Because of Him

County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

Régis Laspales est Landru

Escorted by his valet Sganarelle, Dom Juan, a libertine gentleman, brave and hypocritical, seduces women, fights duels, denies his father's authority, and mocks Heaven. Carried away by his passion for women and gambling, he goes so far as to commit perjury. A classic revisited by Mesguich with a lot of visual effects: special effects, magic tricks, imposing sets. A playful staging for this tragi-comic play.

Isabel Reyes (Rhian Ramos) is an infamous soap opera villain in the country. Everyone simply loathes Isabel which makes her the most condemned personality in the world of television. But by some weird twist of fate, Isabel's life turns upside down when she encounters a near-death accident. The wicked antagonist experiences a sudden change of heart and being the top kontrabida of her soap opera, Isabel couldn't just deliver her heartlessness and cruelty in front of the camera. Her over-the-top villainous persona disappears and she finds herself powerless to kick and slap the lead star. Isabel's show hits a major ratings slump and the network advises her to take a break from work with hopes of reigniting her passion. To solve her dilemma, Isabel seeks the help of the biggest kontrabida icon in the country, no less than Ms. Bella Flores. She finds her on YouTube and says that for Isabel to get herself back, she needs to find the person who hurt her the most.

Simple Italian postman learns to love poetry while delivering mail to a famous poet; he uses this to woo local beauty Beatrice.

In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.

Vatelin and his wife Lucienne love tender love. Rédillon, a friend of the couple, has been courting Lucienne for years. Pontagnac, notorious womanizer and friend of the husband, has only been courting her for a few hours ... And Vatelin is enjoying this unusual situation. Everything spoils when Maggy returns, a very old English mistress of Vatelin who blackmails her by suicide if he refuses an appointment ... Lucienne has always sworn that she would take a lover as soon as proved her husband's infidelity. Who will be elected, who will be the turkey?

It starts in one room: a young man in pajamas lies down and sleeps. He agitates, turns, returns. He is recovering, sits on his bed and a cloud of smoke is coming from his skull, he loses an arm, a leg. He enters a fantasy world where all objects come to life. The swallowed pillow passes his door, a reflection of the mirror emancipates, the portrait of the table rebels and sings his dismay. Dishes and utensils are transformed into a fabulous bestiary where dragon and rhinos are fighting. Gags in cascade, anachronistic nose-feet in acrobatics, juggling on the trapeze, dancing lyric songs, James Thiérrée puts the reality upside down and takes us into a surreal and dreamlike symphony played by interpreters to staggering energy.

Drama critic Larry Mackay, his wife Kate and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kate settles into suburban life, Larry continues to enjoy the theater and party scene of New York.

An older daughter invents a fiancé so that her father will allow her younger sister to marry. However, the lie comes back to haunt her.

An actress confronts her quarter-life crisis by breaking up with New York City and returning home to win back the love of her life.

An actress dumps her boyfriend when she gets a television show. He finally gets over the breakup and falls in love again, just in time for his ex to return -- wanting him back.

Ne coupez pas mes arbres

The best women of British acting go to an audition for a dream role, primed to take on the role of a lifetime: that complex woman, the strong woman, a woman for today.

During the California Gold Rush, two down-on-their-luck vaudevillians attempt to become wealthy by bringing a girlie show to an all-male western mining town.

A substance-addicted actress tries to look on the bright side even as she's forced to move back in with her mother to avoid unemployment.

La Smorfia - Prima Parte

La Perruche et le Poulet

On the set of a playwright's new project, a love triangle forms between his wife, her ex-lover, and the call girl-turned-actress cast in the production.

Lakis Lazopoulos climbs on the roof following the course of the breakdown of the average Greek. A house is sinking, the river has overflowed, no one will stay. The river carries them all away. On the roof, Lakis Lazopoulos, as a modern Odysseus, sinks like our life sinks today. The past begins to knock on the door and asks to take a stand. The history of the modern Greek from 1960 until today, the dissolution of us, the rise of the ego, the descent of emotions, the transition to corruption, the ridicule of the Greek in history. Chryssa Ropa, as a modern Penelope, tries to keep the house, the child, the life that is lost. But love and affection are crushed in the years of infidelity and greed.