Es werde Licht! 2. Teil

In the college play, Tom and his room-mate, "Bunch," take prominent and successful parts, Tom as the hero and "Bunch" as the heroine, in which he is an excellent female impersonator. The day after the performance, "Bunch" makes an engagement to take a real chorus girl to dinner. Unexpectedly his mother comes to college to visit him and he makes Tom take the girl.

On Wall Street a strong-willed and arrogant stockbroker, one of those successful men who feels no one else knows anything, exasperates his son, a broker as well. The son goes into business for himself successfully. When a panic comes, his father is brought to the verge of ruin by speculating against him driving a further wedge between them. In time a reconciliation is forged by the women in their lives.

Everybody's ordered out on a strike when Benjamin Cohen, proprietor of a sweat-shop, reduces the employees' wages ten per cent. Rebecca Barish, a young Jewess, and her father, reluctantly go out with the rest. Unable to find other work, their circumstances become so reduced that Rebecca is obliged to go to the pawnshop with some of their belongings, and while there, Jacob Stattler, the pawnbroker, takes a fancy to her, and offers her father, through a schatehen, five hundred dollars to give her to him in manage.

Howard Peyton served two years for forgery. Jerry Grafton, a genteel crook, is on the lookout for him when Howard comes out of prison. He is met at the jail door by his young wife. Jerry also meets him and offers him help, but urged on by his wife, Howard refuses it. When they reach home, his wife, who has a little money, induces him to go to New York and start life anew, and send, for her when he has a position. In New York, he manages to obtain a position in the office of Arthur Jamieson, an importer. Howard sends for his wife to join him. While he is waiting, Grafton finds him and insists that he forge his employer's name, or he will expose his past offense. Naturally weak, Howard yields.

Glory Quayle, a natural-born mimic, leaves her country home, reaches London, goes on the stage, gains fame and affluence. John Storm, her country sweetheart, believing he has lost Glory forever, enters a monastery, tries to forget her, cannot kill his love, returns to the world, becomes a famous slum worker and friend of the poor.

A crook and his gang plan to con a young woman out of a cache of stolen loot they, and the police, believe she's hiding. The situation changes, however, when he falls in love with her and he sets out to save her from being imprisoned for a crime she didn't commit.

In a wealthy society family, the mother is forced to sit by and watch while her husband and son both compete for the affections of a pretty young temptress.

The story centers on a sordid love triangle involving a woman and two men. Their personal tensions and romantic complications reach a breaking point just as the local infrastructure fails. The climax of the film occurs when a massive dam bursts, unleashing a catastrophic flood. This disaster serves as the ultimate resolution for the characters' interpersonal struggles, forcing a conclusion to their conflicting relationships through the life-and-death stakes of the inundation.

Earliest japanese horror film.

Yotsuya Kaidan

A policeman falls for a teacher, and befriends her students. A gang of bootleggers threatens his newfound joys.

Tom Devon, alias Reginald Briand, is the mastermind behind an organization of gentlemen thieves, including Jimmy Stevens and Rudolph Gambier. Jimmy falls in love with Tom's innocent daughter, Gloria, after he rescues her from an embarrassing scene in a restaurant. Tom disapproves of the romance and decides to dissolve the partnership. When an embittered Rudolph kills Tom he frames Jimmy, but Gloria is determined to clear him. Posing as a thief, she seeks the truth.

Based on the real-life lawsuit of journalist Quentin Reynolds against columnist Westbrook Pegler, portraying the courtroom battle where Reynolds sues Pegler for calling him a communist; stars Van Heflin as the lawyer and Jose Ferrer as the bigoted columnist, dramatizing how they slowly trap the writer in his own lies, ultimately leading to a win for Reynolds and highlighting McCarthy-era politics, with the story adapted from Louis Nizer's book My Life in Court.

A mother/daughter relationship is thrown off balance when the mother discovers that her "good girl" daughter is part of a group who are engaging in sexual activities with multiple partners that results in an outbreak of sexually transmitted diseases.

Betrayal and duplicity in the deserts of the Pasha before a happy resolution.

Robert Moore is the general manager of the firm run by John Gibson. After Gibson makes several visits to Moore's home, unfounded rumors begin of a relationship between Gibson and Moore's wife, Martha. Moore is discovered with a revolver in his hand, standing over Gibson's dead body. In fact, Moore’s best friend committed the murder, but Moore is convicted of second-degree murder and sentenced to 20 years in prison. Impulsively Martha remarries to a man who proves to be a brute. When Moore is set free after the real murderer confesses, he visits his former wife just as her husband attacks her. In a struggle, Moore shoots him in self-defense and is then reunited with his family.

Into the Night is a 1928 American silent crime film directed by Duke Worne.

Four sisters come of age in America in the aftermath of the Civil War.

Yankee sea captain lands on the coast during the old Spanish days to trade with the ranch owners. He meets a girl who is betrothed to a man she loathes. After a series of adventures and narrow escapes he shows up the unscrupulous ranch owner and wins the girl.

A girl known as "Boots," who keeps house for a band of crooks led by her kind guardian, Uncle Ben, called "The Lion," demands that she be allowed to accompany them on a burglary. Dressed in boy's clothes, Boots is caught by Mrs. Kathryn Sylvester, a rich society widow, who, upon learning that Boots is a girl, resolves to avenge herself on James Graham, who refused to marry her stating that he wanted no stain on his lineage.