¡Qué Viva México!

Templeton has relationships with three different women while searching for love.

A young boy mourns the death of his father, and begins a quest to find his mother. He encounters many people on the way who quote Buddhist precepts: an eccentric monk, a girl who grows up into a young woman, a prison inmate, a foul-mouthed doctor and the young son of a hard drinking astronomer. Each of them tell the boy to seek someone to help him find the truth and his mother.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

As a Hollywood actress begins to adopt the persona of her character in a film, her world becomes nightmarish and surreal.

This rock opera tells the story of one year in the life of a group of bohemians struggling in late 1980s East Village, New York, USA. The film centers around Mark and Roger, two roommates. While a tragedy has made Roger numb to new experiences, Mark begins capturing their world through his attempts to make a personal movie. In the year that follows, they and their friends deal with love, loss, and working together.

Feature length documentary examining the troubled life and tragic death of college football standout and talented NFL running back Lawrence Phillips, whose scars of childhood abuse and abandonment haunted him throughout his career.

On a flight from Los Angeles to New York, Oliver and Emily make a connection, only to decide that they are poorly suited to be together. Over the next seven years, however, they are reunited time and time again, they go from being acquaintances to close friends to ... lovers?

Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. Afro Promo provides a compact glimpse at the representation of African Americans through twenty-five dynamic years of American cinema history.

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

In Paris in full German occupation in 1942, a Jewish child Isaac escapes a raid organized by the SS. He then took refuge in the Great Mosque of Paris. The imam decides to protect him by passing him off as a Muslim, as well as the other Jewish children that he manages to free with the help of the resistance networks. The French militia and the Gestapo have suspicions... This fiction film is based on the true story of the rector of the Paris mosque, Si Kaddour Benghabrit, who saved several Jews from deportation during the Second World War.

One of the topics that film affects is dominance the victory over fascist Germany cult in the minds of people and the obscurantist attitude of society towards the Great Patriotic War.

A boy grows up not knowing his real identity. One day a mysterious lady, claiming to be his real mother, divulges the truth about his roots. He is caught between leaving his past and living his new life.

A stuntman who dabbles as a petty thief for corrupt policemen decides to quit. His bosses do not let him go but, instead, he is tortured. His consistent brushes with the law earn him a prize on his head and attention from a daily.

A successful, attractive, intelligent and brilliant advertising executive is longing to finally find emotional stability in his life, and decides to propose to his girlfriend. After she refuses his proposal, his life takes a turn when a new young lady enters his life.

Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.

Director Denys Arcand made an inquiry on textile industry in Quebec, meeting employers and workers of that industry.

Shin Hye, Mi Yeon, and Hae Young are three vivacious women who help each other through the tangles of their romantic lives, from tentative first dates to Viagra-taking husbands and one-night stands. Being 40 proves that they're not past their prime.

When an armed, masked gang enter a Manhattan bank, lock the doors and take hostages, the detective assigned to effect their release enters negotiations preoccupied with corruption charges he is facing.

A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.

Le Club: Claude Jade