four frames; four stories

Artists Peter Fischli and David Weiss create the ultimate Rube Goldberg machine. The pair used found objects to construct a complex, interdependent contraption in an empty warehouse. When set in motion, a domino-like chain reaction ripples through the complex of imaginative devices. Fire, water, the laws of gravity, and chemistry determine the life-cycle of the objects. The process reveals a story concerning cause and effect, mechanism and art, and improbability and precision, in an extended science project that will mesmerize the mind.

Based on the idea that drugs have influenced some of our greatest minds (Poe, Baudelaire etc.), this film documents just how influential drug experiences have been on the minds of great writers, poets and thinkers.

Das Experiment - Leben ohne Plastik

Documentary about the poet, writer and playwright Hilda Hilst, considered by critics as one of the most important voices of the Portuguese language of the twentieth century. Through the use of personal sound and image files, interviews, meetings and fictional interventions, we will seek the memory and the presence of Hilda Hilst in her daily life at Casa do Sol, the farm where she lived in Campinas.

A short documentary about the rapidly disappearing era of heritage movie palaces and the film going experience once offered within those hallowed walls.

Reading out loud one poem of Andrés Eloy Blanco, titled “Pleito de amar y querer” (Battle between loving and caring).

When Robert Lax was approached in the early 1980s about doing a video documentary on him, he had only one condition—that it be focused on his creative work and not a biography of his personal life. “Let’s keep it simple and about the work, with maybe some comments on it. No baby pictures PLEASE!” This documentary is an attempt at an introduction to the important works of poet Robert Lax.

Poetic stroll in the work of Jean Genet.

The film was shot as the final part of the play "Drink the sea, Xanthos" theatre-Studio "NEO" (St. Petersburg 1987-1989). As a result, the performance was changed and the film gained independence. He became an allegory of acting.

Erwin Romulo, the late Alexis Tioseco’s best friend, recalls the events after the critic and his girlfriend Nika Bohinc’s untimely death in their home in Quezon City. Diaz makes use of one long take to allow Romulo an uninterrupted narration of the events. The pain of recalling is palpable.

(Olhei para a câmera)

A letter film for Abbas Kiarostami

Poetry, literature, painting and old film clips converge in this lyrical, unusually designed film essay about Le Moulin, the Taiwanese poets’ collective which protested in the 1930s against the cultural superiority of the Japanese occupier and the domination of realism in poetry.

This film is dedicated to Mas-Félipe Delavouët, the poet discovered by Lawrence Durrell, who wrote 14,000 verses in Provençal over a period of thirty years, and who died on November 18, 1990. "The sky, history and Mediterranean and Provençal myths are the inexhaustable wellspring of this man rooted down there, near Salon-de-Provence" (J.-D. Pollet). "Mas-Félipe Delavouët wrote five books in Provençal, 14,000 verses. A sort of "Odyssey". Of myths. What is stunning in him is that he always talks of disappearances. Cities, works, men, writings, television, etc., everything has to disappear. In order to be reborn. No pain. A sort of hand-to-hand of man and nature. During the filming, I would simply throw out some words... For example, one time I said "creation" and he said: "creation doesn't exist..., creation is before me..., I can only read creation"; this sentence describes Delavouët perfectly (J.-D. Pollet, 1989 and 1993).

Isla Negra: Neruda y el mar

Morgan Spurlock subjects himself to a diet based only on McDonald's fast food three times a day for thirty days without exercising to try to prove why so many Americans are fat or obese. He submits himself to a complete check-up by three doctors, comparing his weight along the way, resulting in a scary conclusion.

A lost chapter in black British film: extraordinary rushes from a documentary showcasing talented members of the black community.

The story of Muhammad Iqbal, a turn of the century poet/philosopher from South Asia. Through Iqbal's work we open a dialog between the East and West, refute the notion of a class of civilizations and discover our shared humanity.

In 1244, Jelaluddin Rumi, a Sufi scholar in Konya, Turkey, met an itinerant dervish, Shams of Tabriz. A powerful friendship ensued. When Shams died, the grieving Rumi gripped a pole in his garden, and turning round it, began reciting imagistic poetry about inner life and love of God. After Rumi's death, his son founded the Mevlevi Sufi order, the whirling dervishes. Lovers of Rumi's poems comment on their power and meaning, including religious historian Huston Smith, writer Simone Fattal, poet Robery Bly, and Coleman Barks, who reworks literal translations of Rumi into poetic English. Musicians accompany Barks and Bly as they recite their versions of several of Rumi's ecstatic poems.

Um Dia Eu Fui Zeus