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A short film about a man, a forest run, a girl, an accident and a tea shop. Why do we fall? So we can learn to pick ourselves up. Originally written for Montreal's M60 film festival in August 2012--The theme was "faux pas". The literal interpretation was chosen to avoid the cliche. This is the director's cut, released and showcased at Montreal's Broue Pub Brouhaha in June 2013.

Camelia, an escort with a troubled past, is newly employed at an erotic massage parlour in eastern Montreal. Met coldly by her competitive new colleagues, she struggles to establish a clientele while maintaining her dignity.

A recently released prisoner reunites his criminal colleagues to pull off one last heist.

A group of actors putting on an interpretive Passion Play in Montreal begin to experience a meshing of their characters and their private lives as the production takes form against the growing opposition of the Catholic church.

Recruited to assist Montreal police in their desperate search for a serial killer who assumes the identities of his victims, FBI profiler Illeana Scott knows it's only a matter of time before the killer strikes again. Her most promising lead is a museum employee who might be the killer's only eyewitness.

Delphis, an 11 year old kid from the roughest part of Montreal, lives life according to his own rules, under the label of the Hurricane. Set in 1991, the film crudely deals with various social labels with a dose of black humor.

The story of an imaginative boy who pretends he is the child of a sperm-laden Sicilian tomato upon which his mother accidentally fell.

Industrialist François Delambre is called late at night by his sister-in-law, Helene, who tells him that she has just killed her husband. Reluctant at first, she eventually explains to the police that he invented a matter transportation apparatus and, while experimenting on himself, a fly entered the chamber.

After a storm Montreal gets fully covered by snow

A web documentary that explores Montreal’s incredible contribution to jazz music history through the legendary black musicians of Little Burgundy – the neighbourhood that was a hub of musical creativity, private clubs and speakeasies from the Jazz Age 1920s to the Golden Era of Jazz in the 1940s and 50s. Oscar Peterson, Oliver Jones, Norman Marshall Villeneuve, the Sealey Brothers, Nelson Symonds, and Louis Metcalf are among the greats who lived or played in "Burgundy".

Every day, on the streets of Canada's cities, we pass them on our way to work or school. Bums, beggars, winos, bag people we call them. But who is the person at the end of that outstretched arm? What is life on the street really like? Is there a way off the street? For six years, director Daniel Cross followed the lives of three homeless men who spent much of their time in and around a Montreal subway station. Filmed in a cinema verité style, the film is unique: it humanizes the homeless, breaking down the barrier between us and them, neither moralizing nor offering easy answers. This is a gritty, compelling look at life on the streets that moves beyond the media stereotypes to show both the humanity of the homeless and the street-toughened aspects of their existence.

Seb, mariachi musician by night and guitar teacher by day, is by all accounts, a failed artist. Like a ghost wandering through his own life, Seb follows outside expectations and comically drifts further away from his dream of becoming a songwriter.

After a mobster agrees to cooperate with an FBI investigation in order to stay out of prison, he's relocated by the authorities to a life of suburban anonymity as part of a witness protection program. It's not long before a couple of his new neighbours figure out his true identity and come knocking to see if he'd be up for one more hit—suburban style.

A worker, called in a hurry to remove the snow in the city street, try to buy his remaining gifts in the tumult of Christmas eve without quitting his work.

Ladies of good families and social standing come to have their afternoon tea with their daughters who will someday follow in the same tradition. A charming portrait of a time that is slowly disappearing.

Today it is the city of Montreal, but 3 centuries ago the tiny band of missionary founders called it Ville-Marie, the holy city of Mary. This film goes back to its beginning and those who felt called to plant an oasis of Christianity in the North American wilderness. In an imaginative, at times almost surrealistic, way the film recalls the highborn company from France, and shows what survives of Ville-Marie in the Montreal of today.

Hired by a powerful member of the Russian mafia to avenge an FBI sting that left his brother dead, a psychopathic hitman known only as The Jackal proves an elusive target for the people charged with the task of bringing him down: a deputy FBI director, a Russian MVK Major, and a jailed IRA terrorist who can recognize him.

Two rivals are out to recover a cache of stolen jewels. The thief who originally stole them has just gotten out of prison, however, and he is looking for his twin brother, who knows where the jewels are hidden. Complications ensue.

Set on a tropical island in Thailand, the strange plight of a beleaguered chef who, while romancing a mysterious woman, discovers the diabolical Zen of cooking. Following a near death escape, he returns to Montreal and falls hard for the woman of his life who unfortunately craves only his cooking but not his loving. Worse still, strange things surfacing around him indicate that his journey to the Far East has deep, divine implications. The stage is set for him to take the 1st bite of true love and end the cycle of suffering for all involved.

Lucky Mann is a builder equally handy at repairs and seduction. The latest housewife to succumb to his charms is Marianne, unhappily married to corporate exec Jeffrey. When Jeffrey becomes enraptured by Lucky’s wife Phyllis, the four get caught in a love quadrangle that reignites their marriages.