Jones

Alban lives in a castle that he has just inherited in a small village in Charente-Maritime. Inside, the dilapidation has long since taken hold. He meets Jérôme, a young gypsy from the neighbouring town, with whom he has a sexual relationship. In this space that is impossible to rebuild, a strange intimacy is gradually invented, barely disturbed by the interruption of a young woman who has come to spend a few days in this residence.

Return to 'burn' only to find out you're already in that urn.

A story about the heroism, redemption, and sacrifice of both sides of the Mindanao conflict.

Arrogant Don Emilio is a rich man who have maids, a private nurse Nikki, and later a sexy, personal secretary Susie at his disposal. He has two brothers, Dodong and Egay who have sinister thoughts on him, as they want his riches. After some slapstick mishaps and when the Don seemingly went bankrupt, he left his mansion to live with the two but experiences unfair treatment. He ended up living with his stepbrother Edwin in the slum, but his arrogance and his annoying cohorts resulted to differences with Edwin and his girlfriend Girlie. Unbeknown to them, Don Emilio is actually playing a scheme of his own to determine which brother really cares for him the most.

If the first one stunned you, The People's Champion will floor you. This jawbusting follow-up contains the best of Manny Pacquiao's world title defense fights flashing that on-ring bravura that has made him one of the world boxing's crème de la crème. If you've been keeping count of fighters felled by the man with fists of gold, this one could blow your score sheet. Pound for pound, it's world-class sports entertainment at its finest.

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

A group of friends goes to an island for a short film project when they are attacked by a mysterious killer after playing a game of bloody crayons.

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

Fe returns home to the Philippines after several years of working overseas, her job a victim of global economic shifts. Fe is initially greeted with affection by her husband Dante, but he has a long history of domestic violence fueled by rage and long-term impotence, and Fe quickly discovers her time away has not changed him. Dante works in a factory making baskets, and Fe soon joins him there; she becomes the lover of Arturo, the man who manages the basket company, but while Arturo treats her well, he's still under the thumb of his father who owns the factory. Meanwhile, an unknown admirer sends her parcels of strange black fruit on a regular basis. Torn between two men who cannot give her what she needs and wants, Fe's frustration leads to take desperate steps to establish her independence.

A lady cop who moves into a small town gets drawn to a case that involves a girl that's possessed by an evil spirit.

#6 in the King of Minami series, following "Ginjiro vs. Liquidator." Manda travels to the Philippines to help a young woman track down the man who orchestrated a scam against her father's office computer business.

Jericho Rosales portrays Filipino boxer Manny Pacquiao as he struggles out of poverty to become a champion and national hero. Yet when the pressures of his sport, his personal life and the high expectations of his countrymen take their toll, he falls from grace. With the help of his wife (Bea Alonzo), will he be able to rise once more to be worthy of being called "the People's Champion"?

This is a story of a man named Charlie who is in pain from complexities of emotions caused by his tragic past. Now his friends, the ones he truly loves are also caught in this rollercoaster of events. It was a day of maze to complete the puzzle of Charlie’s past to answer the question. WHO IS CHARLIE?

A sampling of forty-nine fragments from Frampton's catalogue of 'actualities', the films from STRAITS OF MAGELLAN: "DRAFTS AND FRAGMENTS" are all silent and unedited. Several invoke, directly, the work of the Lumieres, as in Frampton's reworking of DEMOLITION D'UN MUR (1895) in which a dilapidated farm silo is demolished in place of the Lumieres' wall. He makes reference to his own work and plays homage to the work of contemporaries. A complex range of formal issues are raised in other fragments. Finally, Frampton offers a number of analogues for the act of filming and cinematic seeing that includes a series of appropriated 'lenses' ( a stone portal, a wooden silo) and a set of 'screens' a pool of water, curtains, a dusty window).

After a series of unpleasant events in her life, Pascalina receives news that her Aunt Taba is dying but cannot do so unless she passes on a curse. Pascalina visits her dying aunt thinking that the news is only a big joke. But Pascalina begins to experience changes in her life that will push her to the edge of madness and monstrosity.

An experimental short from 1923 France which offers silent narrative in diverse, optical multi-exposures and severe close-ups offering dense montages which create psychological constructs that unfold a Parisian love affair which turns into a threesome of great emotion and consequences. Also notable for using Antonin Artaud as the male lead.

Without any sounds, dialogues and with unknown actors, the images are the focus of this film. Images that want to awake, to question determinant moments, state of a system's languages, the morality of deaths, the immobility, the silence, among other subjects. Shot at the height of the Brazilian military dictatorship, it is an affront to the most diverse types of repression in that period.

Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).

Man With a Movie Camera: The Global Remake is a participatory video shot by people around the world who are invited to record images interpreting the original script of Vertov’s Man With A Movie Camera and upload them to this site. Software developed specifically for this project archives, sequences and streams the submissions as a film. Anyone can upload footage. When the work streams your contribution becomes part of a worldwide montage, in Vertov’s terms the “decoding of life as it is”.

A take it or leave it auteur-experimental fiction exercise: two women are monitoring their dreams, dreams that may of course also be stark naked reality, at least to the dreamers, as they come and they go like bubbles, rising, floating, bursting. A man appears out of nowhere. Poet Peter Laugesen co-wrote the script with Tom Elling, who was Lars von Trier's director of photography on "The Element of Crime".