Mud

Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.

In the aftermath of a car crash, a man discovers his dreams are tied to a stranger's sleepwalking.

"In Serieux comme le plaisir, two men and a woman live quite happily together in a romantic liaison. The woman is probably wealthy anyway, so the trio doesn't worry much about money. One day they decide to take a trip in their beat-up car, managing the whole affair in their own special, insouciant manner. They are followed by a suspicious policeman who thinks there's something fishy about this group..."

A tale about a strange young man, Bulcsú, and the fellow ticket inspectors on his team who work aboard the subterranean Budapest Metro. A tale about racing along the tracks, and about a mysterious serial killer. And a tale about love.

The wife of an abusive criminal finds solace in the arms of a kind regular guest in her husband's restaurant.

As Alex struggles with disturbing hallucinations, his wife Vera tries to help, until they both experience their own profound revelations.

Emma approaches adulthood, she tries to live an ordinary life and keep up to her late mothers expectations. However her anxiety weighs over her, stopping her from enjoying the last few youthful years.

A woman named Kit moves back to her parent's house, where she receives a mysterious invitation that would fulfill her childhood dreams.

A single mother suffers a devastating stroke leaving her teenage daughter and 7-year-old son to care for her, testing the family's strength to hold things together as their roles are reversed.

A stranger who may be the trickster magician Kummatty comes to a village in Malabar, India.

Everywoman is a lost 1919 American silent film allegory film directed by George Melford based on a 1911 play Everywoman by Walter Browne.

A naive young man witnesses an escalation of violence in his small hometown following the arrival of a mysterious circus attraction.

A small Bavarian village is renowned for its "Ruby Glass" glass blowing works. When the foreman of the works dies suddenly without revealing the secret of the Ruby Glass, the town slides into a deep depression, and the owner of the glassworks becomes obssessed with the lost secret.

Directed by Emanuelle Pasorelli, this arthouse film makes little sense. A man, who may or may not be a thief, with a nagging wife hears a beautiful woman in his head, and both conspire to make him go mad as he lives in anguish over his role in his friend Luigi's death. Actor's mouths rarely move, yet the player can hear their voices, a technique the director used in several films. The ladder in the end symbolizes something, that is unknown of what.

The managers of a textile enterprise use various scams to obtain all kinds of personal benefits, until the machinations exposed.

Is there love after death? After he dies suddenly, the hapless advertising executive Daniel Miller finds himself in Judgment City, a gleaming way station where the newly deceased must prove they lived a life of sufficient courage to advance in their journey through the universe. As the self-doubting Daniel struggles to make his case, a budding relationship with the uninhibited Julia offers him a chance to finally feel alive.

A mysterious girl, Pennu, comes to a quiet village, creating a strange chasm among the male folks, breaking marriages and old friendships.

Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight. “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”

Lacking a traditional plot, the non-linear story follows the path of emotions and sensations. Based on actual events the film shows five acts – Miracle, Atonement, Regret, Prayer, Forgiveness – that might help us overcome the fear of death…

The Ötztal Alps, more than 5300 years ago. A Neolithic clan leader must avenge the massacre of his people and theft of his holy shrine.