Diario ordinário

The interview, held on January 4, 2001, was the last given by Professor Milton Santos, who died from cancer on June 24 of the same year. The geographer is gone, but his thoughts remains. Its political and cultural ideals inspire the debate on Brazilian society and the construction of a new world. His statement is a true testimony, a lesson that the world can be better. Based on geography, Milton Santos performs a reading of the contemporary world that reveals the different faces of the phenomenon of globalization. It is in the evidence of contradictions and paradoxes that constitute everyday life that Milton Santos sees the possibilities of building another reality. He innovates when, instead of standing against globalization, proposes and points out ways for another globalization.

An intimate and revelatory portrait of one of the world’s most influential political figures, Lula explores the rise, fall and triumphant return of beloved Brazilian leader Luiz Inácio “Lula” da Silva, chronicling his extraordinary journey in 2022 to regain the Brazilian presidency after spending nineteen months in prison.

The night of July 15, 2016 changed the history of Turkey. On that day there were coordinated attacks by parts of the Turkish army, among others in Istanbul. The aim of the military: a coup against the government. The decisive confrontation occurred on the Bosporus Bridge. While President Erdogan was still on vacation, live at TV he called on the people who were devoted to him to stand against the military. As an enemy for the masses, he presented his adversary Fethullah Gülen, whom he branded as the coup leader. He also urged the imams of the country's mosques to condition the population to resist. And so it happens that at night thousands of agitated people take to the streets to oppose the armed insurgents. The death toll was high. 352 people died across Turkey during the attempted coup. The consequences are even more serious: Erdogan used this gift, as he called it himself, to undermine democracy, to arrange mass arrests of dissidents and to transform Turkey into a dictatorship.

Filled with raunchy laughs, this documentary compiles outrageous scenes from sex-comedies that shaped Brazil's "pornochanchada" boom of the 1970s.

O Presidente Improvável

Jaime Lerner - Uma História de Sonhos

During World War II, many Japanese immigrants in Santos, Brazil, were forced to move to another place. Matsubayashi draws attention to the fact that 60% of the immigrants were from Okinawa. Based on testimonies from interviewees, this film reveals the hidden historical relationship between Okinawa and Brazil.

Um Documentário Brasileiro

Turkey's history has been shaped by two major political figures: Mustafa Kemal (1881-1934), known as Atatürk, the Father of the Turks, founder of the modern state, and the current president Recep Tayyıp Erdoğan, who apparently wants Turkey to regain the political and military pre-eminence it had as an empire under the Ottoman dynasty.

Built as a letter to JK in his centenary, the film shows what remained in the memory of Brazilians 26 years after his passing in a car accident in August 1976.

Letter Beyond the Walls reconstructs the trajectory of HIV and AIDS with a focus on Brazil, through interviews with doctors, activists, patients and other actors, in addition to extensive archival material. From the initial panic to awareness campaigns, passing through the stigma imposed on people living with HIV, the documentary shows how society faced this epidemic in its deadliest phase over more than two decades. With this historical approach as its base, the film looks at the way HIV is viewed in today's society, revealing a picture of persistent misinformation and prejudice, which especially affects Brazil’s most historically vulnerable populations.

In 2019, the leakage of messages exchanged by authorities in Brazil undermines the credibility of Operation Lava Jato. A group of journalists follows the unfolding of the case, in a sequence of crises that puts Brazilian democracy at risk.

A city that has been living for two years with the law that prohibits "clandestine parties". A youth who, when reunited, risks receiving a police raid on their doorstep, in the street, in the park or in the square. Spatial segregation, denial of the right to the city and public space for the leisure of the poor, black and peripheral. Willingness to make art, create music, lyrics, poetry, beats, hits and spread culture in this repressive scenario.

Every four years, the calm and peacefull Camocim de São Félix, a small town in Pernambuco (Brazil), is shaken, revealing an outpouring of joy, anger, hope and disappointment. During the municipal political campaign, the city splits into two, and everything seems to orbit around politics. In the middle of this political market, Mayara, 23, tries to make a "clean" campaign to elect his candidate and friend Cesar.

Roda Viva Roda Brasil

Upon the outbreak of the Spanish Civil War in July 1936, the anarchist union CNT socialized the film industry in Spain, so in Madrid and Barcelona film workers took over the production assets and, between 1936 and 1938, numerous films on a wide variety of topics were released, composing a varied mosaic that gives rise to one of the most unusual and original moments of Spanish cinematography.

Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981, looking for the same places and people, showing what had ocurred since then, and trying to gather a family whose patriarch, a political leader fighting for rights of country people, had been murdered.

At a time when the far right is ascending to power around the world, the 2020 Brazilian municipal elections saw a surprising and unprecedented record of LGBT candidates. This film follows four young queer politicians during their electoral campaigns and reveals their struggle to affirm their rights to exist and be heard.

Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.

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