A Space of Our Own - The Lanka Comic Con Documentary

A couple of dolts lost in the woods get stalked by a lunatic obsessed with John Stamos.

Tekoşer. Il Partigiano Orso

After moving to Oregon and falling in love with the ability to explore the outdoors with ease with his wife and two kids, Rashad Frazier knew he had to extend the invitation to others. Driven by the magic of his experiences, his background as a chef, and his love of good food and connecting people to incredible places that open up to conversation, he created Camp Yoshi, which curates custom outdoor adventures centered around shared meals and shared experience with the goal of creating a space for Black people and allies to unplug and in turn reconnect with the wilderness. By virtue of being in these places, Camp Yoshi's trips transform historically segregated spaces into safe havens for the community, conversation, and nourishment.

This short film focuses on the job of the Hollywood screenwriter.

In 1969, Akbar Padamsee, one of the pioneers of Modern Indian painting, made a visionary 16mm film called Events in a Cloud Chamber. This was one of the only Indian experimental films ever made. The print is now lost and no copies exist. Over 40 years later, filmmaker Ashim Ahluwalia worked with Padamsee, now 89 years old, to remake the film.

Guy Debord's analysis of a consumer society.

Twenty-five films from twenty-five European countries by twenty-five European directors.

An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have progressed so much in such a short time through war and the selfish interests of a few, belligerent politicians and captains of industry, damaging the welfare of the majority of mankind, impoverishing the weakest, greedily devouring the limited resources of the Earth.

An oil boom has drawn thousands to America’s Northern Plains in search of work. Against the backdrop of a cruel North Dakota winter, the stories of three children and an immigrant mother intertwine among themes of innocence, home, and the American Dream.

A 60th anniversary retrospective documentary on the influence and context of the 1962 film, To Kill a Mockingbird.

A cheap, powerful drug emerges during a recession, igniting a moral panic fueled by racism. Explore the complex history of crack in the 1980s.

When a student documentary crew decides to interview Julia, a puzzling young woman willing to share her sensitive past, the project grows increasingly uncomfortable for the subject as the director's relentless scrutiny and unethical transgressions soon start to blur the lines between reality and performance.

In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.

Jeff Koons is a MOCA commissioned mini-documentary on the career of artist Jeff Koons, directed by Oscar Boyson.

Ghyslain Raza, better known as the “Star Wars Kid,” breaks his silence to reflect on our hunger for content and the right to be forgotten in the digital age.

Who are we? Psychoanalysis of Ukrainians

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.

Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

Megalopolis facing sea level rise