, she struggles to reconcile her torrid encounters with Bill and mundane domestic chores such as bathing her son. Moreover, she finds herself incapable of hiding her adulterous behavior, rather she comes home with scratches and hickeys all over her body, to the devastation Francois.

On her birthday, Juliette is too upset to worry about the strange cleaner who imitates her every move and lusts after her clothing.

An obnoxious meter maid and social media junkie, Michael fakes his own death to see which of his many friends will attend his funeral.

The Old Settler is the story of two middle-aged sisters, Elizabeth and Quilly, who share an apartment in Harlem in 1943. The sisters quarrel amiably, but they share a wounded history that becomes revealed as the tale unfolds. An earnest but unworldly young man named Husband travels up from the South to board with the sisters while he searches for his beloved Lou Bessie, who left their small town a few years back to find a new life. Husband would like to bring Lou Bessie back home, but she's enamored with the excitement of the city, and her plans are more complicated. In time, Elizabeth and Husband begin a courtship that may or may not overcome their considerable age difference, while Quilly reacts disapprovingly.

Pierre has been happily married for fifteen years and a good father. Still in love with his wife, he enjoys his wife and family and is content. One evening, he meets Elsa at a party and are immediately attracted to each other. Fifteen days later, they happen to meet again and the mutual attraction turns into infatuation. But his love for his wife and Elsa's rule about not dating married men prevents them from taking the next step. Instead, they fantasize about each other, and soon the fantasies mingle with the reality.

Jutka, a young woman who works in a factory, falls in love with Andras, a university student. She pretends to be a student, to him and to his parents, and begins to live a lie. Finally she rebels against Andras and his demands and the social conventions that forced her to live a lie.

The late 1950s. Every night, Soviet tractors comb the coast of Latvia looking for signs of anyone who could have infiltrated the Soviet border from the sea. One morning, three Soviet patrolmen discover a woman’s shoe in the sand and footsteps leading to the quaint little village of Liepaja.

A companion piece to the earlier film ‘The Death of Empedocles’, 'Black Sin' is an adaptation of the third version of Friedrich Hölderlin’s play ‘Der Tod Des Empedokles’.

Two religious maniacs, Judas (played by Terrence Fleming) and Corned Beef (played by Eric Hammer), are visited by two aliens, Madeline Virbasius and Dion. Virbasius, dressed as the Virgin Mary, tells the two to kill people for Jesus and to drain the puss from their heads and bring it back to them. Fleming and Hammer set out to bring "the Virgin Mary" back as much puss back as possible in a bucket (hence the title)

A Soviet dam project means that many old Ukrainian villages will end up under water. There are conflicts between the dam engineers and villagers who don't want to move.

A queer lady holiday movie that follows the lives of three very different couples in dealing with their love lives in various loosely interrelated tales all set right before Christmas through New Years.

Sophie just finished high school and is going to college. This means she will have to move out of town and say goodbye to her mother, brothers, sisters and her family home. Sophie wants to live on her own and and become independent, but at the same time she longs to be in her mother's arms, to the safety of her home and to prolong the scary and unknown.

It sometimes takes little to spoil a weekend in the country. A simple misunderstanding in a supermarket parking lot, a bad reaction, and there you go, everything is awry. Nothing is going well for Christine. Jean leaves her. Her oldest friends, Sylvette and Ulrich, are no longer such good friends. Everything is falling apart at the seams. But life is always full of surprises.

Jan Oxenberg’s charmingly raw, politically-charged and remarkably funny celebration of the American lesbian experience validates the nuanced voice of a community otherwise underrepresented in the Wild West of mid-’70s independent filmmaking. In an attempt to combat the pervasive misconception of the “humorless, angry feminist,” the vignettes in A Comedy in Six Unnatural Acts experiment with self-aware yet playful depictions of common stereotypes, such as the “Stompin’ Dyke” or the butch-femme couple. In the process, Oxenberg’s short film reclaims those insults and assumptions as newfound, loaded weapons—to deploy on her own terms, of course. (UCLA Film & Television Archive)

On the brink of her 30th birthday, Fanny feels the door to marital happiness closing on her. She is obsessed with death and even visits evening classes on dying, so it seems fitting that she encounters a skeleton in the malfunctioning elevator of her apartment building. The skeleton is her neighbour Orfeo, a Black, gay, self-declared psychic, who convinces her that she is about to meet "him". But is it really Lothar, the new yuppie apartment manager ...?