The pantomime of two characters exchanging roles is accompanied by a three-layered phonogram, where sophisticated narrative text is interrupted by slightly accelerated excerpt from Brezhnev’s speeches, as well as by fragments of statements of the mentally ill person with the schizophasia symptom.
Combining high definition and Super 8 footage, Lampedusa is composed of interwoven narratives based on a series of real events. In 1831, a volcanic island suddenly erupted from the sea a few kilometers off the southern coast of Sicily. An international dispute ensued, as a number of European powers laid claim to this newfound “land”. The island receded below sea level six months later, leaving only a rocky ledge under the sea…
Ellie Epp’s 12-shot study of a soon-to-be-demolished public bath in London, which “maps another way out of structural film toward a cinema of delicate implication".
Three unrelated stories of horror include a substitute teacher who preys on a small school; neighborhood children being abducted by a tree-dwelling monster; and a group of Manila residents plagued by attacks from a Manananggal.
Three tales of unbridled terror follow a couple vacation on a secluded island where strange forces are at work to keep them there; a young woman whose boyfriend is ill meets a handsome young man in the woods who seems to exhibit magical powers that can cure her sick friend, on the condition that she stay with him forever; and a family who move into a new apartment, unaware of a supernatural tragedy that occurred there.
A drama about explorer John Smith and the clash between Native Americans and English settlers in the 17th century.
I really hope this is well-received. I really hope there's some sort of reprieve.
ANA is: a) An investigation of a cyber-sect linked to the disappearances of several women online. b) A moodboard of the aesthetization of self-destruction. c) A found footage documentary about today's subcultures.
Radical recurrences & rancorous requests raze my daze.
Onward, upward, greener [redder] grasstures.
Three terrifying tales follow a young groom in Baguio for his honeymoon is possessed by a homicidal spirit when he discovers a cursed ring and decides to wear it; in the eerie halls of a mysterious hospital, a doctor practices voodoo and dead bodies wander in the night; and a student who learns, while a guest at a town fiesta in a remote province, that the locals' hospitable ways leave her clueless about a mysterious nightly ritual.
An experimental documentary about the spectacle of substance abuse on social media. More than 45 hours of footage, hundreds of pages of blog posts and interviews were distilled and remixed using glitch and cut-up techniques to insure anonymity, transcend the shock factor and unfold this complex, singular and stratified use of social media.
Three screams in a mental system composed of barbed wire and napalm. A plastic tank encloses the geometry of a sex. Outside is a corrupt clue. Incisions are the incantation of melancholy. No way out. (Industrial drone improvised on improvised images, deficient results).
The evolution of mainstream pornography’s extremities and the early days of pay-per-view channels' noise.
A lady cop who moves into a small town gets drawn to a case that involves a girl that's possessed by an evil spirit.
August 2019. Frank recognizes his own story of twenty years ago in a recently published book. He remembers Marie, with whom he had a relationship before she moved to the United States and disappeared from his life. Frank sets out in search of her and finds himself in a USA petrified by a heat wave and lost in suspicion and political paranoia. He heads into the desert in pursuit of Marie.
This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."
"My last image of Jonas."—Ken Jacobs
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
Against the backdrop of the Typhoon Yolanda, a mother and her son struggle for survival and deal with absurdity of fate, sustained by the hope that they carry, and what is lost and gained.