Promare / Side: Galo

Movie based on the 2007 TV anime with an original plot.

Tadaima Omoide no Saga

Okaeri: Furusato no Karatsu

Taniguchi was appointed captain of the weak Sumiya Junior High School baseball team, and with his natural fighting spirit, he helped the team grow to the point where they advanced to the regional qualifiers. This theatrical film version, released after the two TV specials, depicts the great progress of Sumiya Junior High School during the Taniguchi era.

One winter, a ravenous ogre terrorizes the land of King Balthasar. Meanwhile, a blizzard is brewing in Léon’s heart. Braving the cold, this adopted bear cub runs away from home. Léon has many an adventure during his travels. He befriends a hedgehog and an elephant, confronts an ogre, and sets Princess Molly Gingerbread free. His courage and integrity eventually lead him back to his family. In the end, the cub earns everybody’s respect.

When an oil rig in the Gobi Desert of Mongolia proves unproductive, an aircraft crew are sent to shut the operation down and fly them out. On the flight out over the desert on the way to Beijing, Capt. Frank Towns and co-pilot A.J. are unable to keep their cargo plane, a C-119 Flying Boxcar, in the air when a violent sandstorm strikes. Crash-landing in a remote uncharted part of the desert, the two pilots and their passengers -- a crew of oil workers and a drifter -- must work together to survive by rebuilding the aircraft. Soon, low supplies and a band of merciless smugglers add even greater urgency to their task.

Some time after Godzilla's battle with Hedorah, a new threat emerges. Gigan, a cyborg dinosaur from the outer space, confronts Godzilla while trying to invade the Earth.

Six samurai traverse a futuristic megalopolis to get to their favourite pub in time for "last orders". Commissioned by the famous Cork-based Murphy's Brewery, to promote their Irish Stout, "Last orders" was made by Production I.G, the Japanese animation studio behind "Ghost in the Shell", and Directed by Hiroyuki Kitakubo (Blood: The Last Vampire, Golden Boy, Roujin Z)

The story follows Benio "Haikara-san" Hanamura, who lost her mother when she was very young and has been raised by her father, a high-ranking official in the Japanese army. As a result, she has grown into a tomboy - contrary to traditional Japanese notions of femininity, she studies kendo, drinks sake, dresses in often outlandish-looking Western fashions instead of the traditional kimono, and is not as interested in housework as she is in literature. She also rejects the idea of arranged marriages and believes in a woman's right to a career and to marry for love.

It is 2046 when a mysterious alien force begins their annihilation of the human race. Leaving behind the one person she loves, Mikako joins the interstellar battle as a pilot. And so - while Mikako risks her life to save mankind - Noboru waits. The two lovers, worlds apart, desperately strive to remain connected as the gap between them widens at a frightening pace.

A giant monster sends a town's citizens into a panic, except for a girl named Yuki and her schoolmate Tetsu. Tetsu happens to have his own strange creature named Cenco as a pet. Another boy named Shuu controls the monster threatening the town, and the stage is set for a battle.

Something bizarre has come over the land. The kingdom is deteriorating. People are beginning to act strange... What's even more strange is that people are beginning to see dragons, which shouldn't enter the world of humans. Due to all these bizarre events, Ged, a wandering wizard, is investigating the cause. During his journey, he meets Prince Arren, a young distraught teenage boy. While Arren may look like a shy young teen, he has a severe dark side, which grants him strength, hatred, ruthlessness and has no mercy, especially when it comes to protecting Teru. For the witch Kumo this is a perfect opportunity. She can use the boy's "fears" against the very one who would help him, Ged.

Bonus animation featuring Index-tan included with the BD special edition of the Toaru Majutsu no Index: Endymion no Kiseki movie.

Eiga Oshiri Tantei Saraba Itoshiki Aibō (Oshiri) yo

Riko, Midori, and Mai work in an Inn in Kyoto. They are training to become maikos (traditional female entertainers who sing, dance, and perform). A festival is coming and the three must start practicing.

In the year Universal Century 0079, humans have colonized the area of space lying in between the Earth and the moon. However, the ambitious Zabi family, rulers of the Duchy of Zeon, the grouping of colonies furthest from the earth, has sparked a war.

In a mythical kingdom, the mighty Imperial Knights harness a magical substance known as Aer to power their weapons and protect humanity from the monsters of the forest. But something strange is afoot; the Aer is somehow changing, causing the wilderness to waste away and stirring the woodland beasts to attack with greater frequency. As danger creeps steadily closer to civilization, two young recruits - Flynn, the rigid son of a fallen hero, and the rebellious and brash Yuri - must ride with their fellow Imperial Knights to distant ruins in hopes of uncovering the truth behind the transforming Aer.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

Lupin begins his heist by stealing a newly-discovered Japanese cultural treasure being transported to Germany. During his attempt to steal the treasure, however, he witnesses the always-ambitious Zenigata's supposed "death," a plan hatched by a ninja clan who are also after the treasure. Can Lupin and his friends prevent the ninja clan from obtaining what they seek?

Stolen from the famous "secret" Air Force base, Area 51, Lupin's most recently stolen treasure holds a secret. Four "Bloody Angels," the toughest women Lupin has ever faced, want the treasure for their own terrorist purposes. Meanwhile Zenigata teams up with a female police officer to hunt Lupin and the terrorists down.