Siempre fuerte: la historia de Pablo Ráez

Somos marimachos

Nos queda la noche (un viaje al querer vivir)

Diane Israel, a former world-class triathlete, becomes a psychotherapist after battling anorexia. She shares her story while interviewing champion athletes, body builders and models about self-image.

"War of Perception" by Bo Choy meditates on Hong Kong life encompassing belief, family heritage and Western influence. A costumed spirit performs with mirrors, in addition to street musicians and dancing protestors. A sad, sombre tinge pervades their making of spectacle.

Jiří Bělohlávek: But I just love conducting so much

A documentary focusing on Hihokan museums, adult sex-focused museums from the Showa era. In the 70s, there were many of these museums, in 2007, only six remain.

À contre-courant

Pelican, a bakery located at Asakusa, Tokyo, becomes crowded every morning. There are only two types of bread sold. It looks ordinary but meet a bakery that has been loved for 74 years with a taste you won't get tired of even if you eat it everyday!

A collection of thoughts and images captured during a trip.

Semi-Biographical film documenting the life of The Reverend Wilbert Awdry, creator of the beloved Thomas The tank Engine Stories

Without Bound, a documentary featuring perspectives on mobile living from a group of fascinating folks who live fulfilling, sustainable, off-grid lives in vans, travel trailers and motorhomes...

Anti-Nowhere League: We Are The League tells the full uncensored story of how a biker, a skinhead, a grammar school boy and a Persian exile came together, with no musical talent or ambitions and even less respect for anything or anyone, to burst onto the UK charts with their debut single. Even when judged by the often confrontational standards of U.K. punk, the Anti-Nowhere League were a band committed to offending people. Looking less like a group of bohemian rebels than an especially unsavory biker gang eager to stomp someone, the Anti-Nowhere League made an immediate impact when they burst onto the British rock scene in 1980. They were heroes to hard-boiled U.K. punks, and to nearly everyone else they were an affront to all decency - which, of course, made the punks love them all the more.

Auferstanden aus Platinen - Die Heimcomputerszene in der DDR

Documentary that looks back at 35 years of Dutch cinema, with Paul Verhoeven and others.

Literalising the titular term roughly translatable as 'body politic', Kokutai explores the fascist aesthetics of Japan's biannual national high school baseball tournaments.

Long before his big stage breakthrough in 1973 in Hamburg, and 4.4 million records sold, the rock musician Udo Lindenberg from the Westphalian province, the man with the long hair and the hat, had many adventures. Before it all started, he moved from the remoteness of Gronau to Hamburg, where he met Paula, who was not his great love, but was quite a hottie. When the team of three was complete with Steffi Stephan, the idea of founding a band developed. But the road to get there was a long one: he drummed as a jazz drummer in bands, had a highly dangerous performance in a US military base in the middle of the Libyan desert and always believed in making it to the very top.

Christine McVie is undoubtedly the longest-serving female band member of any of the enduring rock ‘n’ roll acts that emerged from the 1960s. While she has never fronted Fleetwood Mac, preferring to align herself with ‘the boys’ in the rhythm section whom she first joined 50 years ago, Christine is their most successful singer-songwriter. Her hits include ‘Over My Head’, ‘Don’t Stop’ and ‘Everywhere’. After massive global success in both the late 1970s and mid-1980s, Christine left the band in the late 1990s, quitting California and living in semi-retirement in Kent, only to rejoin the band in 2013. In this 90-minute film, this most English of singers finally gets to take centre-stage and tell both her story and the saga of Fleetwood Mac from her point of view.

L’île volcanique

La route des Cachalots

A documentary film produced by the editorial board of Culture Radio Television Serbia. It was shot in 2005 on the slopes of the mountain Rudnik in warm and open house of Bozidar Mandic, ingenious ecologists and free thinker.