Mr. Trump, Pardon the Interruption

Black White & Blue covers race issues in America, police brutality, the Black Lives Matter movement, the Flint Water Crisis, and the 2016 election of President Donald Trump. The film features one-on-one interviews with notable African-Americans: Michigan Senator Coleman Young II, Baltimore attorney William "Billy" Murphy Jr., rapper Killer Mike, former NYPD Officer Michael Dowd and others.

Diana Mariscal reached a moment of fame in the sixties, when at just 18 years of age she was the lead actress of the movie Fando and Lis by Alejandro Jodorowsky. The moment seemed to trigger a promising career, but her public image faded little by little until disappearing. Forty years later the traces of her existence have not been entirely erased.

VH1 uncovers the frightening allure and danger of skinhead rock, a key recruitment tool in the U.S. white power movement. You'll hear from the bands and their fans, and learn the remarkable story of George Burdi, a hate rock pioneer who now plays in a multicultural band in Toronto. We'll also examine the rock against racism movement, revealing a battle for the hearts and minds of young music fans.

In 1995, former KGB Major General Oleg Kalugin and ex-CIA Director William Colby collaborated in an unexpected way. They made a video game. The Great Game traces how both men rose to the tops of their fields following World War II, before falling out of favor with their respectives agencies — on opposite sides of the Iron Curtain. For Kalugin, a growing discontent with the KGB’s treatment of Russians radicalized him against the institution. Meanwhile William Colby, an OSS operative and the CIA’s man on the ground in Vietnam, was fired by President Ford after testifying before Congress about controversial CIA programs like MKULTRA and CoIntelPro. After the fall of the Berlin Wall, both living on American soil, Colby and Kalugin played themselves in Spycraft, a multi-million dollar game that was among the most advanced of its time — and is now almost entirely forgotten.

The little-known story of a deadly race massacre and carefully orchestrated insurrection in North Carolina’s largest city in 1898 — the only coup d’état in the history of the US. Stoking fears of 'Negro Rule', self-described white supremacists used intimidation and violence to destroy Black political and economic power and overthrow Wilmington’s democratically-elected, multi-racial government. Black residents were murdered and thousands were banished. The story of what happened in Wilmington was suppressed for decades until descendants and scholars began to investigate. Today, many of those descendants — Black and white — seek the truth about this intentionally buried history.

The Indian Act, passed in Canada in 1876, made members of Aboriginal peoples second-class citizens, separated from the white population: nomadic for centuries, they were moved to reservations to control their behavior and resources; and thousands of their youngest members were separated from their families to be Christianized: a cultural genocide that still resonates in Canadian society today.

April 17, 1944. A high-profile trial for sedition opens in Washington. Dozens of individuals—including members of Congress—are accused of cooperating with German forces, participating in pro-Nazi movements, and plotting to overthrow the U.S. government. How did this happen in the world's greatest democracy? And why does no one remember this major episode in American history?

In the late Seventies, a Dutch teenager named Frankie, who is the son of a holocaust survivor, lives in a working class area in Holland. Frankie’s mother is taken to hospital in a terminal condition, causing a bigger rift between him and his father. This leads to Frankie becoming the interest of the local Nazi skinhead group.

Emma Dabiri looks at racism in Britain via the world of modern dating, love apps, and a national survey suggesting that young Britons could be more segregated than ever.

Examines the implications of Christian Nationalism, how it distorts not only our constitutional republic, but Christianity itself, and asks the question: What happens when a faith built on love, sacrifice, and forgiveness grows political tentacles, conflating power, money, and belief into hyper-nationalism?

The sharp wit and insightful art of Pulitzer Prize-winning cartoonist Ann Telnaes to examine the challenges confronting US democracy ahead of the 2024 presidential election.

Sometime, Somewhere sheds light on the challenges faced by Latino communities in Charlottesville, Virginia against the backdrop of immigration driven by factors like climate change, poverty, and drug-related violence.

With the survival of the Democratic Party at stake after the country's worst three presidential losses a little-known Bill Clinton and a band of insurgents at the DLC challenge the establishment to retake their party and the White House.

This documentary celebrates the Black cultural renaissance that existed in the Greenwood district of Tulsa, OK, and investigates the 100-year-old race massacre that left an indelible, though hidden stain on American history.

Controversy erupts over a New-Deal-era mural of the namesake of San Francisco’s George Washington High School. The thirteen-panel artwork "The Life of Washington" by Victor Arnautoff offers a view of the Founding Father both celebratory and critical, referencing his involvements in slavery and Native American genocide.

Using two separate filmmaking teams (an all-white crew filming white residents and an all-black camera crew filming black residents), TWO TOWNS OF JASPER captures very different racial views by townsfolk in Jasper, Texas, the location for a racially motivated murder of an African American man in 1998.

Debbie, a working class single mother from Leeds, moves her family to Bradford, where they find themselves in an ethnic minority. Daughter Leah must adapt to being the only white girl at school.

Commissioned by the journal Présence Africaine, this short documentary examines how African art is devalued and alienated through colonial and museum contexts. Beginning with the question of why African works are confined to ethnographic displays while Greek or Egyptian art is celebrated, the film became a landmark of anti-colonial cinema and was banned in France for eight years.

The day after his abduction, a nine-year-old boy is found seemingly unharmed, but he has suffered severe trauma as a result of his time in the hands of his abductor. He distances himself from his mother and refuses to give any information about the perpetrator.

Documents the race riot of 1921 and the destruction of the African-American community of Greenwood in Tulsa, Oklahoma. With testimony by eyewitnesses and background accounts by historians.