Could our mounting modern problems have ancient solutions? Travel to the depths of China to find out.
A cinematic journey through the world. Non-verbal.
The destiny of women is irrevocably linked to blood. Between tradition and modernity, the female body has been marketed, honored, and mutilated.
Ideal and reality
When a Catholic church in a small Chinese town falls prey to an evil combing the powers of Western and Chinese vampirism, Taoist priest Uncle Nine (Lam Ching Ying) and Catholic priest Wu (Wu Ma) must overcome religious and cultural differences in order to defeat the vampire.
Chinese doctor has his car break down in England. he wanders into a castle where vampires congregate. After having sex with a Chinese vampire he leaves, however his blood is so sweet the Chinese vampire is sent to Hong Kong bring him back. While in Hong Kong he begins to show signs of vampirism and his friends have to try to save him.
A kung fu revenge tale about a young man named Dirty Dan determined to kill a ex-police, ex-kung fu student named Mr. T.
In a remote village, a con man disguised as a Taoist priest introduces a memory-erasing device to residents — but a dangerous plot looms.
The planned reburial of a village elder goes awry as the corpse resurrects into a hopping, bloodthirsty vampire, threatening mankind. Therefore, a Taoist Priest and his two disciples attempt to stop the terror.
A Taoist priest protests against the idea of a Buddhist priest being his neighbour. They often argue with each other until a vampire is at large and threatens the villagers' safety.
A Taoist former cop is called to Hong Kong to assist in the investigation of of a series of strange murders. Aided by two local officers, he runs afoul of an evil sorceress.
Wah Li, known as Fat Boy to his friends, lives with his great-uncle the priest (Uncle). Together with his oddball friends Lai Li and Momo, Wah Li helps Uncle to run the local funeral services. When the body Ma Lun Chio is brought back to the village by a new wife and her "brother", Wai Li is suspicious. He sets out to find out how his friend died, but things are not what they seem.
The Progenitor, Cheng Yang, Cheng Jen and his brother, Chung Yin-Chiu tried all means to acquaint with the “Yin Yang Separate Body Style”, which was the most powerful Taoism Kung-fu of Yin Yang Tang. One day, Student, Ko Sheng practiced the style secretly. Since his basic Kung-fu training was not well-established, he made his soul separated from the body. At the most critical moment, he was saved by Yin-Chiu. The leader of Tien Wu Men, Master Fu Luen wanted to rule over the community by force, bitterly practiced the “Tzu Yin Wicked Style” kung fu. He controlled Kuan Shih-Chung by using poison and ordered him to get the urea of children and women's placenta for him to practice...
Fantasy adventure depicting the famous Eight Immortals of Taoist mythology.
When tragedy befalls Taoist master Yu at the hands of power hungry general Suen Cheuk, the Taoist master's students, the Five Element Ninja, decide that revenge is their only option. However, if they are to have their vengeance they must first infiltrate the inner circle of the general's closest allies. (GreenfanDVD)
"Stillness" is a question about movement. The movement of small and unfathomable human existence. Its shots were born unintentionally, as intuitive captures of insignificant times and spaces: a staircase, a dark passage, the vast beach, an unexpected rain. The editing later intertwined them into an intimate and existential narrative, a voice that resonates in search of meaning.
Este perro está raro
Dying to live
Best-selling author Whitley Strieber revisits the site of his traumatic alien encounter for the first time in several decades.
A poignant all-Indigenous English and Cree-English collaborative documentary that breaks long-held silences imposed upon indigenous children who were interned at the notoriously violent St. Anne’s Residential School in Fort Albany First Nation, Ontario. Use of a homemade electric chair at St. Anne's and the incorporation of testimony about student-on-student abuse makes this documentary stand apart from other films about Canadian residential school experiences. This film will serve as an Indigenous historical document wholly authored by Indigenous bodies and voices, those of the Survivors themselves.