Anthology comedy/romance film
Centered on a television station which features a 1950s-style sci-fi movie interspersed with a series of wild commercials, wacky shorts and weird specials, this lampoon of contemporary life and pop culture skewers some of the silliest spectacles ever created in the name of entertainment.
A four-part anthology set in Liverpool
Most horror stories take place in suburban areas, but these three teenagers are about to realize that those are not the only places where these things happen.
An insane Japanese gore filled zombie anthology.
Created by an all female filmmaking team, this 17-segment series focuses on the visceral gut reactions of each filmmaker to expand conversations about women’s reproductive rights and the importance of bodily autonomy and also addresses the issues of a democracy that does not protect the needs of the majority of the population.
A horror anthology containing three stories: a female college student working a graveyard shift is terrorized by a serial killer; a hair transplant goes horribly wrong; and a baseball player loses an eye and gets a new one from a recently executed murderer.
A group of teenagers, three cleaning staff, and a young married couple confront a social contract when they meet in the elevator queue of a middle-class apartment building.
A young boy tells three stories of horror to distract a witch who plans to eat him.
Chad Buckley is super crazy about horror movies, but also very lonely. He mostly spends his days in his small movie shop having wild discussions with his only returning customer, Sam.
Leroy, Reggie and Cheruce Paloni host a Halloween special full of spooky shorts from a group of up-and-coming animators.
Three love stories. The same country that condemns them. A queer Guatemalan anthology that explores love between men in a society without LGBTQ+ rights. FIRST: Two teenagers discover their attraction at a party, experiencing that first kiss that changes everything. TRUE: A bitter comedy about an ex who discovers her new boyfriend's secret at his wedding. LAST: Heartbreaking drama about a seven-year, closeted relationship that collapses.
Old lovers reunite, a friendship is betrayed, a pet is killed, a runaway discovered, and a co-worker comes back from the dead in these five interconnected tales about suffering from kindness. Shot over five-years worth of weekends featuring a massive cast and crew, this ambitious, feature-length, no-budget indie shows a side of Maine not seen anywhere else (no lobstermen here, sorry) and finds bleak comedy in a backwater state being dragged into a diverse and inclusive 21st century.
ONE HOUSE. FOUR DEATHS. THE SACRED TEXT. The true anthology film opus.
Five new stories of grueling horror: A Christmas Haunting, Zombie Office, Undone, Unchangeable and The Psychomanteum - ghosts, zombies and bloody revenge.
The world becomes unpredictable when the pandemic happens. But in the face of despair, people put aside reasons and stop worrying. For these couples from Malaysia, Indonesia, and Korea, even love blossoms. They embrace each other and cling to one another desperately and fearlessly. Kuala Lumpur, Jakarta, and Seoul. Three couples in three cities in three countries: The paths of a telemarketer for a loan company and a cart rink owner are destined to cross. A pub owner and a woman with their own background stories. A virgin forklift operator who has never kissed before and a kiss-for-sale manager.
A series of short family films created by FAMU students that have shone at international festivals: 659, Fear Nothing, The Basics of Art, We Are Closer to Death, Asylum, Red Shoes, and Sing.
Mickey, Minnie, and their famous friends Goofy, Donald, Daisy and Pluto gather together to reminisce about the love, magic and surprises in three wonder-filled stories of Christmas past.
A hip hop horror anthology of three tales of terror told by the Hound of Hell (Snoop Dogg) that revolve around the residents of an inner-city neighborhood whose actions determine where they will go in the afterlife.
Three episodes. In the first, Aurora lives in a luxurious apartment. Among some workers called to her house, she recognizes an old lover, who returns to courting her, but then empties her house. In the second, a boy released from reform school discovers that his mother is actually his father: a transvestite. In the third, a newsagent, suspecting her husband, who constantly pretends to be ill, is cheating on her, places a video camera in her room. She records his sexual encounters on a videotape that she sells at newsstands. In his directorial debut, Corsicato demonstrates a sharp and poetic talent (he was Almodovar's assistant) in creating three portraits of women that are also portraits of his city, Naples.