Walk On Water If You Can

The ultimate love story, by Courting.

The lives of two boys - one the son of a cop and the other the son of a thief.

Comedy of a North Woods clam-digger who journeys to Detroit to earn money for outboard motor by working on auto assembly line.

In Rio de Janeiro, the forty and something years old Mercedes (Lília Cabral) goes to the psychoanalyst and tells the story of her life since she was a girl and lost her mother. Along the three years of analysis, her life changes and she divorces from her husband Gustavo (José Mayer) and has love affairs with the younger Theo (Reynaldo Gianecchini)

It all begins with the story that was left untold—the earth-shattering incident where Renton's father disappeared. With the mysterious pilot Eureka by his side, only Adroc Thurston could undo his own mistake, sparking the event that changed everything and earned him the title of a hero. Now, ten years later, Eureka lies in critical condition as Renton leaves the crew of the Gekko. But when he finds himself in the care of his father's old friends, he has a choice to make. Either stay with the loving family he's always wanted, or earn the love he seeks.

Elara, a young violinist, is madly in love with Lucio, a Sicilian student. Their love blossoms, but suddenly Lucio must return to Italy to care for his sick niece. Elara struggles with loneliness and sadness, until she finds new inspiration in a dream.

Lost film. A young man is kidnapped by his business competitors, but the jailer falls in love with the man she has to keep a prisoner.

"21 Days" illustrates a love triangle starring Bete, her boyfriend, Jonas and Agatha, a childhood friend of Jonas. Told from three different points of view, the narrative was inspired by the songs "cardigan", "august" and "betty", from the album "folklore" by singer Taylor Swift.

To keep using their school's abandoned observatory as a refuge, two sleepless high school students decide to revive the defunct astronomy club.

Hsi Shih: The Beauty of Beauties was one of the most ambitious films made in the Taiwan film industry in the 1960s. After leaving The Shaw Brothers studio in Hong Kong and moving to Taiwan, filmmaker Li Han-hsiang mounted this historical epic. Told through the story of Xishi (Hsi Shih), one of the 'Four Great Beauties' of Chinese history, the film portrays the war between two Chinese Kingdoms during the Warring States Period (475-221 B.C). After the kingdom of Yue is defeated by the kingdom of Wu, King Goujian of Yue takes pains to prepare for his revenge and rebuild his country. Knowing that King Fucha of Wu is lewd and lustful, he offers Xisi to the court of Wu to serve as Fucha’s concubine, with Fucha unaware that she is also a spy. She uses her charm to draw Fucha away from his office and governance, while King Goujian rallies his forces together to attempt to reclaim his lands.

Yuri leaves Ryo with mysterious words. Ryo goes to Hokkaido knowing that his doppelganger magician is missing. Ryo realizes Yuri was also the magician’s lover and he learns magic. The story that crosses over two identities, illusion and magic.

Questions about the identity of an amnesiac threaten his romance with the park ranger who rescued him.

Bruno, a young Frenchman, is frustrated by his girlfriend's constant lack of punctuality. He decides to end their relationship the next time she is late again.

Men, women, and war. Jelena Panic is a young woman in Belgrade in the early 1990s, during Serbia's war with Croatia; she's making a book of her grandmother's diaries from the end of World War II. She takes up with Bogdan, a young soldier recovering from war wounds. He helps her with her grandmother's story, a tragic triangle involving her effete and well-educated husband and an uneducated major, a Chekist who has, perhaps, the power to save a political prisoner who is the grandmother's friend. As Jelena wonders which man was her grandfather (the Chekist or the husband), Bogdan recovers from his wounds and must decide whether to return to the front. Jelena pleads; duty calls.

A made-for-television play about an exiled Polish Army lieutenant faced with his darkest secret.

A man and a woman who run into each other on a film set were actually lovers in the past. As they play the roles of a couple in the movie, they think about the relationship they once had.

A loner artist with a history of abuse meets a beautiful woman who takes an interest in his life and work; leading to a chilling path of tragedy.

Ira translates as “Anger,” but the titular emotion isn’t often conveyed by the unnamed man and woman at the center of this subdued Italian drama set on the grim fringes of society. Instead, they spend their nights working—he in the market, she on the streets—or wandering restlessly and relentlessly around their dark, decaying city. Writer/director Mauro Russo Rouge follows his characters as they drive down roads lit by the yellow glow of streetlights, push through the crowds at a pink-hued nightclub, pick up supplies in a glaringly bright supermarket, and meander down sidewalks with drinks in hand. They rarely emerge into the sunlight; most of the action takes place in claustrophobic indoor spaces or in the cold, gray light of dusk or dawn. So, too, do their expressions remain withdrawn—even when their nascent relationship triggers a decisive act of violence.

To celebrate their engagement, Thea takes Jashan home — but his Indian roots and her family's Norwegian traditions clash in a chaotic Christmas.

After her fiance is falsely imprisoned, a pregnant African-American woman sets out to clear his name and prove his innocence.