A tight-knit community fixing up motorcycles, dishing up meals at the local diner, and canning fruit preserves. The people of Allegany County, New York, have always sustained through the good and bad times.
A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.
Sundance award-winning director Julia Kwan’s documentary Everything Will Be captures the subtle nuances of a culturally diverse neighbourhood—Vancouver’s once thriving Chinatown—in the midst of transformation. The community’s oldest and newest members offer their intimate perspectives on the shifting landscape as they reflect on change, memory and legacy. Night and day, a neon sign that reads "EVERYTHING IS GOING TO BE ALRIGHT" looms over Chinatown. Everything is going to be alright, indeed, but the big question is for whom?
Boy meets Girl but with no dialogue or contraception.
The Newsreel collective’s JANIE’S JANIE breaks with the group’s usual format for a more personal approach, following a woman’s journey to self-determination after years of mental and physical abuse; or, as Janie says, “First I was my father’s Janie, then I was my Charlie’s Janie, now I’m Janie’s Janie."
An intimate portrait of a real Modern Family: Meet Erik and Sandro, a gay couple with daughters birthed by their friend Rachel who's married with three teenagers of her own.
KCBT explores the shifting urban landscape and rapid economic growth of Hanoi, Vietnam through stenciled demolition ads that both visibly mark the entire city and internally mark its residents.
Thirty-something Isabelle spends her time going from her tiny, solitary West Side apartment to that of her grandmother on the Lower East Side. While her grandmother plots to find her a romantic match, Isabelle is courted by a married, worldly author, Anton, yet can't seem to shake the down-to-earth appeal of Sam, a pickle vendor.
Oğuz is a kind-hearted, young, university-educated, unemployed young man. He is madly in love with Naz, whom he has been with for three years, and is disturbed by the interest shown in the young woman by her flirtatious boss, Alper. After a heated argument, he suddenly decides to marry Naz. However, Naz's father, Cemal Bey, has vowed to give his daughter to someone who wears the national uniform.
Trish invites her high school basketball teammates over for a night they'll never forget when an unexpected guest crashes the party: an escaped psychopath with a portable power drill.
Two girls from different backgrounds, one an immigrant from Turkey and the other a girl who needs to get out of her father's shadow, apply to the police academy, where they become close friends.
A trio of young men are forced to grow up quick when their girlfriends all become pregnant around the same time.
A black president. Gays in the military. Women who like jerks. Carlos Mencia has something to say about it all in his new stand-up special, Performance Enhanced, held in front of a packed house at a Hard Rock Hotel theatre in Florida. Watch as he talks about his trip to Iraq, his real feelings on the N-word, and just about everything else that pops into his head. With his trademark frenzied performance style, you have our word that this is 100% Carlos---just slightly enhanced for your entertainment.
Nesbitt Spoon, who's a bit of a nebbish, tells us about his day, which is fairly average up until the moment that his doctor tells him he has only five minutes left to live.
Talented 20-year-old Lolita dreams of a singing career. But her self-esteem is low due to her weight problem and her narcissistic father, Étienne, a literary star with scant interest in his daughter's life. Lolita finds little comfort in the attentions of her vocal coach, suspecting the woman is using her to meet her influential father. Étienne's second wife proves to be Lolita's only trustworthy ally in her private battle to find a sense of worth.
The Griswolds win a vacation to Europe on a game show, and so pack their bags for the continent. They do their best to catch the flavor of Europe, but they just don't know how to be be good tourists. Besides, they have trouble taking holidays in countries where they CAN speak the language.
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
Outraged by the controversial January, 1988 article in Cosmopolitan magazine, the women in the AIDS Coalition to Unleash Power, (Act Up, New York), organized the first AIDS demonstration focused on women. Doctors, Liars and Women:AIDS Activists Say No To Cosmo not only documents the efforts of the Women's Committee to organize this protest, it also serves as a how-to-guide for direct action.
A documentary film about AIDS and one unconventional woman's efforts to educate her small, Southern community. DiAna DiAna is a local hairdresser who transformed her beauty parlor into a center for AIDS and safe sex information.
This film is a poetic composition of recorded history and non-recorded memory. Filmmaker Rea Tajiri’s family was among the 120,000 Japanese and Japanese Americans who were imprisoned in internment camps after the attack on Pearl Harbor. And like so many who were in the camps, Tajiri’s family wrapped their memories of that experience in a shroud of silence and forgetting. This film raises questions about collective history – questions that prompt Tajiri to daringly re-imagine and re-create what has been stolen and what has been lost.