Dinner time in a remote home of a prairie family turns nightmarish when a band of blood spattered outlaws break through the front door in search of food, horses, and women. Nothing is as it seems in this constantly twisting genre bender.
Hell's Crown, a town where law and order are as scarce as preachers, is ruled by "Chuck" Wells, a former gun man. He has a dupe in Blaze, the terror of the town, and holds him by keeping him well supplied with money. A sheriff is appointed at Carson City on account of the horse rustlers.
Three Outlaws came across a stranded baby and must decide to save the child or escape from the law.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
A feud between the families of Gourd and Fork Ranches
A butterfly collector unwittingly wanders into an Indian encampment while chasing a butterfly, but the tribe has resolved to kill the first white man who enters their encampment because white oil tycoons are trying to force them from their land.
When a gang of outlaws put Andy Clyde's ranch house under siege, daughter Alice Day recruits college heart throb Ralph Graves to save daddy.
After 25 years, an ex hired gun visits his old colleague, who is now a small town sheriff. Their past relationship is explored, as is how they reflect on it in the present.
This film and the 1950 short "The Fargo Phantom" were edited together and released as a feature called "Tales of the West #2" in 1950.
In the tradition of classic westerns, a narrator sets up the story of a lone gunslinger who walks into a saloon. However, the people in this saloon can hear the narrator and the narrator may just be a little bit bloodthirsty.
Donald is vacationing at a dude ranch. After all the beautiful women pick the best horses, Donald ends up with the sad sack Rover Boy. But Rover Boy wants nothing to do with Donald.
A group of women band together as they go to war against a pack of men who have done them wrong at every turn.
Bandit Pistol Pete enters a lawless western town and robs a bank. The town is in desperate need of a sheriff. Enter wandering cowboy Goofy who notices a pretty girl being held up in a stagecoach robbery by Pete. Lovestruck and completely oblivious to Pete, he foils the robbery while getting to know the girl better. This earns him a reputation as a great gunslinger and he is challenged to apprehend Pete. Pete tries to get his revenge on Goofy but every attempt backfires due to Goofy's clumsiness usually directed unintentionally at Pete.
Coyote
The story involves Arbuckle coming to the western town of Mad Dog Gulch after being thrown off a train and chased by Indians. He teams up with gambler/saloon owner Bill Bullhum, in trying to keep the evil Wild Bill Hickup away from Salvation Army girl, Salvation Sue. Fatty and Buster have a series of adventures trying to beat St. John, until they discover his one weakness: his ticklishness.
This satirical parody of William S. Hart's melodramatic films finds Buster in the frozen north, "last stop on the subway." He uses a wanted poster as his partner in robbing a gambling house. When he thinks he spies his wife making love to another man he shoots them both only to learn it isn't his cabin after all.
Yosemite Sam tries to force Bugs Bunny to do a high-diving act when the regular act cancels.
Years after their "City Slickers" narrative was retired, Westworld hosts Mitch and Phil are still happily driving cattle, however Mitch has started to malfunction and it's up to Stubbs to analyze why he has gone off his loop.
Iola, the little Indian girl, is held captive by a gang of cutthroats but is soon rescued by Jack Harper, a prospector. She is truly grateful to Jack, and regards him as something different from other white people. Jack's sweetheart and her father are travellers in a wagon-train headed for this place, and, not having much luck so far, he is somewhat gloomy. Iola learns the reason, and promises to help him find gold. "Will you?" he says, "Yes." "Cross your heart?" This cross-your-heart action mystifies Iola. She thinks it is a sort of tribe insignia and tells her people that "Crossheart" people are all right. Iola surely pays her debt of gratitude, not only in finding gold, but in giving her life to protect Jack's sweetheart from her own people.
A cowboy mediator seeks to resolve a dispute between a boy and an indian.