Sketches

Based on the story about Guy Gabaldon, a Los Angeles Hispanic boy raised in the 1930s by a Japanese-American foster family. After Pearl Harbor, his foster family is interned at the Manzanar camp for Japanese Americans, while he enlists in the Marines, where his ability to speak Japanese becomes a vital asset. During the Battle of Saipan, he convinces 800 Japanese to surrender after their general commits suicide.

The Bang Bang Club were four fearless young photographers who set out to expose the reality of Apartheid in South Africa - a battle that changed a nation but wound up almost destroying them.

Three stand-up comedians seek fame and fortune in the hottest comedy scene in the world: San Francisco in the 1980s.

A Singer, Musician & Filmmaker embark on a Cross Country Journey to explore what it takes to Find your Creative Voice. Through conversations, theory & musical moments, they uncover the steps & struggles every artist faces. This isn’t just a film—it’s a blueprint to find your voice.

Forty years in the making, 'The Painter Sam Francis' is artist Jeffrey Perkins' intimate portrait of abstract expressionist painter Sam Francis. The film retraces Francis' life and career from his childhood in California to his artistic maturation in post-war Paris, his time spent in Japan, and his prominence in the United States. It reveals a man in constant struggle with physical maladies and his own demons, but for whom creativity was a powerful life-sustaining force.

This spy thriller pits veteran-turned-artist, Daniel Cliff, against US intelligence, and secrets from his past lead to hellish journey of lies, betrayal, and government retribution.

Largely due to censorship, many films, especially documentaries and independent films, can't be released in China. But underground cinema clubs are making independent films accessible to Chinese audience despite the all the risks.

How did the Impressionists view the world? What relationship did they have with technique, with color, with light and with the universe of shapes that made up reality before their eyes? How were their works received? How did they go from being rejected by critics and the public to becoming among the most loved in the world in a few years? Secret Impressionists is an immersive journey into the intimacy of the Impressionists and their paintings which aims to offer a "privileged" visit that stimulates the spectators' curiosity and gives them a perspective on the works complementary to the live experience, allowing spectators in the hall to immerse themselves in the work of painters and grasp unpublished details.

Opio is a blind man who lives in an isolated Ugandan village. He spends most of his time sitting and listening to his land, full of mystery and a bloody past. One day, without any apparent reason, he decides to leave.

An investigation of "disaster capitalism", based on Naomi Klein's proposition that neo-liberal capitalism feeds on natural disasters, war and terror to establish its dominance.

Directed by Margot Benacerraf, Reverón is a poetic and visually striking documentary that delves into the life and artistic vision of Venezuelan painter Armando Reverón. Set in the sun-drenched coastal landscape of Macuto, where the artist lived in near isolation, the film captures his eccentric lifestyle and unique creative process. Through evocative imagery and a contemplative narrative, Reverón explores his deep connection to nature, his experiments with light and texture, and his profound artistic genius. This seminal work stands as a tribute to one of Venezuela’s most influential painters and a landmark in Latin American documentary filmmaking.

Artist Tom Phillips walks us through his ongoing project to photograph the same 20 London locations once a year for the rest of his life.

Stach is a wayward teen living in squalor on the outskirts of Nazi-occupied Warsaw. Guided by an avuncular Communist organizer, he is introduced to the underground resistance—and to the beautiful Dorota. Soon he is engaged in dangerous efforts to fight oppression and indignity, maturing as he assumes responsibility for others’ lives.

Ningwasum follows two time travellers Miksam and Mingsoma, played by Subin Limbu and Shanta Nepali respectively, in the Himalayas weaving indigenous folk stories, culture, climate change and science fiction.

“This is a film about the end of a friendship. It wasn’t meant to be. Fifteen years ago, they painted my portrait.” (Mariano Llinás)

In a rural village in Thailand, Mak is sent to fight in a war and leaves his pregnant wife, Nak. Mak is injured and barely survives. He returns home to his doting wife and child, or so he thinks.

In the chaotic aftermath of the fall of Saddam Hussein, Fakhir, a father of eight, is serving in the Iraqi army. All around him, he sees innocent civilians getting injured by landmines, so he determines to disarm them with his own hands, using just a pocketknife and some wire cutters. He clears thousands of roadside bombs, mines and car bombs, knowing that every time he cuts a wire it could cost him his life—which he seems to find less important than the lives of others. In 2014, by this time having lost a leg, he starts working for the Kurdish Peshmerga, disarming boobytraps left behind by Daesh in and around Mosul. An enthusiastic home video maker, Fakhir collects hundreds of hours of footage of his day-to-day work.

Conrad Veidt plays a famous musician who is blackmailed for being gay. Eventually he stands trial and is convicted. At the end the film pleads for the abolition of §175 (the law that punishes homosexuality).

Cartoneras is a documentary that grapples with Latin America’s urban realities, and the cardboard publishing movement that has emerged from these in the 21st century. Reflecting on the different contexts that propelled this form of community publishing, like Argentina’s 2001 economic crisis, the independent art scene, and the movements which formed around waste-pickers, the film’s narrative is developed through conversations with important actors from the cartonera world.

World War II propaganda film made to show an American audience that the Dutch were and would continue to be valuable allies in the fight against the Axis powers.