Austin Powers presents his own kind of shagadellic swinging shindig courtesy of MTV to promote his movie, Austin Powers International Man of Mystery. Edited in the style of 'Rowan & Martin's Laugh-In', Austin shows clips from his film, including a spotlight on Elizabeth Hurley and explains how he is adjusting to the nineties after being frozen for thirty years.
Walter Pfeiffer tries to make some money by publishing a political newspaper for which people pay to get their article printed
Lewis and Clark blaze a trail to the western waters in this epic satire and spoof on American ego.
Nora is a striking young girl in new love. We see her dancing around her bedroom, lip-synching, testing outfits, in between sending heart emojis, and more, to the special boy. All dressed up, she takes a short cut through an abandoned building, on the way for her hot date. Kevin pulls up in the background on his scooter. He's Nora's recent ex, jilted and jealous. Kevin grabs Nora's phone, and what ensues is a now universal 21st century story of male-female power, sexuality and shame with a biting, feminist twist.
On the same day several interrelated characters try to change their own lives and, in the process, change the lives of others.
The Minions need to raise $20 to purchase an as seen on TV banana blender. So they take up lawn mowing at an old folks home, with hilarious antics!
Sara feels sad, lonely, and ugly. Ann has a very unusual solution.
Two partners in a clothing store decide they want to become radio performers.
A short story about a young ninja.
A Bosko-cloned samurai battles traditional monsters and demons.
A jungle land radio station run by monkeys pulls a prank by reporting an invasion from space is occurring and a large cutout face is hoisted above the trees so all can see. Fireworks are employed to sound like a war has started. The King, a Lion with a Bert Lahr voice, finally exposes the fakers. Inspired by Orson Welles' "War Of the Worlds" radio hoax.
Stomp is a rhythmic, musical extravaganza that has stunned audiences across the globe. If you weren't lucky enough to catch them in your hometown (or you did and you crave more), now there's Stomp Out Loud, a special HBO performance that will bring the unusual musical feats right into your living room. You might just find yourself grabbing a broom or even your remote control to keep time. "It's comedy, it's theater, it's very physical, it's energetic, it's occasionally quite terrifying," says one performer. Taking their show from the theater to the streets, this astonishing troupe can make music out of just about anything and just about anywhere. --Dana Van Nest
Oiled Up is a heartfelt, fast-paced caper comedy about the reconciliation of brotherhood after a destructive family event, and a metaphor about the advancement of technology and its impact on an older generation, contrasting both the early baby boomers generation & the youth we know today. The story is told through Mike, the oldest brother of 3.
A man gets in a cab to meet a client. A bizarre car crash happens, and, throughout the story, the different characters seem to have some sort of connection with that fact.
Created by Noburo Ofuji, who had been cartoon making since the 1920s, often with decorative paper cutouts. The character animation looks like it was done 15 years before, but a lot of the elements are highly original; design (those trees!), use of camera focus. Heavily musical in a manner that recalls animation's earliest use of sound. The lesson here is: "If you can't count on your friends, travel alone".
Hey, Hey, It's the Monkees is a one-hour comedy special televised on the ABC Network on Monday February 17, 1997. The show features all four of the original Monkees and would be the last time Micky Dolenz, Davy Jones, Michael Nesmith, and Peter Tork would appear together. Michael Nesmith wrote and directed the program.
A child will over come the odds to achieve her dream.
During the shelter in place entrepreneur Max London creates a virtual dating app for those looking for love from a distance. He creates an infomercial to introduce the world to his clients and a new way of finding love.
El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.
A young llama named Koro discovers that the grass is always greener on the other side (of the fence).