Just Like That

An educational entertainer sending a message to the society to understand and care for the elderly.To know their insecurities and fears as they approach the twilight of their lives. The movie is based on the fact that in the flag end of life all that old people need is love and companionship. Loneliness,insecurity and unpredictability of life makes them bitter. The main attraction of the movie is the unique revolutionary solution to all these issues that will be revealed to the audience in this movie. Laced with humour,10 nahi 40 sends out a message to the youngsters to be more understanding towards the elder people and to the older people it emphasises that life is beautiful and has to be lived with zest and

A stressed father, a bride-to-be with a secret, a smitten event planner, and relatives from around the world create much ado about the preparations for an arranged marriage in India.

A naive bullock-cart driver falls for a traveling dancer.

A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.

A love triangle forms after a male finds his best friend has married his sweetheart.

The 25-year-old love story of a couple is told through the lens of their teenage daughter after she is diagnosed with pulmonary fibrosis.

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

The story centers around a small town entrepreneur named Maniram who makes a major profit by cheating people and selling them tainted food. His business is run by his daughter-in-law Tejo, who is married to Maniram's mentally challenged younger son. When Maniram's elder son comes back into town to get married, things start to go awry.

Sultana, a small town prostitute and her pimp Khudabaksh migrate to the metropolis, bringing with them their dreams and meagre belongings. Sultana goes about her bright and artful seductions but somehow misses her targets. Her business collapses. Desperately, Khudabaksh too tries his hand at many jobs but is unsuccessful. Sultana's loneliness and despair get objectified in her desire for a 'salwaar' that she needs to complete her black ensemble for the observance of mourning for Moharram.

This film suggests a network of hierarchical relations between people through sometimes subtle and at other times blunt illustrations.

Two close friends, Neelu and Madhu, agree that men cannot be trusted, and as such decide to dump their current boyfriends, and marry someone else who meets with the approval of their parents. Shortly thereafter, Madhu is introduced to Chandrakant, whom she likes, and soon both are married. On their honeymoon, she meets with Neelu, who has married Deepak, also her parents' choice. Both are delighted to see other, and cannot wait to meet the others' spouse, little realizing the shock they will get when they do so.

Circumstances force a mill worker with a sick child to take the law into his own hands. It is only when he arms himself with a gun and storms into the hospital that people begin to notice his plight.

Ravi, a young migrant and poet-turned-Maths teacher, brings his new wife, Suman, to live with him in Mumbai. Weaving in and out of imagination and reality, the film lyrically explores how the new couple find their feet.

Mammo is an account of a certain period in the life of Riyaz, a teenager who lives with his grandmother Fayyazi as they get a visit from his grandma’s sister Mehmooda Begum Anwar Ali, commonly known as ‘Mammo’.

A middle-aged antique dealer and money lender recollects his marriage to a 17-year-old orphan girl.

Arjun is part of a group of independence fighters in 1914, during a mission in Kolkatta he is seen by the police and during his escape he is saved by Amba, a village girl. But is there time for love when the country's freedom is at stake?

A series of three episodes which explore the relationship between men, women and the physical and mental spaces they inhabit.

Rahul, the son-in-law of an old industrialist and one of the heirs to his fortune, clashes with Dinesh, the industrialist’s nephew who is openly unscrupulous. Rahul, on his part, conceals his personal ambition under a cloak of liberalism and encourages indigenous production.

Three womanisers find a baby left at their doorstep. Chaos ensues as they try to contact their former girlfriends to determine who is the father amongst them.

Squadron Leader Veer Pratap Singh, a pilot in the Indian Air Force, rescues the stranded Zaara, a woman from Pakistan, following a bus accident, and their lives are forever bound.