Reiwa Uprising

Bajo el signo libertario is a propaganda documentary, with the script and direction of Les (known for his articles in Solidaridad Obrera and the magazine Espectáculo) whose central theme is the reconstruction of the development of life in a libertarian community in the Aragonese town of Pina de Ebro.

Described in the 70’s as "A Chorus Line for gay people," Crimes Against Nature remains vital today as a communal disclosure of roles that gay people adopt in order to survive in a world that devalues homosexual feelings. It features individual actors delivering revealing monologues, during which the other members of the collective play background roles (parents, schoolmates, etc.). One by one, the actors detail the ways in which they have buried their true selves in order to survive and be accepted in the world: repression, drug use, shyness, being agreeable, putting experiences into "little boxes," acting "butch," and so on.

The film follows the story of Jamie, a struggling butch lesbian actress who gets cast as a man in a film. The main plot is a romantic comedy between Jamie's male alter-ego, "Male Jamie," and Jill, a heterosexual woman on set. The film's subplots include Jamie's bisexual roommate Lola and her cat actor Howard, Lola's abrasive butch German girlfriend Andi, and Jamie's gay Asian friend David.

Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.

The story of unemployment in New Zealand and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, as a new poverty-stricken underclass developed.

This feature length documentary explores the queer side of gaming culture and the game industry's LGBTQ presence. The GaymerX convention that took place in 2013 was a huge step forward for the queer geek community being recognized on a worldwide industry scale. In the same year, more popular mainstream and indie games featured a greater amount of gay and lesbian characters than ever before, helping with visibility and acceptance. The video games universe will only continue to improve and diversify both in its community and industry if we elevate the conversation about inclusion and respecting one another - not in spite of our gay geekiness, but because of it!

What Sid has done is so intolerable to his father that he asks Sid to have his last name changed to spare the family further disgrace. But what does the accused say to this?

220 years after its "birth", 40 years after its theft, 22 years after its reappearance and 18 years after its second disappearance, two filmmakers follow the trail of the "unspeakable" Unspunnenstein.

On December 3, 2024, in Seoul, the President of South Korea Yoon Sukyeol declares the martial law. Troops move toward the National Assembly to seize control. Meanwhile, citizens rush to the National Assembly to block the troops, while lawmakers break through police's barricades at the main gate, climb over the walls to attend the session that lifts the martial law.

Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government - where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.

Ballot Measure 9 was an anti-gay amendment proposed to Oregon voters in 1992 by the conservative group, Oregon Citizen's Alliance. This documentary goes behind the scenes of the fight to stop Measure 9. It contains portions of anti-gay videos produced by the Citizen's Alliance as well as news clips and interviews with the people who successfully fought passage of Measure 9.

As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realized far before its time. Three decades on, the musician – now Glenn Copeland – began to receive emails from people across the world, thanking him for the music they’d recently discovered.

The story of a LGBTQIA+ child told through old images from VHS tapes. The videos were recorded by Vicente's father between 1987 and 1993.

When Sarah accidentally proposes to her girlfriend in Provincetown, the mixup turns their loving relationship into a minefield of marital exploration.

A documentary that brings together voices of clergy and laypeople who question the Church and society about the meaning of faith today—touching on the body, emotions, sexuality, and relationships—finding in the city the concrete, everyday place where faith is embodied. The documentary explores the beauty of contrast through life testimonies that foster listening and dialogue, opening a space where people feel welcomed and can be reborn. A collective reflection on the incarnate love of the Gospel, the beauty of relationships, and the complexity of a Church that wants—or should want—to truly be a home for everyone.

In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.

It was 24 hours with him. I saw him shake his ass with a friend. Scrubbing tile corners. Have egg salad for lunch. Buy cleaning products. Rehearse in the studio. Playing with children on the grass. In a huge theatre, review texts about scenes of decolonization. Smoke one, or two. Problematizing on the bus. Undressing on the couch in my house. Sleeping without fitting into the bed because you are too tall. I saw the sun bursting on your skin in the morning and said goodbye. I thought a standard session wouldn't encompass the complexity of an intimate recording. So I was his voyeur for 24 hours. Uninterrupted.

BEYOND CONVERSION is a deep-dive into conversion therapy in Aotearoa through the eyes of Kiwi conversion therapy survivors.

Outrage kiss-in at Bow Street police station in London, with a demonstration against homophobic government bills clause 25/28.