Exile Diaries

La Arquitectura Del Crimen

Salvad la cosecha

Un año de guerra

Dieciocho de julio, número 2 - Madrid

Footage filmed in Spain, subjected a new visual effects process. Deslaw devoted himself to the discovery of a new machine that enabled film to be developed while using a new method called solarisation.

El acero libertario

Navarra, las cuatro estaciones

In the Asturian town of Llanes (Spain), we see an example of Asturian pilgrimage, with the festival dedicated to San Roque.

In 1939 it was filmed this dramatization of the victory of fascism in the bloody Spanish Civil War...

A history of the Spanish Transition told in first person by the main protagonists: on the one hand, the politicians, idealistic or merely opportunistic, who brought it to a successful conclusion in the tribunes and offices; on the other hand, the citizens who, in the streets, supported it sincerely or fought it with ferocity.

The story of the recovery of the negatives of thousands of photos taken by three photographers during the Spanish Civil War that were found seventy years later in a suitcase, inside a closet in Mexico City.

A history of the Spanish Transition told in first person by the main protagonists: on the one hand, the politicians, idealistic or merely opportunistic, who brought it to a successful conclusion in the tribunes and offices; on the other hand, the citizens who, in the streets, supported it sincerely or fought it with ferocity.

The story of the University of Brasília, since it was only a project in Darcy Ribeiro's head until the fateful events in August 1968 when its campus was invaded by the police, during the military dictatorship, thus putting an end to its independence.

On the border, the line as principle of property and belonging reaches an extreme dimension where it physically defines the sphere of its relations. Those who transgress it reconstruct these imaginary lines on a daily basis, redefining the traditional geography and occupying the non-spaces where others live in a temporary form of existence. These others, the non-citizens, are phantasmtic, exchangeable parts of a flexible market. Made invisible, they are permanently controlled persons. Under the pretext of a greater civilian security, they are kept clear from the public spaces reserved for the citizens with rights and pushed into non-public spaces, which are run by state and military surveillance, multinational operations servicing a European market and non-governmental organisations.

This film conveys a sense of the forces that have shaped Spain over the centuries, including Roman, Islamic, and Catholic influences, and gives James Michener's analysis of the history, art, folklore, and architecture of the country.

From its old age, a SIG-510 rifle tells the story of its military service as a weapon used by the Chilean army. It tells of his military training, its frustrated desire to serve his country, and the memories it has of the Coup d'état that occurred in 1973.

This film reveals testimonies, reflections and memories from the experience of many Aragonese who, after the Republican defeat in the civil war, had to cross the Atlantic in search of survival.

This documentary collects, through the testimonies of five survivors, four women and one man, the tragedy experienced in “la Desbandá de Málaga and the subsequent exile to France. At the entrance of Queipo de Llano's troops into the city of Malaga, thousands of people, mostly women and children, fled to Almería along the road. They were bombed by sea, land and air by the German army, Mussolini's army and Franco's troops from the then Moroccan colony. Around five thousand people died on these two hundred kilometers of road. This exodus was known as “La desbandá”.

A documentary about the ghosts of Joan Perucho, which wants to be an immersive experience in the author's universe, in his literature, in his landscapes, his fears and obsessions, his experiences, war, cinema, vampires, the fantasy genre and pop culture.

In 1936, the war broke out in Spain and in 1937 the front was maintained for many months around Angiozar and Elgeta. It has often been talked about what men experienced, but women have also experienced the war. Through this documentary, their bravery and courage, both at the front and in resistance away from the front, has been highlighted and recalled.