From Regina's personal and visual memories, a tribute to her uncle Thomas, who was an artistic inspiration and played a key role in her becoming a filmmaker. A moving tribute to a poet of the everyday.
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Fracture (1977) is a short animated film from France by the Brizzi Brothers (Paul and Gaëtan), a duo better known for their work on feature-length animated films such as Asterix versus Caesar (1985), and a number of films for Disney. Fracture is their earliest work, and isn’t remotely Disney-like, delivering an SF / fantasy scenario of alien inexplicabilities that makes it an animated counterpart of the comic strips that were running in Métal Hurlant (and its US counterpart, Heavy Metal) in the late 1970s.
In the year 50 BC, Gaul is occupied by the Romans - nearly. But the small village of Asterix and his friends still resists the Roman legions with the aid of their druid's magic potion, which gives superhuman strength. Learning of this potion, a Roman centurion kidnaps the druid to get the secret formula out of him.
One winter, a ravenous ogre terrorizes the land of King Balthasar. Meanwhile, a blizzard is brewing in Léon’s heart. Braving the cold, this adopted bear cub runs away from home. Léon has many an adventure during his travels. He befriends a hedgehog and an elephant, confronts an ogre, and sets Princess Molly Gingerbread free. His courage and integrity eventually lead him back to his family. In the end, the cub earns everybody’s respect.
Chasseurs pêcheurs
The Tartlet
La Faim du monde
Animated short about the tale of the Magic Flute
Animated short originally produced in France by Paul Grimault.
What if the events in a key era in our history were actually completely different than what our history textbooks try to tell us? What if Master Jan Hus didn't even get warm in Constance, let alone burn up? What if Jan Zizka had more than one healthy eye? This animated comedy from director Pavel Koutský playfully breaks the myths about the Hussite era as the pedestal of history is occupied not by preachers and military leaders but by two unbelievable scatterbrains, who become the heroes of their time against their will.
Hurrah! Tomorrow is the 40th of November. It's Saint Feast Day, the great celebration of ogres, so hurry up now if you have not caught a child yet. And good hunting!
Memories split in the space.
The Tale of Genji Museum in Uji City, Kyoto will be airing a short film blending history and fantasy, the story follows a modern high school girl named Hana who is transformed into a cat and transported back in time. She travels 1,000 years ago to the Heian Era as portrayed in The Tale Of Genji, arguably the most famous novel in Japanese literature. Guided by the novel's titular character Hikaru Genji, Hana experiences firsthand the emotions that the author Murasaki Shikibu depicted in her novel. The short features scenes based on The Diary of Lady Murasaki and other historical materials, such as the real-life noble Fujiwara no Michinaga swiping early drafts of The Tale Of Genji because he could not wait to read chapters as Murasaki wrote them.
The film is a sub-story to Kirikou and the Sorceress rather than a straight sequel. The movie is set while Kirikou is still a child and Karaba is still a sorceress. Like Princes et princesses and Les Contes de la nuit, it is an anthology film comprising several episodic stories, each of them describing Kirikou's interactions with a different animals. It is however unique among Michel Ocelot's films, not only in that it is co-directed by Bénédicte Galup (who has previously worked with him as an animator) but also for each of the stories being written by a different person (in all other cases, Ocelot has been the sole writer and director of his films).
Rich knows a lot about accidents. So much so, he is scared to do anything that might endanger him, like riding his bike, or climbing into his treehouse. While in an old library, he is mystically transported into the unknown world of books, and he has to try and get home again.
The life of two characters who follow each other beyond the walls.
"All sounds travel in waves much the same as ripples in water." Educational film produced by Bray Studios New York, which was the dominant animation studio based in the United States in the years surrounding World War I.
In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.
Due to an unfortunate accident involving Obelix throwing a menhir, Getafix the druid not only loses his memory, but goes completely mad. Now deprived of the wisdom of their beloved druid and the protection provided by his magic potion, the Armorican village falls prey to a proclaimed soothsayer who comes with ominous predictions and overweening ambitions. It's up to Asterix to keep his villager friends within reason and hopefully get Getafix to remember the magic potion's recipe before the impending Roman attack.