Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.
La Coupe Stanley à Montréal en 1993
This short film is a series of vignettes of life in Saint-Henri, a Montreal working-class district, on the first day of school. From dawn to midnight, we take in the neighbourhood’s pulse: a mother fussing over children, a father's enforced idleness, teenage boys clowning, young lovers dallying - the unposed quality of daily life.
Je suis une cigarette
In 1981 Montreal, four Salvadoran siblings, new to Canada, seek distance from the uprisings occurring in their home country by hitting a night club, but it does not go as planned.
This documentary focuses on immigrant teens between the ages of 12 and 17 who share the story of their migration and their adaption to life in Canada through theatre. Young but wise, these children describe their experiences with emotion and authenticity.
With his marriage to Audrey almost at an end, Ben begins a torrid affair with Mercedes, a young French student in his writing class. The affair soon spins out of control, their emotions and Ben and Audrey's family hanging in the balance.
A young woman develops a taste for human blood after experimental plastic surgery, and her victims turn into bloodthirsty zombies, leading into a city-wide epidemic.
Snowflakes at the End of the World offers a meditation on the beauty and ugliness of Montreal winter, and invites critical reflection on the relationship between humans and nature.
Fifteen years after his father's experiments with matter transmission fail, Philippe Delambre and his uncle François attempt to create a matter transmission device on their own. However, their experiments have disastrous results, turning Philippe into a horrible half-man, half-fly creature.
A recently released prisoner reunites his criminal colleagues to pull off one last heist.
Le dernier souffle, au cœur de l'Hôtel-Dieu de Montréal
An immersive dive into the world of Heenok and his collective Gangster & Gentleman, while touching on broader questions about the survival of hip-hop and the state of humanity. Did Roi Heenok really earn his first million at 18? Is he a real fake gangster or a fake real MC? And ultimately, is Roi Heenok truly a king?
Rosaire and Alex would do anything to seduce girls, but they are broke. In an attempt to escape their problem, they become willing to do anything to make some money.
Un printemps incertain
Quartiers sous tension
Mum breaks up with Dad while on vacation in Florida and flies back to Montreal. The kids, Jonathan and Florie, two immature and impressionable twentysomethings, only have a few hours to figure out how they'll welcome her back.
Delphis, an 11 year old kid from the roughest part of Montreal, lives life according to his own rules, under the label of the Hurricane. Set in 1991, the film crudely deals with various social labels with a dose of black humor.
It's a sensitive, moving doc chronicling the life of Tétrault's brother Philip , a Montreal poet, musician and diagnosed paranoid schizophrenic. A promising athlete as a child, Philip began experiencing mood swings in his early 20s. His extended family, including his daughter, share their conflicted feelings love, guilt, shame, anger with the camera. They want to make sure he's safe, but how much can they take?
Under Dorchester Square in Montreal lies the cemetery where 55,000 people were buried in the 19th century. The square is still at the heart of social conflicts in Quebec, 150 years later.