Andre Rieu : Gala - Live In De Arena

Priya, an exceptional yet obsessive pianist at Berklee School of Music, struggles to meet the demands of her professor’s unorthodox senior showcase assignment: to compose a piece that encapsulates her greatest fear.

Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.

The Nutcracker is Mikhail Baryshnikov's breathtaking and critically acclaimed Emmy-nominated production. This spectacular performance is danced by the magnificent team of Baryshnikov, one of the greatest classical dancers of the century, and Gelsey Kirkland, both showcased at the peak of their careers, with members of the American Ballet Theatre.

We meet the young violinist Erik Smith in the lap of his family with his wife Lise and his little daughter Lone. Erik is a young, aspiring musician who dreams of one day making a career as an interpreter of the great masters of music. At a concert where a well-known solo violinist has to interrupt, Erik Smith suddenly jumps in and gets his big breakthrough.

Benjamin Britten's monumental anti-war oratorio from the Vladislav Hall of Prague Castle in memory of war veterans and victims. British composer Benjamin Britten wrote War Requiem in 1962 on the occasion of the restoration of the war-damaged cathedral in Coventry. He used the traditional, codified Latin text of the requiem – a mass for the dead – interspersed with verses by Wilfred Owen, a British officer who wrote his poems directly in the trenches of World War I. More than two hundred artists then joined their voices in the Vladislav Hall of Prague Castle as part of the Prague Sounds festival for a symbolic performance of the work, which is rarely performed due to its demanding nature and large cast.

This short animation draws on advanced digital technologies to offer a new vision of dance in cinema. With motion capture (MoCap) and particle processing, designers Denis Poulin and Martine Époque create virtual dancers free of their morphological appearance. In this balletic and hypnotic film, dynamic traces carry the motion of the real dancers behind the on-screen movements. Addressing environmental themes by way of metaphor, CODA is a fused universe where space and time collide, deploy, and dissolve. In this technically and formally innovative film, luminous bodies in the infinite space of the cosmos transform and evolve to the rhythms of Stravinsky’s Rite of Spring.

An enterprising producer believes he has hit upon a winning concept: a program of original animated shorts set to classical music. Undeterred by warnings that this has already been done by an American named 'Prisney,' he rallies an orchestra of geriatric women, a bullish conductor, and an animator that he keeps locked in the dungeon. What could go wrong?

The Christmas I Love’ is a very special Christmas gift – a collection of some of the most tender carols personally chosen by Andre for this album and performed with the full forces of the Johann Strauss Orchestra and Choir. All the popular carols are there Ave Maria, White Christmas, Silent Night, Jingle Bells but also included are Baroque Christmas Classics Corelli's Christmas Concerto and “Winter” from Vivaldi's Four Seasons. The DVD offers a delightful Christmas experience featuring timeless yuletide favorites filmed in many of Europe's most beautiful locations.

A look back at the violent conflict between the two leading figures of musical modernity, Arnold Schönberg and Igor Stravinsky, in the first decades of the 20th century. Although Arnold Schönberg and Igor Stravinsky both had a decisive influence on the fourth art, their creations remained diametrically opposed. While the Austrian developed the dodecaphonic method, placing the twelve notes of the chromatic scale at the heart of the composition technique to the detriment of tonality, his Russian rival based his practice on stylistic eclecticism. Their supporters formed two opposing camps, and the two composers - one the father of the Second Viennese School, the other of Neoclassicism - became, in the wake of their successes, the figureheads of a conflict that marked the history of music by its duration and intensity.

Sir Simon Rattle, the Berliner Philharmoniker and the Rundfunkchor Berlin give an impeccable performance of the powerful biblical oratorio “The Gospel According to the Other Mary” by John Adams, one of the most renowned contemporary composers. The sophisticated score with a libretto by acclaimed theatre director Peter Sellars comes to life thanks to the Berliner Philharmoniker, whose intimate knowledge of Adams’s music stems from the composer himself: He attended the orchestra’s rehearsals. In the role of the Evangelist, Bubeck, Cummings and Medley lead through the narrative. A stunning highlight is Lazarus’s aria, sung by tenor Peter Hoare. But at the heart of the piece are Mary Magdalene and her sister Martha during the last days before Jesus’s death, impressively performed by mezzo-sopranos Kelley O’Connor and Tamara Mumford.

A festive event marking the 10th anniversary of the Czech Republic's accession to the European Union, during which the Brno Philharmonic Orchestra will perform a live broadcast of L. van Beethoven's popular Symphony No. 9 in D minor, Op. 125, with Ode to Joy.

Performed by the Czech Philharmonic Orchestra conducted by J. Bělohlávek. Slavonic Dances are among the most popular works by Antonín Dvořák and Czech Romantic music in general. The first series, originally composed for four-hand piano and later orchestrated for symphony orchestra, is inspired mainly by Czech folk dances. The orchestral version of Slavonic Dances is considered a groundbreaking work, thanks to which Dvořák attracted attention abroad and launched his international career. A television recording of this outstanding performance was made in 2014. The Czech Philharmonic Orchestra is conducted by Jiří Bělohlávek.

