Trio in E Flat

A staging of Florian Zeller's play "The Father" by Ladislas Chollat.

In trouble with the local authorities, Mabel Simmons, notoriously known as Madea, is on the run from the law. With no place to turn, she moves in with her friend Bam who is recovering from surgery. Unbeknownst to Bam however, Madea is only using the "concerned friend" gag as a way to hide out from the police.

Hráči

Pour avoir Adrienne

Azaïs

Bisous Bisous

Le Prête-nom

9-year-old Jewish boy Jimmy dresses up as a Sheep for a school play, much to the chagrin of his mother. On their way to school, Jimmy and his mother suffer through a series of unfortunate mishaps that see them in a state of stress and pushing for time.

Hired to helm an Americanized take on a British play, director Lloyd Fellowes does his best to control an eccentric group of stage actors. With a star actress quickly passing her prime, a male lead with no confidence, and a bit actor that's rarely sober, chaos ensues in the lead up to a Broadway premiere.

Un homme parfait

GOLD. Der Film der Nibelungen

David Ireland's award-winning dark comedy about sectarian hatred in Northern Ireland. Eric Miller, a Belfast loyalist, mistakes his five-week-old granddaughter for Gerry Adams.

Les Bidochon - Telle est la réalité

La folle évasion

Sganarelle, mistakenly considered a famous doctor because of a prank, is brought in M. Geronte's house to cure his daughter, who went mute overnight.

A group of teenagers living in a housing project in the outskirts of Paris rehearse a scene from Marivaux's play of the same name. Krimo is determined not to take part, but after developing feelings for Lydia, he quickly assumes the main role and love interest in the play.

Two families, related by friendship and love, face up to the consequences of greed and avarice in the post-war years. Love and death play equal roles in determining the outcome of events.

Svatba

Herminie

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.