Aladár a tüzoltónapon
Havasi Magdolna
Albert Gran and E.J. Ratcliffe are warring San Francisco shipping magnates; Mary Brian is Gran’s daughter and Charles (Buddy) Rogers is Ratcliffe’s athletic son. The result is a swift, exhilarating comedy, full of laughs and a nonchalant charm.
A super-model begins to question her glitzy, frenetic lifestyle when she awakes after a all night party to find a strange man in her bed. She sees a surfer riding the waves below, follows him to his tented camp on the banks of a river. 'Leatherlip' earns a living making leather goods and roaming around on an extraordinary 'trike' with his worldly goods and surfboard strapped on an overhead rack. They fall in love and she abandons her previous life. Then inexplicably she disappears. Leatherlip sets off on a cross-country odyssey to find her, knowing only that her father lives on a boat on the West Coast...
Today and Tomorrow (Hungarian: Ma és holnap) is a 1912 film directed by Michael Curtiz and starring Gyula Abonyi and Jenőné Veszprémy.
"My heart is ice, my passion consuming fire. Let men beware," exclaimed Theda Bara (via an inter-title, of course) in this "Vamp" melodrama based on Grabriele D'Annunzio's 1898 story La Gioconda.
Florid melodrama of misunderstandings, betrayal and desperation as Theda schemes to keep the title secret.
This picture is based on the same story that became D.W. Griffith's Orphans of the Storm in 1921. This version, made by the Fox Studios, stars famous "vamp" actress Theda Bara in the role that Lillian Gish later made famous
This was Theda Bara's third starring film, and the first which she carried all on her own, with no other name actors in the cast. Based on the Alexander Dumas story, The Clemenceau Case involves Iza, a vampire-wife (Bara), whose wicked ways scandalize her husband, Pierre (William E. Shay).
The daughter of a Mexican aristocrat endures the travails of the Mexican revolution.
In this film, her next-to-last picture for Fox, it was Theda Bara's turn to tackle a double role. Bara's characters are twin sisters La Belle Russe, the wicked one, and Fleurette, the nice one. They're Parisian dancers, and Fleurette marries Philip Sackton (Warburton Gamble). However, Sackton is a member of Britain's snooty aristocracy, and his family disinherits him.
An actress with a wild reputation finally settles down to a sedate and pleasant marriage. One of her former lovers, an architect, arrives to disrupt her happiness by renewing their affair. She humiliates this suitor in public with her rejection, and he seeks revenge, revenge that catapults her into tragedy.
A story of Vienna following World War I, in which the butchers became millionaires and the aristocrats became beggars, told against a background of mother-love and sacrifice.
In her first Paramount film, Billie Burke plays Helen Wentworth, an heiress who's bored with the high life and decides to enjoy a bit of the low life.
Society miss Sadie Love has just wed Prince Luigi Pallavincini when she gets a phone call from Jimmie Wakely, a suitor she has not seen in a year. She allows him to come by and declare his love but doesn't bother telling him she has just gotten married. Without giving it much thought, she decides she likes Wakely better and runs off with him.
At The Beauty's Altar
Ruy Blas
Two identical sisters are able to switch places, leading to a series of unfortunate incidents.
Pinku distributed by Million.
Wanting to enjoy her student life more, a female college student casually begins a subsidized relationship even though she has a boyfriend. She becomes involved in an underground prostitution ring and becomes corrupted, but in the end, she discovers her own sexual tendencies and becomes a prostitute herself. Depicts walking the path of. This work is based on social conditions such as the fashion of mistress banks at the time.