Into the Ether

A woman's accidental death quickly leads to her waiting for the next life to begin.

Steve Brooks, a sexist womanizer, is killed by a group of his angry former lovers. In heaven, he makes a bargain with God for redemption and agrees to return to Earth. Once there, he must have a sincere relationship with a female and make her fall in love with him. If not, Steve's soul will become the property of the devil. But the devil hedges his bet, and Steve is reincarnated as a woman named Amanda Brooks.

In the future, a second great flood covers most of the known world. Country borders collapse and language barrier disappear. All salvageable books are taken to a deep underground vault facility for protection. Run by priests, the facility is called The Stacks. As Olivia wanders the facility she discovers that she may not be alone and that a dark part of her past may have followed her into the narrow corridors of this inescapable purgatory.

An outlaw band flees a posse and rides into Refuge, a small town where no one carries a gun, drinks, or swears. The town is actually Purgatory, and the peaceful inhabitants are all famous dead outlaws and criminals such as Doc Holiday and Wild Bill Hickok who must redeem themselves before gaining admittance to Heaven... or screw up and go to Hell.

A man must relive his memories to determine his place in the afterlife.

After death, life could be still bad. What would you be willing to do to reach paradise?

Four men from different parts of the globe, all hiding from their pasts in the same remote South American town, agree to risk their lives transporting several cases of dynamite (which is so old that it is dripping unstable nitroglycerin) across dangerous jungle terrain.

An established writer goes to the Nobel Prize Banquet in Stockholm. He is a family man. In the background another woman. A suicide attempt. His work is rejected by the publisher.

The selfish Dr. André Luiz dies and awakes in the limbo called "Umbral". After a painful period in the gruesome swamp, he is rescued and brought in a white light to "Nosso Lar" (meaning "Our Home"). He finds a place of harmony, where people live in peace awaiting

The gates of Heaven & Hell have been broken and the afterlife is in ruins. One group of new arrivals must find a way to put things right to prevent an eternal battle between good & evil.

The classic tale of Dante's journey through hell, loosely adapted from the Divine Comedy and inspired by the illustrations of Gustav Doré. This historically important film stands as the first feature from Italy and the oldest fully-surviving feature in the world, and boasts beautiful sets and special effects that stand above other cinema of the era.

Fiona steps out of the lift and into a world where her first love awaits her, ten years after his death.

An abstract, surreal horror film centering on six dead women waking up in the crawl space below their killer's house.

In a state between life and death, K. has a conversation with an unknown figure, where he recalls experiences and relationships throughout his life.

A man wakes up in the middle of the street with no idea where he is or how he ended up there. Soon he is forced to confront the demons he is battling within before a gateway to the underworld unlocks the secret of Algea the God of Pain.

The Valet (Manuel Rosón) enters a hotel room with Joseph Garcin (Morgan Sterne) in tow. The windowless room has a single entrance and no mirrors. Two women, Inès Serrano (Viveca Lindfors) and Estelle Rigault (Rita Gam), are then led in; afterwards, the Valet leaves and locks the door. Realising that they are in hell, the trio expects to be tortured; however, no torturer is forthcoming. While waiting, they strike up a conversation and discuss each other's sins, desires, and unpleasant memories. Adaptation of the play by Jean-Paul Sartre.

The scene is a tawdry hotel room in Limbo, where several damned souls are gathered. At first, the group fails to comprehend where they are or why they're there. When the horrible truth dawns upon them, they carp and snipe at one another, blaming everyone but themselves for their dismal fate.

In a waiting room in the space between the living and the beyond, an unlikely pair sits impatiently for their final reckoning.

Confined to an endlessly burning waiting room, a dying sedentary woman experiences herself blurring in and out of her body. In her last remaining fragments she tries to make amends with her spirit before her remaining fragments either decay or create.

A rural school bus driver turns to theft but is held accountable for his actions.