Dora is a German-raised teenager visiting her enigmatic Brazilian grandmother for the first time. While trying to return to Germany at all costs, she discovers the incredible history behind the women of her family.
Love blossoms secretly between two old women at an elderly care home while the specter of patriarchy looms large overhead.
Işık visits a friend's summer home to spend some time alone after growing up under the strain of her surroundings and family. Here, she reflects on her prior issues and the challenges she has encountered as a woman.
Demons party alone so get the hell out of my room
Matthew, a college freshman, meets his dream girl in a dorm elevator during a blackout. He never sees her face, but instantly falls in love. In the morning, the power is restored, but the "dream girl" has vanished. All Matthew knows is that she lives in an all-girls dorm. He sets out on a semester-long journey to find his mystery girl among a hundred female suspects. Could it be Wendy? Dora? Arlene? Patty? Cynthia? Or the 95 other girls, any of whom could have been in that elevator with Matthew.
Sanda spends all her time working in a plastic factory, raising her two small children and catering to an indifferent husband, leaving little room for herself. A chance encounter with another man may offer her an escape from her daily chores.
Miss Shetty is a feminist living in London and wants to be single forever. Mr. Polishetty from Hyderabad in Telangana, India, wants to be in a committed relationship. The two appear to be in different stages of life but somehow connect.
‘Recrudescence’ takes place in a gothic, dystopian reality wherein a patriarchal judiciary removes the anger of women within whom it is deemed excessive. This is the case for Audrey, a writer of philosophy. But when Audrey’s husband tries to capitalise on her state, her anger returns in an unusual form...
Simon is an eight-year-old boy who seems to have everything from life. He’s a handsome child, he’s rich yet unhappy. He senses that there’s something wrong with his life and this leads him to wander off thanks to his fervid imagination. His greatest wish is to leave the materialistic world behind since he isn’t fond of it. That’s why the only present he wants for Christmas is for Santa Claus to take him away to live in his fairyland toy factory. At the same time, a secret that his family has been keeping for a long time suddenly comes to the surface and it is feared that the worst might happen soon. The expectation for the stroke of midnight on the night before Christmas is transformed into reality for everyone on the eve of something truly different. Something terrible that might happen.
Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.
A woman leads a tiresome life trying to make ends meet, doing housework, and bring up her children. She tries her best to save money but she feels something is missing inside of her. She cannot communicate with her husband who brings his friends home at night to drink; they all seem to be speaking in incomprehensible gibberish
After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.
Atali'i O Le Crezent (Sons of the Crezent)
An epic meditation on psychoanalysis, the Baader-Meinhof, feminism, and pre-revolutionary Russia.
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations.
When a secretary's idea is stolen by her boss, she seizes an opportunity to steal it back by pretending she has her boss' job.
The true story of Frances Farmer's meteoric rise to fame in Hollywood and the tragic turn her life took when she was blacklisted.
Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.
A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.
La melodía de lo invisible