An ambitious U.S. Senator reflects back on his life after the death of a woman whom he loved and kept in contact with only through correspondence.
Story of a young woman who marries a fascinating widower only to find out that she must live in the shadow of his former wife, Rebecca, who died mysteriously several years earlier. The young wife must come to grips with the terrible secret of her handsome, cold husband, Max De Winter. She must also deal with the jealous, obsessed Mrs. Danvers, the housekeeper, who will not accept her as the mistress of the house.
After a young man is murdered, his spirit stays behind to warn his lover of impending danger, with the help of a reluctant psychic.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Young lovers Sailor and Lula hit the road to start a new life together away from the wrath of Lula’s deranged, disapproving mother, who has hired a team of hitmen to cut the lovers’ surreal honeymoon short.
Oksana (played by Sofia Rotaru) is a young and beautiful Carpathian girl. On the "Donetsk-Verkhovyna" train she becomes acquainted with a young miner from Donetsk called Boris. The travellers fall in love, but are parted when they arrive at their destination. In the Carpathian mountains their paths diverge, but Boris (played by Vasyl Zinkevych, soloist of the instrumental band "Smerichka") discovers where she is staying. The couple meet again and rekindle their love. Their friends invite them to perform in a concert for vacationers at a mountain resort, where they sing about their feelings for each other.
Laura and Carlos love each other as if every day was the last, and perhaps that first love intensity is what will tear them apart a year later.
Using a mix of Hollywood aesthetics with documentary strategies, the film follows a young indigenous girl from the Xingu National Park to São Paulo, where she falls in love with a robot that also happens to be a stand-up comedian. This strange story mixes the anthropology of humor, indigenous communities, and artificial intelligence.
A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.
Slaking a thirst for dangerous games, Kathryn challenges her stepbrother, Sebastian, to deflower their headmaster's daughter before the summer ends. If he succeeds, the prize is the chance to bed Kathryn. But if he loses, Kathryn will claim his most prized possession.
In the boorish city of Agrabah, kind-hearted street urchin Aladdin and Princess Jasmine fall in love, although she can only marry a prince. He and power-hungry Grand Vizier Jafar vie for a magic lamp that can fulfill their wishes.
A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.
After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Talking about his father’s loneliness soon leads to a meeting with a young female journalist, who has flown to Seattle to write a story about the boy and his father.
Diana finds a bottle in the sea. The bottle contains a message. The message speaks of love. Love will guide this story.
Amal (Nadia Lotfi) loves Hussein (Jalal Issa), but her father refuses to marry her to him and manages to kill him, so she lives sad hopes in the world of remembrance, sacrificing her youth and beauty for the sake of the memory of the one she loves, even if she offers her in her loneliness and her monster who humanizes her and who can forget the memory of her first love, then she encounters Adel, a young man similar to her lover, and discovers that he is his little brother, so she becomes kind to him, but she is frightened when she remembers her first love.
A sumptuous short film of friendship and adoration between boys, based on a poem by Peter LeBerge. Moments of joy, bonding and roughhousing on a school trip to the beach counterpoint one teen boy’s introspective sexual awakenings and questionings. Magnificent cinematography and editing create a visual feast that provides the imagery for a narrated poem by Peter Laberge alluding to early homosexual desires, but with Catholic overtones never directly expressed.
His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until finally - as if to underline the ambiguity and interchangeability of their respective roles - the colours are reversed altogether. Still more interesting is the way in which, as the game becomes more ambiguous, Dwoskin adds fresh layers of make-up to his characters' faces, until they become almost caricature masks of their original selves.
A man and a woman meet in the ruins of post-war Poland. With vastly different backgrounds and temperaments, they are fatally mismatched and yet drawn to each other.
A man suffering from severe OCD attempts to summon dark forces to help him move on from a recent tragedy, only to quickly realize he may be in over his head
One evening Grisha dares to approach Polinka, a girl from the neighbouring village he has admired for a long time. They begin to date and all goes well until the day when Grisha’s impudent friend Kostya decides to ridicule Polinka in public.