Every year, the Berliner Philharmoniker hold a kind of classical-music fête with a bright, cheerful concert to end the season. In 2009 about 22,000 people had come together at the Berlin Waldbühne to enjoy the traditional summer picnic concert. The theme of the evening was “Russian rhythms”, and star conductor Sir Simon Rattle, the Berliner Philharmoniker and Yefim Bronfman, one of the most famous pianists in the world today, presented a superb selection of Russian music. Repertoire Tchaikovsky: The Nutcracker, op. 71, Overture, The Christmas Tree, March, Pas de deux (Intrada) Rachmaninoff: Piano Concerto No.3 in D minor, op. 30 Stravinsky: Le Sacre du printemps Lincke: Berliner Luft

Repertoire Modest Mussorgsky: Night on Bald Mountain; Antonín Dvořák: Song to the Moon from “Rusalka”, Op. 114; Aram Chatschaturjan: Adagio from “Spartacus”; Richard Strauss: Final Scene from “Capriccio”, Op. 85; Richard Wagner: Overture to “Rienzi, der Letzte der Tribunen”; E. W. Korngold: Mariettas Lied from “Die tote Stadt”; Richard Strauss: Zueignung, Op. 10 No. 1; Sir Edward Elgar: Salut d’amour; Giacomo Puccini: Donde lieta uscì from “La bohème”; Tu che di gel sei cinta from “Turandot”; Ruggero Leoncavallo: Musette svaria sulla bocca viva from “La bohème”; Mimì Pinson, la biondinetta from “La bohème”; Piotr Tchaikovsky: “Romeo and Juliet” (Fantasy Overture)

The Waldbühne in Berlin, one of the most appealing outdoor amphitheatres on the European continent, is the home of the Berliner Philharmoniker’s summer concerts. With audiences of more than 20,000, these are some of the most popular classical music concerts in the world. Riccardo Chailly is famous for having one of the broadest and most eclectic repertoires. Here, under his baton, the orchestra presents perennial favourites by Shostakovich, Rota and Respighi. Live recording from the Waldbühne, Berlin, 23 August 2011, directed by Kasten Henning, produced by Jan Bremme. TV Producer: Dorothea Diekmann, RBB. Repertoire Dmitry Shostakovich: Suite No. 2 for Jazz Orchestra (Suite for Variety Orchestra), Lady Macbeth of Mtsensk Suite – Allegretto; Nino Rota: ‘La Strada’ Ballet Suite; Ottorino Respighi: Fountains of Rome • Pines of Rome • Danza gueresca ‘Belkis’; Paul Lincke: Berliner Luft

Beethoven · Missa Solemnis (Staatskapelle Dresden, Christian Thielemann)

Beethoven · Missa Solemnis (Berliner Philharmoniker, Herbert von Karajan)

A brilliant performance of Schönberg's monumental work at the Prague State Opera. Arnold Schönberg composed Gurre-Lieder to a text by J. P. Jacobsen about the tragic love of the Danish king Waldemar and his mistress Tove Lille, who was murdered out of jealousy by Queen Helviga. He orchestrated the composition for a monumental orchestral and vocal ensemble: five vocal solos, a narrator, a male and mixed choir, and a huge orchestra comprising 25 woodwind instruments, 25 brass instruments, four harps, a celesta, 16 different percussion instruments (including iron chains), and an exceptionally large string section. Every performance of this masterpiece, composed down to the last detail, is truly an overwhelming experience. SOČR chief conductor Petr Popelka seized this unique opportunity, as at the time of the performance of Songs he was also chief conductor of the Norwegian Radio Orchestra, and in this unique project he brought together the two ensembles entrusted to him.

A concert performance of the most famous parts of Dvořák's opera Rusalka in the park of Liteň Castle, directed by the Caban brothers with multimedia elements and original choreography... The year 2021 marks an important milestone in the history of Dvořák's opera Rusalka, which premiered in 1901, 120 years ago. At the same time, the non-profit organization Liteň Castle and the Jarmila Novotná Festival are celebrating ten years of activity. Its mission is to popularize the name of the legendary diva, actress, patriot, and important personality Jarmila Novotná and to care for the cultural monuments on the grounds of Liteň Castle—and on the occasion of both anniversaries, it did so with an extraordinary performance of the opera Rusalka in the picturesque surroundings and magical summer atmosphere of Liteň Castle.

Beginning on the eve of her thirtieth birthday, “Brave Enough,” documents violinist Lindsey Stirling over the past year as she comes to terms with the most challenging & traumatic events of her life. Through her art, she seeks to share a message of hope and courage and yet she must ask herself the question, “Am I Brave Enough?” Capturing her personal obstacles and breakthrough moments during the “Brave Enough,” tour, the film presents an intimate look at this one-of- a-kind artist and her spectacular live performances inspired by real-life heartbreak, joy, and love.