Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.
Nathan Algren is an American hired to instruct the Japanese army in the ways of modern warfare, which finds him learning to respect the samurai and the honorable principles that rule them. Pressed to destroy the samurai's way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist.
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.
Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.
Near the end of the shogunate in Japan, Katsura Shogoro and his fellow samurai from the southwestern domain of Choshu enter the dojo of Saito Yakuro, the famed Shindo Munen Ryu swordsmen of Renpeikan in Edo. Katsura is initially not welcomed by the other, senior dojo followers. Undeterred, he focuses on improving his skill not only in swordsmanship but also learning how to repel the foreign British and American ships that threaten their domain.
Lord Taro must deliver a money chest but is robbed by brigands led by Jibu. One of Jibu's men, Rokuro, steals the money from Jibu, but after meeting and befriending Taro, Rokuro decides to return the money to Taro. But Taro's unscrupulous brother Jiro falsely accuse Taro of the theft, and Taro reactively joins the outlaw band and encourages them to steal from the nobles and give to the poor.
At The Beauty's Altar
An entertaining youth drama, which tells about the struggle of a young swordsman Yamanaka Shikanoske (Kinya Kitaoji) and his friends who resist the tyranny of the Mori clan in a war-torn country during the Sengoku period! The film starred teenage Toei company of that time.
Araki Mataemon was a very strong warrior, and his feud against the samurai Kawai Matagorō is one of the most famous in Japan. Matagoro killed Gendayu, the little brother of Mataemon's brother in law, Watanabe Kazuma. Becoming a murderer out of jealousy for a childhood friend, Matagoro fled in another domain, using friends of his father and his lineage linked to Tokugawa Ieyasu. It was somehow a complicated matter, as it seems at that time, a law from Toyotomi Hideyoshi allowed a little brother taking revenge for his elder brother, but not the reverse. After some years, the lord of Kazuma and Mataemon found a way, and they were allowed to take revenge for the murder. They fought and killed Matagoro and just one other samurai who was helping the culprit. It seems at that time, Kazuma was Mataemon's only assistant.
Set in the 19th century, "Moeyo Ken" follows the life of Toshizo Hijikata. He was the vice-commander of the Shinsengumi and fought against the Meiji Restoration.
A working-class love story set in and around the London Underground of the 1920s. Two men – gentle Bill and brash Bert – meet and are attracted to the same woman on the same day at the same Underground station. But the lady chooses Bill, and Bert isn't the type to take rejection lightly...
Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.
The film is inspired by Miyamoto Musashi who was one of the most famous Japanese ronin and warrior philosophers. This very alternate and visual interpretation of the fate of Miyamoto is brought into a mixture of contemporary Yakuza underworld and a hypnotic Samurai after-life. We flow seamlessly between through life, death, rebirth and the afterlife and challenge our traditional definition of the past, present and future. The film explores the agonizing and painful processes that go through the shattered mind of Miyamoto, as he desperately tries to hold on to the only thing he has left - The rapidly fading memories of his undying love for a woman named, Otsu. A love that for a Yakuza-Samurai is strictly forbidden and which will prove to have catastrophic consequences.
A college student heads to the forest to exchange an item for a special item he desires. But once he arrives, the deal changes which leads to violence.
Historical drama about a sleepy-eyed ronin.
Historical drama about a sleep-eyed ronin