ICYMI: I See Me

Produced by the Army Pictorial Service, Signal Corps, with the cooperation of the Army Air Forces and the United States Navy, and released by Warner Bros. for the War Activities Committee shortly after the surrender of Japan. Follow General Douglas MacArthur and his men from their exile from the Philippines in early 1942, through the signing of the instrument of surrender on the USS Missouri on September 1, 1945. Preserved by the Academy Film Archive in 2013.

The story deals with the gaieties and frolics of Gypsies led by Ricardo, shown here dancing with Ramona.

This Bed I Made presents the bed as a place of solace and agency beyond just a site of illness or isolation. Through the shared stories of two Filipino men living with HIV, the video explores modes of care, restoration, and abundance in the midst of pandemic pervasion.

Pinoi Rock & Rhythm sheds the spotlight on four obscure yet significant figures in contemporary Philippine Popular Culture. Rebel Disc Jockey Dante "Howlin" Dave David, Stills Photographer and former stuntman Mr. Johnny Albia, Elvis Presley devotee Mr. Chito Bertol and Pinoy Rock guitar icon Mr. Jun Lopito. The documentary unfolds lighthearted, candid and sometimes outrageous introspection from the four individuals on the ups and downbeats of their respective careers.

The film is about inspiration, reminding the power of collective action, the importance of preserving the heritage of Santa Ana, and the boundless potential that lies within the community. It is a story that deserves to be told, a story that will resonate with audiences of all ages and backgrounds.

Jingle Chordbook Magazine, first published in 1970, promptly taught a generation of Filipinos to play the guitar. Its story also explores how a small independent publication survived the weight of its time – the dark Martial Law years – and how it inspired the Filipino youth to think for themselves and wield the guitar like a weapon. The documentary “Jingle Lang Ang Pahina” tells the story of Jingle, its ragtag crew, and its loyal fans in a rambling, multi-layered narrative told in different voices and perspectives by the writers, artists, fans, collectors, musicians, freaks.

Documentary about the history of Philippine cinema.

In the Philippines three on-the-lam teen musicians are swept into the rarefied world of cockfighting as they flee cross-country in a beat-up tricycle one-step ahead of a warped stepfather bent on reclaiming his stolen battle cock. When street performances fail to support their frenzied escape they resort to scamming sabong matches with a scheme adopted from a Mark Twain short story. Comical quibbling over criminal strategies and ethical choices adds spice to the tale as the trio remain true-blue whenever the going get rough. A gritty coming-of-age adventure comedy.

Sampaloc Lake - the most prominent of the seven lakes of San Pablo City has provided shelter, employment and inspiration to its immediate community for countless decades. In return, the natural resource suffered from indiscriminate use of the residents themselves and the consequences of rapid urbanization. Recently, the local government have implemented a clearing of all residential structures within the legal easement of the dying lake to pave the way for a tourism master plan that endeavors to balance revenue and environmental protection. In the eve of the clearing operations, film maker Dennis Empalmado documented the final musings of the residents, advocates, and artists whose lives revolved around the 99 hectare crater lake.

Meet Duewand Collier Jr.-Male, 68 years old, American Citizen, a child conceived in the backdrop of the Philippines-American Mutual Defense Treaty, born and raised with Catholic guilt. He has made peace with his past and now tells his story-a story of love.

Dra. Baby Holmes is a veterenarian who left her long time boyfriend after she discovered he has been deceiving her. Realizing that her biological clock is ticking fast, she desperately searches for the perfect guy who will mary her. Roberto “BOY” Reye is a single fireman with a son born out of wedluck. Generous to a fault, Boy is considered a small town hero. Every time someone needs help, the entire neighbourhood runs to him. By chance, Baby saves Boy’s life and to show his gratitude, he offers her anything in return, She then asks Boy to give her a child. Boy thinks she’s just joking but Baby is dead serious. However, Boy discovered that he is beginning to love Baby and her many quirks. Unable to bear the guilt, Baby suddenly leaves him.

Three girls, divided by personalities, cultural backgrounds, and principles, have one thing in common: their love for music.

Concerto is about how, in the last part of World War II, a special piano concert is held in the forest outside Davao City, in Mindanao. In these boondocks, a displaced Filipino family, lead by Military Commander Ricardo and his wife Julia, become acquainted with a group of Japanese officers, similarly camped nearby. Their son Joselito, a Japanese speaker, becomes the conduit with the neighboring Japanese. Their daughters Niña, an aspiring concert pianist and the musically gifted, Maria, who is able to play by ear, are alternately repulsed and intrigued by the officers. Family values are questioned as the family treads the thin line between enmity and friendship with the occupying Japanese. Based on true stories from the director's own family history, Concerto celebrates a family whose reverence for life, expressed through their love of music and friendship, can survive even war, and shows how beauty and compassion does grow in even the harshest of conditions. - Written by anonymous

TV movie about dance rites in the Philippines

A musical docudrama about the brave and outstanding Women of Malolos to whom Jose Rizal addressed his famous letter in Feb 22, 1898.

The Jeepney is a common affordable transportation in the Philippines. Made from abandoned American Jeeps during World War II, the Jeepney remains a symbolic figure of the Philippine identity.

Ed Gerlock, Romeo Mariano, and DJ De Guzman shares their experience in documenting a range of events in the decades of media censorship.

JEEPNEY visualizes the richly diverse cultural and social climate of the Philippines through its most popular form of mass transportation: vividly decorated ex-WWII military jeeps. The film follows jeepney artists, drivers, and passengers, whose stories take place amidst nationwide protest against oil price hikes that pressure drivers to work overseas to earn a living, far from their homes for years at a time. Lavishly shot and cut to the rhythm of the streets, JEEPNEY provides an enticing vehicle through which the rippling effects of globalization can be felt.

Filmed in a village of the indigenous Mandaya people, located in a mountainous area of southeastern Mindanao, the country's second largest island, the documentary portrays the struggle of the Communist Party of the Philippines and its armed wing, the New People's Army, for the rights of indigenous Filipino peoples and the environment, which are constantly under threat from landowners, large logging companies and agribusiness.

At the height of the COVID-19 pandemic in the Philippines, amidst the rising number of cases, two families remember their loved ones as more than a statistic.