Morena

Innucadie (festival du conte et de la légende de Natashquan, 1er édition)

In the film, the outstanding contemporary avant-garde poet Vladimir Ignatiev, the heir of OBERIUT, appeared. He played himself and read his own poetry. The film was shot 25 years ago soon after Vladimir received a serious craniocerebral injury, received as a result of the bandit attack.

'Still Lives' comprises a trilogy of films by Patrick Sheard; Lamenta, Libertas and Exitus, anthologized here in their entirety.

The fascinating story of the rise to power of dictator Benito Mussolini (1883-1945) in Italy in 1922 and how fascism marked the fate of the entire world in the dark years to come.

Lies can kill. Transgender Nuclear Suicide Sojourner is an exploration of propaganda, lies, and the overwhelming urge to end it all.

This Pixar documentary short follows Sarah Vowell, who plays herself as the title character, on why she is a superhero in her own way. (This short piece is included on the 2-Disc DVD for "The Incredibles", which was released in 2005.

Reading out loud one poem of Andrés Eloy Blanco, titled “Pleito de amar y querer” (Battle between loving and caring).

Twenty-five films from twenty-five European countries by twenty-five European directors.

A visual essay that highlights top-down shots from Wes Anderson's filmography.

This film is dedicated to Mas-Félipe Delavouët, the poet discovered by Lawrence Durrell, who wrote 14,000 verses in Provençal over a period of thirty years, and who died on November 18, 1990. "The sky, history and Mediterranean and Provençal myths are the inexhaustable wellspring of this man rooted down there, near Salon-de-Provence" (J.-D. Pollet). "Mas-Félipe Delavouët wrote five books in Provençal, 14,000 verses. A sort of "Odyssey". Of myths. What is stunning in him is that he always talks of disappearances. Cities, works, men, writings, television, etc., everything has to disappear. In order to be reborn. No pain. A sort of hand-to-hand of man and nature. During the filming, I would simply throw out some words... For example, one time I said "creation" and he said: "creation doesn't exist..., creation is before me..., I can only read creation"; this sentence describes Delavouët perfectly (J.-D. Pollet, 1989 and 1993).

40,000 years in the making: Kogonada's video essay created for The Connected Series.

Documentary about the poet, writer and playwright Hilda Hilst, considered by critics as one of the most important voices of the Portuguese language of the twentieth century. Through the use of personal sound and image files, interviews, meetings and fictional interventions, we will seek the memory and the presence of Hilda Hilst in her daily life at Casa do Sol, the farm where she lived in Campinas.

Based on the idea that drugs have influenced some of our greatest minds (Poe, Baudelaire etc.), this film documents just how influential drug experiences have been on the minds of great writers, poets and thinkers.

When Robert Lax was approached in the early 1980s about doing a video documentary on him, he had only one condition—that it be focused on his creative work and not a biography of his personal life. “Let’s keep it simple and about the work, with maybe some comments on it. No baby pictures PLEASE!” This documentary is an attempt at an introduction to the important works of poet Robert Lax.

Poetic stroll in the work of Jean Genet.

In Vietnamese artist Thi Nguyen’s tranquil essay film, a letter exchange unveils the changing uses of space in various provinces and the different ways its inhabitants remember history.

Poetry, literature, painting and old film clips converge in this lyrical, unusually designed film essay about Le Moulin, the Taiwanese poets’ collective which protested in the 1930s against the cultural superiority of the Japanese occupier and the domination of realism in poetry.

Isla Negra: Neruda y el mar

Made from reimagined/recycled images and sounds from the filmmaker’s archive and other found materials, Undercurrents is a poetic essay documentary about the undercurrents of history playing out in the present. It is also (at its heart) about the power of resistance.

Erwin Romulo, the late Alexis Tioseco’s best friend, recalls the events after the critic and his girlfriend Nika Bohinc’s untimely death in their home in Quezon City. Diaz makes use of one long take to allow Romulo an uninterrupted narration of the events. The pain of recalling is palpable.