William Shatner explores the theory that the U.S. government is involved in a cover-up of visiting alien spacecraft. Based on a book by Erich von Däniken, this documentary contains evidence of extraterrestrial life here on earth. Proof discovered through photographs taken by scientists and evidence of actual voyages found by archaeologists.
Australian-made film with Steven Spielberg, Stan Deyo, Stanton Friedman, Dr. Alan Hynek, Jacques Vallee, Ken Arnold, Betty Hill and Ray Palmer (publisher of the Shaver Mystery). This rare TV documentary gave birth to The Cosmic Conspiracy and contains clips of the first episode of Star Wars and Jaws.
What would happen if a country of 97 million people were taught at a young age that the boogie man was real. In the Philippines for the last 400 years, the 'aswang' has been used as propoganda and social control by Spanish Colonizers, the Catholic Church, the Philippine Administration, and even the CIA.
Richard Doty is a former Air Force Intelligence operative whose job at Kirtland AFB in New Mexico involved creating and disseminating disinformation about the existence of extraterrestrial spacecraft to UFO researchers. In the late 1970s and early 1980s, Kirtland AFB was home to a wide range of highly classified technology experiments involving lasers, stealth aircraft, and nuclear weapons. Strange phenomena in the skies above the base piqued the interest of amateur and professional UFO investigators. Doty’s job was to recruit UFO researchers to be informants to the Air Force about goings-on in the UFO community and to spread military disinformation about UFOs among their peers. To accomplish this, Doty supplied fake documents to UFO investigators purporting to tell the “truth” about government involvement with extraterrestrials.
In his tower-block apartment in New Lodge, Joe reenacts memories from his childhood amidst the “Troubles”. In this Catholic area of Belfast, the number of deaths was tragically significant. Joe is joined by neighbours Jolene, Sean, Angie, and others, all willingly participating in this process of revisiting the collective memories that shaped their lives and the district they live in.
A strange story from Somerset, England about a filmmaking farmer and the inspiring legacy of his long-lost home movies.
Ivan, first tsar of Russia. History will remember him as "the Terrible. Russian people love him for centuries. He liberates Russia from foreign oppressors, demands absolute obedience and loyalty in order to radically modernise Russia? Ivan IV, Grand Duke of Moscow, first Tsar of Russia by the grace of God. A madman? A sadist?
Rob Grant and Mike Kovac receive a disturbing fan video inspired by their previous horror movie Mon Ami, motivating them to investigate the responsibility of filmmakers in portraying violence in movies. In their pursuit of the truth they are unwittingly introduced to the real world of violent criminals and their victims.
Host Grant Jeffrey discusses how technology and government activities are changing the way our information is handled. How is this shaping our lives?
A fame-hungry businessman stages a fake movie to propose to his girlfriend but the plan goes awry when she becomes convinced the movie will be a multi-million dollar success.
A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.
Filmmakers and paranormal investigators spend two weeks in the world-famous home that inspired the horror movie "The Conjuring."
Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.
Aliens are real and the greatest conspiracy ever is the cover-up to this shocking truth. Nick Pope, who ran the UFO program at the UK Ministry of Defense now reveals how the world will change forever the day the Aliens arrive.
Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.
For five years, Stephen McCoy documented street life in Boston. This is what he captured.
A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.
In this spoof of "March of the Penguins," nature footage of penguins near the South Pole gets a soundtrack of human voices. Carl and Jimmy, best friends, walk 70 miles to the mating grounds where the female penguins wait. The huddled masses of females - especially Melissa and Vicki - talk about males, mating, and what might happen this year. Carl, Jimmy, and the other males make the long trek talking about food, fornication and flatulence. Until this year, Carl's sex life has been dismal, but he falls hard for Melissa. She seems to like him. A crisis develops when Jimmy comes upon something soft in the dark. Can friends forgive? Does parenthood await Carl and Melissa?
A mysterious natural phenomenon sets an end to the party night of a group of young adults. The morning after begins with far more than just a hangover.
Director Peter Judson's semifictitious tale opens a revealing window into the indie filmmaking process, capturing the trivialities, aggravations and enthusiasm that go into completing a picture. Using footage from an indie movie set, e-mails constructing a plotline about distributor difficulties and interviews with indie mainstays such as Steve Buscemi and Sam Rockwell, the film provides a riveting look at one producer's rejections and rewards.