In the Gloaming

Two years after the death of his beloved wife, Pat O'Brien summons his children back to their homestead in the west of Ireland. Fionn travels from New York, Gareth from London, and daughter Una returns from Dublin, fearing the worst. Pat is not the only family member bearing the burden of a secret. The O’Briens is a modern comedy about a dysfunctional Irish family and the town they grew up in.

Shoko and Mutsuki get married to satisfy their worried parents, but she is well past the age at which a 'good' Japanese woman should marry, and he is in love with a young male college student. The film is less a realistic exploration of gay life than a fairy tale of three young Japanese trying to construct an alternative to the sexual and familial roles given to them by a society turning increasingly emotionally barren.

Sylvain and Pierre have been running from the law ever since a custody battle with their mother pushed their father Yves into hiding ten years ago. But now that they’re older, the two brothers are road-weary and eager to take advantage of the perks of young adulthood. When the authorities discover their whereabouts, they are forced to move yet again and Pierre, the elder, disappears. Alone with his father on an island in the Loire River, Sylvain meets Gilda: his first girl, his first crush, and the first stop on his way to “the good life” – his own.

When Isa is not at school or working on his parents' farmyard, he spends carefree days with his friends - until the outside world starts forcing him to say one goodbye after another.

After Jane's first marriage collapses, she and her new husband Patrick Brody attempt to build a new life and move to a new state. However, her ex-husband follows them with a view to revenge.

The film about the Holodomor famine in Ukraine, based on the novel 'The Yellow Prince' by Vasyl Barka. The film is told through the lives of the Katrannyk family of six. It relies more on images than on words shot in black-and-white.

The Curse of Quon Gwon is the oldest known Chinese-American film and one of the earliest American silent features made by a woman. Only two reels of the film survive, and no intertitles are known to exist, making it difficult to parse out the exact plot. An article in the July 17, 1917 issue of The Moving Picture World states that the film "deals with the curse of a Chinese god that follows his people because of the influence of western civilization." The film also touches on themes of Chinese assimilation into American society. Formally premiering in 1917, no distributor was willing to purchase a Chinese-American film without racial stereotypes. Considered a devastating financial failure, the film was only screened two more times until its rediscovery in 2004. Preserved by the Academy Film Archive in 2005.

A family goes on a road trip and sparks various conversations along the way in their car.

When a school bus driving woman (Tyne Daly) has a heart attack, she makes one request of her three daughters (Ally Sheedy, Marla Sucharetza, Marceline Hugo) - she wants them to find their long lost brother, who was taken away by their father (Jack Davidson) 16 years ago. What they discover is that while they have struggled, their father has become a wealthy man and their brother is in school at Harvard.

Simon and Mark live together in London. When Mark dies of AIDS, Simon gets on with his life rather quickly, too quickly to suit the ghost of Mark, who reappears to disrupt Simon's cruising and then moves back into their flat to prompt Simon to experience and express feelings. Simon is adamant that feelings, especially love, are not for him. Subplots develop as Mark and Simon observe their neighbor Siobhan's love life and as Simon spends his days as a satellite-TV installer partnered with Dogger, a homophobe ignorant that Simon is gay. Is there any key that can unlock Simon's feelings and allow Mark to rest in peace?

A successful lawyer returns to his hometown for his mother's funeral only to discover that his estranged father, the town's judge, is suspected of murder.

In 1980s Naples, Italy, an awkward Italian teen struggling to find his place experiences heartbreak and liberation after he's inadvertently saved from a freak accident by football legend Diego Maradona.

A 25-year-old man tries to suppress his embarrassment when his mother announces that she is pregnant.

A docudrama telling the true story of a young woman who learns she has contracted the AIDS virus after an encounter with a fellow student while in college.

The children of the Salazar family have been pursuing separate lives in the recent years. After a few years of not being together as a whole family, they find themselves reuniting when CJ announces his plan to marry Princess, his girlfriend for three months. Much to their shock and dismay, CJ's sisters come together for the wedding and have agreed to dissuade him from marrying his fiancée.

For fear of the breakup of his family, Paweł takes his loved ones to Croatia.

Anna, 50 years old, moves into her new house. Rooms are full of boxes which contain a lot of things and plenty of memories. Anna has lived many lives and her past comes out of these boxes. Her parents surely, but also her children and their fathers, the living and the dead. In this breakneck period of her life, time is running faster and faster and Anna takes a run-up to face the past and try to go towards the future. And, maybe, to manage to still believe in love?

Mikhail Ulyanov is the Bergmanesque protagonist of the Russian Private Life. A government-appointed factory executive, Ulyanov is reduced to quivering confusion when he is dismissed. Recovering from this blow, he decides to review and realign his life. In so doing, he discovers that there's plenty left in the world to make life worth living. Private Life was nominated for the "best foreign picture" Academy Award in 1983.

A writer dying of AIDS searches for a cure and human interaction in the hospitals and sex clubs of Buenos Aires.

Aleksei comes to Chelyabinsk from Moscow — a young student who proclaims a free lifestyle, not constrained by everyday hard labor. Aleksei falls in love with a young singer Lyudmila, the daughter of hereditary workers. When a Moscow student enters the family of noble steelworkers — people who are proud of their working roots, his self-identity changes. From now on, to Aleksei idleness already seems shameful, and idleness is shameful. To be worthy of such highly respected people as the Ivanov family, Aleksei goes to work as a steelworker.