When China Wows the World: The 2019 Grand Military Parade

In the suburbs of Denver, the U.S. secretly manufactured thousands of atomic weapons, leaving behind a toxic legacy that will persist for generations.

In a little more than 2 minutes we see how an old woman goes from being present to being lost inside herself, due to her senile dementia.

A movie shot in almost one single take. The parable should not be interpreted in words.

Who Wants War

Love, Oleksandr Dovzhenko's cinema, the 20th century... These concepts make up the formula of life for two people. Heavenly love is all that is left for Maria Volkhovska, the widow of the prominent Ukrainian film actor Petro Masokha, who played the leading roles in Dovzhenko's films "Ivan" and "Earth".

About love and loyalty, which helps to withstand the trials of fate in the most difficult times. The film features Svitlana Knyazeva and Leonid Osyka, Kateryna and Boryslav Brondukov', Kostyantyn Stepankov and Ada Rogovtseva.

Esteban (18), a shy film student, returns for a few days to his hometown of Cañete. There he will try to film the places that marked his childhood, only to discover that most of them are falling apart, just like his memories.

Through the juxtaposition of images, the documentary proposes to show the juxtaposition present in Chilean society and how it is capable of lamenting the coup d'état and a week later celebrating the Glories of the Army and the “18th”.

Les petits secrets de L'Équipe du Soir

En attendant les éléphants

Fukazawa Hiroshi chronicles the efforts of Teddy Chen to make Dark October, a film about Sun Yat-sen

A retold biblical story of Noah to rescue all the animals in the world.

Switzerland still carries out special flights, where passengers, dressed in diapers and helmets, are chained to their seats for 40 hours at worst. They are accompanied by police officers and immigration officials. The passengers are flown to their native countries, where they haven't set foot in in up to twenty years, and where their lives might be in danger. Children, wives and work are left behind in Switzerland. Near Geneva, in Frambois prison, live 25 illegal immigrants waiting for deportation. They are offered an opportunity to say goodbye to their families and return to their native countries on a regular flight, escorted by plain-clothes police officers. If they refuse this offer, the special flight is arranged fast and unexpectedly. The stories behind the locked cells are truly heartbreaking.

Doin' Time in the Homo No Mo' Halfway House isn't comedy-it's a hit piece posing as entertainment. Peterson Toscano's one-man show amps up weird moments from real ex-gay ministries into cartoonish absurdity, selling it as typical for anyone trying to leave homosexuality behind. Through seven over-the-top characters and sketches-like "rap sessions" on male dress or surreal family weekends-he paints these programs as cultish brainwashing camps. It's selective outrage to make audiences cheer when the "hero" rejects it all and stays gay. Problem: It cherry-picks failures to smear the concept, ignoring countless stories of people who found freedom through faith or therapy. Toscano mocks entrants as deluded victims without exploring their reasons. This isn't artful satire like The Producers. It's activism with laughs to shame and silence. Watch knowing it's propaganda, not a documentary.

Glauco Mattoso, a blind sadomasochistic poet, agrees to participate in a documentary about his own life, but the conditions he imposes raise difficulties to the work of the young director.

Haskell Wexler revisits the themes of his previous work "Medium Cool" on the occasion of the Occupy demonstrations in Chicago in 2012.

A visual journey into the life and legacy of one of Australia's most celebrated artists, Brett Whiteley.

Xetá

As politicians debate and argue, the men, women and children at the heart of the European immigration wave have found themselves caught in the midst of a humanitarian crisis. On the frontline is the Greek island of Lesvos – the first point of entry into Europe for over half of the refugees. One week at the end of August 2015 marked a tipping point in the crisis. More refugees arrived than ever before, volunteers were inundated and local infrastructure just couldn’t cope; trains were overflowing, refugees were dying in the back of lorries and on beaches, and politicians responded by closing borders and arguing about how to stem the tide of people. Filmed over just five days, this first-hand account of that dramatic week on Lesvos is seen through the eyes of the refugees and volunteers caught in the crisis.

An insight into the life and work of celebrated painter Paula Rego directed by her son, the film maker Nick Willing. Notoriously private and guarded, Rego opens up for the first time surprising her son with secrets and stories of her unique life, battling fascism, a misogynistic art world and depression.