La Traviata

In the early 1900s, the fictional Catfish Row section of Charleston, South Carolina serves as home to a black fishing community. Crippled beggar Porgy, who travels about in a goat-drawn cart, loves the drug-addicted Bess, who lives with stevedore Crown, the local bully.

Neil Diamond performs Christmas songs in informal settings, joined by choirs from around the country.

When teenager Ren and his family move from big-city Chicago to a small town in the West, he's in for a real case of culture shock after discovering he's living in a place where music and dancing are illegal.

Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.

Gabriel is a young, aspiring musical composer whose life seems stuck in the First Act. When his new musical number gets a critical reception, a theatre colleague, Perry, tells Gabriel that he needs to get a life before he can write about one – so he heads straight for his local gay bar.

The incredible story of Crosby, Stills, Nash & Young, featuring exclusive interviews, rare performance footage and more. This is CSNY's story, a journey of breakthroughs, breakdowns, break-ups and incredible music. Featuring exclusive interviews, seldom-seen footage, classic and rare performances, and contributions from those who worked closely with CSNY across the years.

Rufus Wainwright's original opera finds Emperor Hadrian devastated after his lover Antinous drowns in the Nile River. While matters of state encroach on his grief, and advisors clamour for war against a radical new threat to the Empire, Hadrian slips out of time to re-encounter the vision and reality of Antinous—and learn the truth about what happened on the Nile.

The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.

Mozart: Idomeneo Teatro Real de Madrid

Stiffelio is considered "early Verdi" to musiclogists who classify things, but, in reality, it is a final transition between the maestro's earlier (but most enjoyable) works, and the mature craftsmanship of Rigoletto. Preceded by Luisa Miller (q.v.), there is more dramatic intensity and story line than in the earlier works. The plot centers around Stiffelio, a minister, who discovers that his wife, Mina, has been unfaithful.

Coming just before the mature final works, Verdi's Simon Boccanegra - along with Un Ballo in Maschera, Les Vêpres Siciliennes, La Forza del Destino and Don Carlos - occupy a strange but fascinating hinterland in the career of the composer. Each of the operas, influenced by Verdi's political involvement in the Risorgimento for the reunification of Italy during the period, are very much concerned with the exercise of power, but they all rely on typically operatic conventions of bel canto and French Grand Opéra in their use of personal tragedies and unlikely twists of fate to highlight the human feelings and weaknesses that lie behind their historical dramas. Written in 1859, but revised by the composer in 1881, Piave's libretto given an uncredited reworking by Arrigo Boito, Simon Boccanegra is consequently one of the more interesting works from this period, certainly from a musical standpoint. Live from Teatro all Scala, Milan 2010.

"Beyoncé: Year of 4" documents the year-long personal and artistic journey that inspired Beyoncé's fourth solo album, 4.

A pop star deals with the personal ramifications of fame

Radiohead live at Lollapalooza, Chicago, July 29, 2016. Setlist: Burn the Witch Daydreaming Ful Stop 2 + 2 = 5 Myxomatosis My Iron Lung Climbing Up the Walls No Surprises Pyramid Song Bloom Identikit The Numbers The Gloaming Weird Fishes/Arpeggi Everything in Its Right Place Idioteque There There Encore: Let Down Present Tense Paranoid Android Nude Bodysnatchers Encore 2: Street Spirit (Fade Out) Karma Police

A Pennsylvania band scores a hit in 1964 and rides the star-making machinery as long as it can, with lots of help from its manager.

The educational documentary film Music of Yarsan: A Living Tradition is an investigation into the variety of muscial practices in the life of the Kurdish Ahl-e Haqq people of the Guran region, in the Kermanshah province of Iran.

Teatro Regio’s 2013 revival of their highly successful 2006 production of Verdi’s Don Carlo celebrates the 40th anniversary of the theatre’s reopening in 1973. With traditional staging and lavish costume design, the production garnered high acclaim in the national and international press, with GB Opera commending the ‘sumptuous’ setting and French online music magazine ResMusica praising director Hugo de Ana’s decision to revive the show ‘in all its splendour’. Shown here in the four-act version, Don Carlo is the fascinating tale of father-son power struggles, adultery and love that borders on incest. The cast – under the powerful baton of Gianandrea Noseda – is headed by renowned Mexican tenor Ramón Vargas, and also features Ludovic Tézier, who has been hailed as ‘one of the best Verdian singers of our time’

Arch Enemy perform at Wacken Open AIr 2016. Setlist: - Intro: Khaos Overture - Yesterday Is Dead and Gone - War Eternal - Ravenous - Stolen Life - My Apocalypse - You Will Know My Name - Bloodstained Cross - Under Black Flags We March - As the Pages Burn - Dead Eyes See No Future - Avalanche - No Gods, No Master - We Will Rise - Nemesis - Fields of Desolation - Outro: Enter the Machine & Vox Stellarum

Zum Abschied Mozart

A special drama for Mid Autumn Festival.