Cyprus Avenue

"Stewie Kills Lois" and "Lois Kills Stewie" is a two-part episode of the sixth season of the animated comedy series Family Guy, which was originally produced for the end of Season 5.

The staff of a Korean War field hospital use humor and hijinks to keep their sanity in the face of the horror of war. Preserved by the Academy Film Archive in partnership with Twentieth Century Fox Film Corporation in 2000.

Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.

With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.

Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.

A young woman accidentally kills her boyfriend during foreplay.

Frédéric

A young British soldier must find his way back to safety after his unit accidentally abandons him during a riot in the streets of Belfast.

Do You Like My Basement? tracks how one man's creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath's streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.

Blane is a bodybuilder who happens to get turned on when his dominatrix empties his wallet and loves to be called a little bitch; he's a pay pig.

A black comedy set in a funeral home.

Mannar Mathai Speaking 2 is malayalam comedy thriller film, directed by Mamas. It is a sequel to the 1995 cult comedy classic, Mannar Mathai Speaking and the third installment in the celebrated Ramji Rao franchise. Actors Mukesh, Saikumar, Innocent, Janardhanan reprise their roles; while Aparna Gopinath, Shammi Thilakan and a few others are also included in the cast

Catherine is a woman in her late twenties who is strongly devoted to her father, Robert, a brilliant and well-known mathematician whose grip on reality is beginning to slip away. As Robert descends into madness, Catherine begins to wonder if she may have inherited her father's mental illness along with his mathematical genius.

In a small South Korean village, while investigating the death of two people in strange circumstances, a grumpy policeman will live an overwhelming experience beyond the reality he has known so far.

When CIA Analyst Jack Ryan interferes with an IRA assassination, a renegade faction targets Jack and his family as revenge.

When recently single Steven moves into his new apartment, cable guy Chip comes to hook him up—and doesn't let go. Initially, Chip is just overzealous in his desire to be Steven's pal, but when Steven tries to end the 'friendship', Chip shows his dark side. He begins stalking Steven, who's left to fend for himself because no one else can believe Chip's capable of such behaviour.

The boys get arrested for robbing an ATM machine and spend 18 months in jail, upon release they decide to pull off "The Big Dirty", a plan to steal a large amount of coins because they are untraceable and quit their life of crime forever.

To remedy his financial problems, a travel agent has his eye on a frozen corpse, which just happens to be sought after by two hitmen.

When Berke Landers, a popular high school basketball star, gets dumped by his life-long girlfriend, Allison, he soon begins to lose it. But with the help of his best friend Felix's sister Kelly, he follows his ex into the school's spring musical. Thus ensues a love triangle loosely based upon Shakespeare's "A Midsummer Night's Dream", where Berke is only to find himself getting over Allison and beginning to fall for Kelly.

The activities of rampaging, indiscriminate serial killer Ben are recorded by a willingly complicit documentary team, who eventually become his accomplices and active participants. Ben provides casual commentary on the nature of his work and arbitrary musings on topics of interest to him, such as music or the conditions of low-income housing, and even goes so far as to introduce the documentary crew to his family. But their reckless indulgences soon get the better of them.