Seven Angels

Dia is a divorced mom living in New York and must go back to India after she receives news that her guru is on his death bed. When she arrives she finds he is gone and has left her the responsibility of saving and reviving the Ajanta Theater where she used to dance. The problem is that the political officers want it torn down and turned into a shopping mall. The storyline follows Dia and her challenge to stand up for what she believes in and fight the cause to the end, while trying to win back the love and support of the people of the town whom she walked out on ten years prior.

A conservative professor at a Christian college finds himself in a gay support group to stop their launch of an LGBT homeless youth shelter in their small town.

Ten-year-old Gabe was just a normal kid growing up in Manhattan until Rosemary Telesco walked into his life, actually into his karate class. But before Gabe can tell Rosemary how he feels, she tells him she will not be going to public school any more. Gabe has a lot more to learn about life, love, and girls.

Young writer Richard Collier is met on the opening night of his first play by an old lady who begs him to "Come back to me". Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early twentieth century. Becoming more and more obsessed with her, by self-hypnosis he manages to travel back in time—where he meets her.

A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.

In 1916, a Chicago steel worker accidentally kills his supervisor and flees to the Texas panhandle with his girlfriend and little sister to work harvesting wheat in the fields of a stoic farmer.

When Jack and Diane find themselves in an unexpected adult situation, the A-Squad comes to their rescue. In order to help their friend Diane, the A-Squad goes where no cheerleader has gone before: taking on a little after-school project known as bank robbery. But the A-Squad does things their way -- with sugar and spice -- forever changing their friendship, their future and the nation's notion of teen spirit.

American composer Jake Heggie’s compelling masterpiece, the most widely performed new opera of the last 20 years, arrives in cinemas in a haunting new production by Ivo van Hove. Based on Sister Helen Prejean’s memoir about her fight for the soul of a condemned murderer, Dead Man Walking matches the high drama of its subject with Heggie’s beautiful and poignant music and a brilliant libretto by Tony and Emmy Award–winner Terrence McNally. Met Music Director Yannick Nézet-Séguin takes the podium, with mezzo-soprano Joyce DiDonato starring as Sister Helen. The outstanding cast also features bass-baritone Ryan McKinny as the death-row inmate Joseph De Rocher, soprano Latonia Moore as Sister Rose, and legendary mezzo-soprano Susan Graham—who sang Helen Prejean in the opera’s 2000 premiere—as De Rocher’s mother.

The success of Verdi’s third opera, a stirring drama about the fall of ancient Jerusalem at the hands of Nebuchadnezzar (Nabucco), catapulted the 28-year-old composer to international fame. The music and Verdi himself were subsumed into a surge of patriotic fervor culminating in the foundation of the modern nation of Italy. Specifically, the Chorus of the Hebrew Slaves ('Va, pensiero'), in which the Israelites express their longing for their homeland, came to stand for the country’s aspirations for unity and that exciting era in Italian history, the Risorgimento, or 'Resurgence'.

Director Carrie Cracknell makes her Met debut, reinvigorating the classic story with a staging that moves the action to the modern day, in a contemporary American industrial town.

Two singers at the height of their powers—radiant soprano Nadine Sierra and tenor sensation Benjamin Bernheim—come together as the star-crossed lovers in Gounod’s sumptuous Shakespeare adaptation, with Met Music Director Yannick Nézet-Séguin on the podium to conduct one of the repertoire’s most romantic scores. Bartlett Sher’s elegant staging also features baritone Will Liverman and tenor Frederick Ballentine as the archrivals Mercutio and Tybalt, mezzo-soprano Samantha Hankey as the mischievous pageboy Stéphano, and bass-baritone Alfred Walker as Frère Laurent.

Charles Price may have grown up with his father in the family shoe business in Northampton, central England, but he never thought that he would take his father's place. Charles has a chance encounter with the flamboyant drag queen cabaret singer Lola and everything changes.

Deals with the lives of the three Irish Catholic McMullen brothers from Long Island, New York, over three months, as they grapple with basic ideas and values — love, sex, marriage, religion and family — in the 1990s.

Back in Montréal after spending five years in Guatemala, Julie moves in with her elder sister, Jeanne, a chronic liar and woman of rather loose sexual morals... Disillusioned with love, Jeanne is nevertheless engaged to Noël. However, Jeanne and Noël lead separate lives, and only communicate by leaving each other messages on the fridge.Everything suddenly becomes very complicated. Jeanne compels Julie to take up with Noël so she can have a fling with a passionate musician. Noël, meanwhile, sets Julie up with Michel -- without Jeanne's knowledge. Julie mixes things up even further. Egged on by her friend Marie-Ève, she alters the contents of the messages on the fridge in an attempt to breathe new life into Jeanne and Noël's relationship. Along the way, she also begins to fall for the seductive Michel. The tables are turned on everyone... In the game of love and truth, illusion leads to betrayal, but love conquers all.

A carefree college student has to face up to responsibility when his girlfriend announces she's pregnant.

After the death of her policeman father, Xiaomai begins to look over his old journals filled with notes about the cases he investigated over the years. The mention of a purple scarf in the notes particularly catches her attention, prompting her to purchase a similar scarf from a mysterious website that claims to sell everything, as long as one can pay the price. Soon after, Xiaomai's close friend is found dead, strangled by a purple scarf. All of this awakens Xiaomai's memories of her childhood sweetheart Qiushou, whose mother was also strangled to death with a purple scarf by an unknown killer. Xiaomai and Qiushou grew up together and fell in love, but he suddenly disappeared from her life 15 years ago without a word. She begins to believe that Qiushou has returned and may be seeking revenge.

Mame Dennis, a progressive and independent woman of the 1920s, is left to care for her nephew Patrick after his wealthy father dies. Conflict ensues when the executor of the father's estate objects to the aunt's lifestyle and tries to force her to send Patrick to prep school.

Disillusioned with her life, Ella embarks on a soul-searching journey to Paris where she navigates love, self-discovery and cheese amidst the enchanting backdrop of The City of Love.

“I don’t believe in love because I’ve never seen it,” responds a young woman to an unseen interviewer in the first few minutes of the movie. This bleak portrait of loneliness and social exclusion is set on the edge of a desolate swamp where an aging clown and his daughter are struggling to survive. The location could be the end of the world, a place where hope has vanished along with a belief in the afterlife and the existence of God. The two unfortunates live together without the likelihood of change, as fear, aggression, and anger take hold of them – but they also experience sudden moments of tenderness.

A married landlord has an affair with a young man renting out one of her apartments in Greece.