Que Viva Mexico!

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

He was an anarchist and provocateur. Underground filmmaker and a cheeky fuck. Several of today's veterans in the Norwegian film industry started their career with him. Yet there are few today who know Bredo Greve. In Bredo Greve - filmrebell you will get to know the filmmaker's marvelous film history. Greve was always ready for a good fight, and he used film to pinpoint problems in society that are still scarily relevant.

Kenny is an ice cream vendor in Chicago with a crisp white uniform and an apathetic heart. When he encounters Lolita, a sharp-tongued but despondent insurance actuary, their heated conversation, natural spark and mutual hopelessness lead to an unusual proposal for a meet-cute: to travel to San Francisco, where they will jump off the Golden Gate Bridge together.

A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.

The Gamblers

In the mid-1960s, wealthy debutant Edie Sedgwick meets artist Andy Warhol. She joins Warhol's famous Factory and becomes his muse. Although she seems to have it all, Edie cannot have the love she craves from Andy, and she has an affair with a charismatic musician, who pushes her to seek independence from the artist and the milieu.

The towns of Gschaid and Millsdorf are in a constant state of feuding with each other. Nevertheless Gschaid's Sebastian and Millsdorf's Susanne are married. In her husband's town Susanne has to put up with daily harassment by the locals, which also extends to her two children. Finally she moves back to her parents, alone. When the children, who long to find a magical crystal they believe has the power to reunite the family, get lost in a howling blizzard on the exposed mountain after bringing their mother her Christmas presents, both towns set up rescue missions.

Daniel Aguila's son recounts memories of the Philippines as he searches for his father.

Shin Hye, Mi Yeon, and Hae Young are three vivacious women who help each other through the tangles of their romantic lives, from tentative first dates to Viagra-taking husbands and one-night stands. Being 40 proves that they're not past their prime.

Das Dorf unterm Himmel

The House of the Three Girls

Matthew, a college freshman, meets his dream girl in a dorm elevator during a blackout. He never sees her face, but instantly falls in love. In the morning, the power is restored, but the "dream girl" has vanished. All Matthew knows is that she lives in an all-girls dorm. He sets out on a semester-long journey to find his mystery girl among a hundred female suspects. Could it be Wendy? Dora? Arlene? Patty? Cynthia? Or the 95 other girls, any of whom could have been in that elevator with Matthew.

A gunshot tears to shred the outward appearance of a modest family: father, mother and son connected by love, faith, hate, anger and resentment. Who shot who and why?

When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.

Wo die alten Wälder rauschen

On a flight from Los Angeles to New York, Oliver and Emily make a connection, only to decide that they are poorly suited to be together. Over the next seven years, however, they are reunited time and time again, they go from being acquaintances to close friends to ... lovers?

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

On a hot summer night in Brooklyn, singles and couples converge in a brownstone apartment to flirt, fight, hook up and break up. A dreamy comedy-drama about sex, love and freedom, "Home" packs a lot of stories into just two floors.

Wally the Vulture