Bastion Point: Day 507

A documentary about the history of settler groups that came to New Zealand from Europe.

The word panchão was first heard in Macao. From the Chinese pan-tcheong or pau-tcheong, dictionaries define it as a Macanese regionalism also known as China cracker. Who inhabits the ancient IEC Long firecracker factory?

When an academic unearths a forgotten history, residents of the small township of Pukekohe, including kaumātua who have never told their personal stories before, confront its deep and dark racist past.

Documentation of the encroachment of European settlers upon Native American lands and the violent reaction of the Indians in their struggle to survive.

This film is an intimate portrayal of pioneering filmmaker Merata Mita told through the eyes of her children. Using hours of archive footage, some never before seen, her youngest child and director Hepi Mita discovers the filmmaker he never knew and shares the mother he lost, with the world.

This impressive doco disperses the fog of shame and sensationalism to shed light on the tragedy that made international headlines in 2007 when a young Wainuiomata woman died during a mākutu lifting.

Two decades on from Cinema of Unease, Tim Wong’s essay film contemplates the prevailing image of a national cinema while privileging some of the images and image-makers displaced by the popular view of filmmaking in Aotearoa. Now streaming for free at: films.lumiere.net.nz

Barry Barclay was a New Zealand/Aotearoa director of documentaries and feature films. He is regarded as one of the world's first, and very influential, Indigenous film makers. The film The Camera on The Shore is a feature length introduction to Barry, and to his film making.

Morro do Castelo was chosen by the Portuguese to found Rio de Janeiro city. It was an important historical and architectural reference. Despite its relevance, the hill was destroyed by urban reforms aimed to promote real state speculation.

Gaza, génération génocidée

An East Coast community in Ruatōria, New Zealand attempts to live in autarchy according to the tenets of their movement. Bob Marley, a prophet of our electronic age, is the soundtrack to the everyday lives of these Māori who feel closer to their own roots by observing a blend of Afro-Carribean Rastafarianism and the Ringatū faith. Merata Mita's camera respectfully portrays this singular cultural dialogue. The outsider cultures of Jamaicans, Ethiopians and Māori have come together, vibrating to a common cosmic chord. They find an underground brotherhood, across continents and seas.

Although the mountain volcano Mauna Kea last erupted around 4,000 years ago, it is still hot today, the center of a burning controversy over whether its summit should be used for astronomical observatories or preserved as a cultural landscape sacred to the Hawaiian people. For five years the documentary production team Nā Maka o ka 'Āina ("the eyes of the land") captured on video the seasonal moods of Mauna Kea's unique 14,000-foot summit, the richly varied ecosystems that extend from sea level to alpine zone, the legends and stories that reveal the mountain's geologic and cultural history, and the political turbulence surrounding the efforts to protect the most significant temple in the islands: the mountain itself.

Lao Yang is head of logistics of the group. He is responsible for the equipment, building materials and food (mainly chickens) to arrive in the isolated Chinese prefab camp. The Congolese government was supposed to deliver these things but so far the team hasn't received anything. With Eddy (a Congolese man who speaks Mandarin fluently) as an intermediate, Lao Yang is forced to leave the camp and deal with local Congolese entrepreneurs, because without the construction materials the road works will cease. What follows is an endless, harsh, but absurdly funny roller coaster of negotiations and misunderstandings, as Lao Yang learns about the Congolese way of making deals.

L'abatis

The race to save the world's only dedicated Māori World War One Memorial from collapse reveals an unknown soldier's heroic story to the community he was once part of.

Ka mua ka muri

Concerning Violence is based on newly discovered, powerful archival material documenting the most daring moments in the struggle for liberation in the Third World, accompanied by classic text from The Wretched of the Earth by Frantz Fanon.

Operation 8 examines the so-called 'anti-terror' raids that took place around New Zealand on October 15, 2007 - asking how and why they took place and at what cost to those targeted.

This 1981 NFU film is a tour of the contemporary world of Aotearoa’s tangata whenua. It won headlines over claims that its portrayal of Māori had been sanitised for overseas viewers. Debate and a recut ensued. Writer Witi Ihimaera felt that mentions of contentious issues (Bastion Point, the land march) in his original script were ignored or elided in the final film, and withdrew from the project. He later told journalists that the controversy showed that educated members of minority groups were no longer prepared to let the majority interpret the minority view.

Mauri (life principle, life force, vital essence inherent in all living things) The film is an intimate, visually stunning testament to a land and a people who have survived removal, exploitation and colonization — and to the healing ways that are part of the Māori ancestral knowledge. It juxtaposes the enduring trauma of colonialism with the resilience offered through Māori ancestral healing traditions.