Faith No More: Reunited - Live at the Area 4 Festival

To impress a movie star, a U.S. Air Force crewman pretends he is soon to see combat. When his lie gets out, chaos ensues.

Ricardo Fuentes (Carlos Gardel) leaves Buenos Aires after loosing in horse races to go to Barcelona, where he plans to open a tango bar, a new concept of tango dance show and dance saloon. On the ship he meets Laura Montalván (Rosita Moreno) who happens to be a thief working with a thief pal. Ricardo watches them robbing a lady's bracelet aboard but decides not to report them because he has fallen in love with Laura. Once in Barcelona, he opens the tango bar but Laura's partner tells him he sold the bracelet and now needs to recover it to avoid both Laura and him going to jail.

Gloria's grandmother is kidnapped by "La greñas", a gang leader, and is forced to impersonate her to save her grandmother's life.

Sundered lovers meet again amid tragic irony at a mining camp in northern Norway.

A silver-tongued poet and self-proclaimed "King of the Beggars" searches old Baghdad for a rich bachelor to marry his dreamy daughter, Marsinah. Along the way, he poses as the renowned sorcerer Hajj and gets in and out of scrapes with an elderly thief, a dim-witted wazir, and his wife. Meanwhile, his daughter develops feelings for a handsome caliph.

Plot TBA.

After debuting in 1983 with Casta Diva, Eric de Kuyper immediately made Naughty Boys in 1984, a film that he himself described as “a sad musical comedy” in which he pays homage to the old musicals and comedies. The film is set in an unspecified time, somewhere between both World Wars in a large English country house. Six gentlemen in dinner jackets try to maintain the atmosphere of a party that has just ended. Naughty Boys was the second film De Kuyper made with friends and students, but here for the first time they were joined by a “professional” actress, Linda Polan.

He was known as Anatole Litvak during his Hollywood directorial career, but he was still Anatole Litwak when he helmed the German musical Das Lied Einer Nacht (The Song of Night). Famed Polish tenor Jan Kiepura stars as famed Italian tenor Ferraro. Escaping from his tyrannical manager, Ferraro switches identities with a young tourist (Fritz Schulz) and goes off on an unscheduled Swiss holiday. Still travelling incognito, our hero falls in love with a winsome mountain girl (Magda Schneider). Alas, both his romance -- and his freedom -- are placed in jeopardy when it turns out that the charming young fellow with whom Ferraro traded identities was actually a notorious swindler. Anatole Litvak also directed the English-language version of Das Lied Einer Nacht, Be Mine Tonight

Letters, Riddles and Writs is a one act opera for television by Michael Nyman broadcast in 1991.

Zukas

Black and white filming of the song "Das verlassene Mägdlein" by Hugo Wolf to lyrics by Eduard Mörike.

In 1940s France, a new teacher at a school for disruptive boys gives hope and inspiration.

I followed the everyday lives of Ali, Kais, Ertan and Alban with my camera for over two years. The time was characterized by disappointments, conflicts and also great successes. It all began with a visit to the "Klingelpütz" youth center in the middle of Cologne. Young migrants have been meeting here for many years.

A music-loving kinkajou named Vivo embarks on the journey of a lifetime to fulfill his destiny and deliver a love song for an old friend.

In 1990, one sixth of the population of Bhutan was exiled because they demanded greater democratic rights from the ruler. The film follows the story of Sarita, a 13-year-old girl born in Khudunabari, a refugee camp in Nepal where over 100,000 Bhutanese exiles live. Now they will be "relocated": thousands of families will be forced to emigrate and their Lotshampa identity will disappear forever. Sarita and her friends will not tell us their odyssey: they will dance and sing it.

A director tries to get his porno musical off the ground.

In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket, and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.

A pop singer who has been successful on Broadway, is homesick and returns.

An all-girl rock band moves to Hollywood in the hope of achieving success, only to fall into a whirlpool of wickedness and decadence.

A gambler in need of cash plots a romance between his daughter and a wealthy Englishman. The daughter, however, has plans of her own.