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This film is depicts early lesbian sexuality, using reenacted scenes from the experience of a 12-year old girl as the platform for a meditation on forbidden desire, transgression, and Lacanian psychoanalytic concepts of identity formation. Raw adolescent memories counterpoint staged scenes, exploring mechanisms of power and submission.

Camille's life is ruled by the ring of the alarm clock each morning. Her well-ordered life consists of preparing her cat's meals, and hearing the familiar sound of the automatic till in the store where she works as the cashier. But one day, a man enters her home without her knowing and starts living there during the day while she's at work. Little by little, he will free her from her chains.

2031. Climate change has been faster than expected. On the canopy of an island submerged by rising waters, a team of young scientists collects seeds and insects in the hope of saving what can be saved... Between sky and ocean, at the edge of treetops and skin, they evoke the world of yesterday... and that of tomorrow.

The story starts with the inauguration of the first-ever Mechanical batch in an engineering campus. The batch consists of boys only. Later in the second year of the department, a girl joins and becomes the only girl to be a part of their batch. As the story evolves, the girl grabs all their love and attention and becomes the QUEEN of the batch.

"Ryuta is 5 years old. Even though he is my son, I sometimes wonder what this small person is to me. Even though I see his joys and sadnesses and know the feel of his warmth on my skin when I hold him, there are moments when my feelings for him become vague and blank." - Takashi Ito

Hyun-tae, In-chul and Min-soo have been best friends since childhood. Their relationship is forever changed after Hyun-tae's mother asks In-chul to commit insurance fraud by destroying her arcade.

Heartbeat

A man and woman embark on a sexual journey to detach mind from body. The relationship slowly grows into one of emotional domination, physical disease, abandonment and the creation of personal pornography.

The main protagonist is a young fellow who tries to live his life within 30 frames. He's a person suitable for any atmosphere, which makes him different from the rest. He's like a plant that differs from others, an informer who wants to escape out from his skin. This man loves, hates, eats, drinks, lies ill, laughs, cries, kisses, plays... These are agonies of a contemporary man.

Shell-shocked Barbara must face up to the loss of a dear companion after a tragic accident. Her best friend Klara and husband Torsten devise a plan to thaw Barbara's heart, after she reminisces about the incident, the funeral, and happier times. Will she agree to the suggestions of her nearest and dearest? Can grief turn into hope?

In early 20th century New York City, an impoverished socialite desperately seeks a suitable husband as she gradually finds herself betrayed by her friends and exiled from high society.

Suh, whose favorite Packer will always be Mason Crosby; Omi and Ayaka, whose infant daughter already sports a green and gold onesie, and Ryuta aka “fatdragon08” who briefly lived in Milwaukee in 1990, studying English, where he was teased for wearing a San Fancisco 49ers jacket, and subsequently converted to the Pack Life. Benzine’s film lets us spend quality time with these super fans, and then follows them as they make plans to cross the sea to see their beloved Packers in-person at Lambeau! As director Benzine says, “No Packers, No Life is a story about a sports team and their fans, but more than that it illustrates how people from all over the world can come together and unite over a common passion. Also, the Japanese fans arrive in Green Bay and get to ride the Zippin Pippin and party a lot. It’s a very good time.”

A group of leftist activists expose the exploitation of immigrant workers by a criminal network with connections to local government officials. The movie was produced by the group SLON (Société pour le Lancement des Oeuvres Nouvelles, also the Russian word for elephant). SLON was a film collective whose objectives were to make films and to encourage industrial workers to create film collectives of their own. Its members included Valerie Mayoux, Jean-Claude Lerner, Alain Adair and John Tooker, and Chris Marker.

Francie and Joe live the usual playful, fantasy filled childhoods of normal boys. However, with a violent, alcoholic father and a manic depressive, suicidal mother the pressure on Francie to grow up are immense. When Francie's world turns to madness, he tries to counter it with further insanity, with dire consequences.

Two twelve-year-old boys, Romeo and Gavin, undergo an extraordinary test of character and friendship when Morell, a naive but eccentric and dangerous stranger, comes between them. Morell befriends with the two boys and later asks them to help him pursue Romeo's beautiful elder sister. He gradually becomes more violent after she rejects him.

Hopeless romantics and best friends Boyet and Martha cope with difficult relationships with their respective partners. As Boyet tries to tame his confusing boyfriend, Dom, who sometimes says he's straight, Martha deals with the frustrations of her long-standing relationship with Steve.

In an industrializing Italian town, a married woman, rendered mentally unstable after a traffic accident, drifts into an affair with a friend of her husband.

With her husband Jack perpetually away at work, Margaret Hall raises her children virtually alone. Her teenage son is testing the waters of the adult world, and early one morning she wakes to find the dead body of his gay lover on the beach of their rural lakeside home. What would you do? What is rational and what do you do to protect your child? How far do you go and when do you stop?

Aggregate States of Matters highlights the ambiguous relationship between humans and nature. For her new 35mm film shot in Peru, Rosa Barba worked with communities that are affected by the melting of a glacier and geological time becoming exposed. Barba shows the slow disappearance of the glacier and the perception of this fact within the Quechuan population in the Andes. While exploring different local myths, she outlines the possibility of translating ancient knowledge into the present time.

Camille falls on the nose. A stupid fall, apparently benign, but Camille feels her nose moving, growing, inside. The fear of looking like Fabio and his big adolescent body, his grandmother deformed by the disease, the pigs of the old man, seized her. Fear of losing shape.