Beyond Creation

A short film where circus performers entertain children.

In the spring, male student Makoto Yuki transfers to Gekkoukan High School. However, as he heads to his new dormitory, listening to the music on his headphones, he is stopped. More precisely, time has stopped, and the people who were around him turn into coffins. Makoto learns that this period of time hidden between the minute of midnight is called the Dark Hour, a time when monsters called Shadows appear. Suddenly made the leader of his fellow classmates Yukari and Junpei by his upperclassmen Mitsuru and Akihiko, Makoto must learn empathy, his connection to his comrades, and the meaning of death. With the power of his Evoker aimed at his head, Makoto fights against the Shadows threatening to attack his world from the mysterious tower of Tartarus.

The war between Euro Britannia and the European Union continues. New orders are given to the W-0 Unit. To land in the middle of the enemy territory as a diversion. The pilots of the W-0 Unit consist only of the commanding officer, Leila, the only surviving Japanese from their last battle, Akito, and the three that escaped from the Eleven ghettos and lived in the underworld, Ryou, Yukiya, and Ayano. With everyone holding their respective expectations, the operation moves forward. On the other side in Euro Britannia, Shin, who made his benefactor commit suicide with the mysterious power of “Geass”, is appointed the leader of the Knights of St. Michael. As Shin steadily advances for the sake of his own ambition, he and his subordinates in the Ashura squad are given orders to deploy. The one that lives in order to fight, and the one that fights in order to live.

Following Madoka's rewriting of the universe, sacrificing herself and her happy normal days to save all magical girls from the cruel fate that awaited them by wiping witches out of existence, the despair still manifest into creatures known as nightmares. Magical girl Homura Akemi continues to fight alone in the hope that she will be able to see Madoka smile again.

Love is blooming at Sakuragaoka High School. Natsuki Enomoto has finally mustered the courage to confess to her childhood friend, Yuu Setoguchi. However, in the final moments of her confession, an embarrassed Natsuki passes it off as a "practice confession." Oblivious to her true feelings and struggling with his own, Yuu promises to support Natsuki in her quest for love. While Natsuki deals with her failed confession, fellow classmate Koyuki Ayase struggles with his own feelings for Natsuki. Despite his timidness, he is determined to win over her heart. This movie follows Natsuki as she dreams of one day ending her practices and genuinely confessing to Yuu. Meanwhile, close friends also find themselves entangled in their own webs of unrequited love and unspoken affections.

"Sometimes you remember things that never happened and people who never existed. These are the stories of some people I think I remember." Family & Friends is a film about remembering.

Lecherous high school boy Hanappe is visited by two demons who step from his TV and immediately fall in lust with his mother and sister. The demons turn Hanappe's home into a meeting ground for their demonic friends and grant Hanappe the power of the Hanappe Bazooka. Now his index finger is capable of both a deadly blast and the ability to drive women in a lustful frenzy, but Hanappe isn't very good at controlling it and winds up in serious trouble.

Sonido: Ivans & Tobis

A cluster of adult animated shorts by French satirical cartoonist Georges Wolinski.

Animations from a course at The Animation Center - Tel Aviv Cinematheque, winter.

A Scotland Against Drugs public information film.

A very little man attacks two huge feet and fights with all his power against them until his downfall. While dying, he is still convinced that he is the winner. However, the feet continue running like nothing happened.

Eryk im Sexil

A black-and-white film that takes an ironic look at alienation between the races and the sexes. It is a mix of cell animation, painting, live action and early Atari computer animation.

It’s a beautiful summer day and Sven is finally going to take the plunge. He’s at the public pool, at the foot of the ladder leading up to the ten-metre board. Today he is going to jump. Now! Or perhaps some chips as a start? And it would be good to take a shower first. But then he’ll be ready, though …? Oh no, the queue behind him is waiting, there’s no turning back. Sven climbs up the tower.

Bokanowski returns to the complex - and mind-bending - optical array of pinholes, mirrors, prisms, and refractive substrates of his earlier film, La Plage to create the whimsical and playful Au bord du lac. The film is composed of mundane, everyday scenes of recreation and leisure on an idyllic, sunny day at a park that overlooks a lake - rowing a boat, playing a game of volleyball, rollerskating, bicycling, reading a newspaper, sunbathing, riding on horseback, or strolling on the promenade - shot through optical distortions to create fractured and knotted images that resemble embellished, gothic fairytale illustrations or appear to resolve into morphing, geometric patterns of fluid motion. Evoking the vibrant colors and sun-soaked palette of an invigorated Vincent van Gogh in Arles, Bokanowski transforms the quotidian into an infinitely mesmerizing dynamic kaleidoscope of shape-shifting textures and self-reconstituting objects of organic, abstract art.

The slow construction of an image, to the rhythm of steps, ends when the monster meets his Bride.

The hands of a puppeteer control the bodies of two dancers who compete with each other.

Leda meets a swan when taking a ride in an elevator.

Do you ever wonder why you are the way you are? One day I decided to ask myself this question and I have been struggling to put the answer together ever since. “Enough of Myself” is my visualization of this process. When I finally had the headspace to consider my own emotions, it turned out to be a lot harder than I had thought. When you start to examine your own thoughts and patterns, the digging doesn’t stop. You keep digging deeper and finding new connections that you might have preferred stay hidden. But to ignore these things is to give in to them. Growth requires a certain level of vulnerability, not just towards others but towards yourself as well. To grow beyond those negative patterns, you need to look them in the eye first. In my film I tried to capture this emotional process in an array of animations. I hope that I haven’t just captured my own emotional process, but some deeper universal emotions as well.