Tattooing — "the world's oldest skin game" — is the subject of this iconic documentary. Writer/director Geoff Steven scored a major coup by signing Easy Rider legend Peter Fonda as his presenter. Travelling to Aotearoa, Samoa, Japan and the United States, the doco traces key developments in tattooing, including its importance in the Pacific, prison-inspired styles, and the influence of 1960s counterculture. Legendary tattooists feature (including Americans Ed Hardy and Jack Rudy), while the closing credits parade some eye-opening full body tattoos.
In Pablo Picasso's career, a blue and pink period gets the attention they deserve. It is between 1901 and 1907 that the seeds of all his future work lie, for it is then that Picasso turned his back on his father's teachings and broke free from academic constraints and himself at the beginning with everything that crossed his path. This documentary takes a look at Picasso's various metamorphoses, shaped by a struggle between zest for life and dark thoughts. A world shared by his friend Jaime Sabartés, who wrote it in a collection of memoirs. Art documentary (2018) by Gaëlle Royer.
The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.
Murales
Tracing the Future follows In the Wake exhibition artist Naoya Hatakeyama as he photographs the devastated landscape of his hometown of Rikuzentakada after 3/11. Hatakeyama, who represented Japan in the 2001 Venice Biennale and is renowned for meticulous photographs that explore the relationship between humankind and nature, suffered enormous losses on 3/11: his family home was washed away in the tsunami and his mother lost her life. Tracing the Future delves into the artist’s deeply personal response to the disaster and explores his four-year-long mission of documenting the place of his upbringing.
Rutinas
Anton Spielmann (18) and his two younger friends Basti Muxfeldt and Jonas Hinnerkort are living in their family homes with their parents in an idyllic village close to Hamburg. The three of them founded the band 1000 Robota. The band has an ambitious aim: „We want to cause creation not to remind of it”, and they want to live up to their ideals. In a society affected by economic pressure 1000 Robota are questioning themselves and others and they don‘t want to meet other people‘s expectations. In a world of excessive supply they are looking for significance and want to unite with others to create a new way of youth culture. But soon they have to face some serious difficulties.
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"What we were trying to do was the ultimate form of architecture, which was predicting how society would use space, land and time." Curtis Schreier, ANT FARM Space, Land and Time: Underground Adventures with Ant Farm is the first film to consider the work of the renegade 1970s art/architecture collective Ant Farm, best known for its iconic land-art piece Cadillac Ranch. Radical architects, video pioneers, and mordantly funny cultural commentators, the Ant Farmers created a body of deeply subversive multidisciplinary work that questioned the boundaries of architecture and everything else in the process. Incorporating breathtaking archival video, new footage shot over ten years and animation based on zany period sketches, this film is about the joy of creation in a time when there were no limits. —Beth Federici
A short documentary on how people view art and its value in today's society.
Bas Jan Ader rides his bike into a canal in Amsterdam.
This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.
Through a poetic language, "White Noise" seeks to reflect on the whitening processes that Brazil suffered for 130 years, after the abolition of slavery. How it affects our offspring and makes it difficult to search for the identity of black people in a historically racist country.
Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.
A dark formless body moves . Formlessness of an entity is because a constant change in form is perceived as formless
From tagging to piecing, this controversial documentary chronicles some of L.A.'s hottest graffitti writers and crews. Shot from a graffitti writers perspective, the question of whether it's art or vandalism is left for you to decide. Segments were featured on NBC News/Today Show.
A documentary on electronic music made using "bio-feedback" devices and techniques.
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
Short avant garde film. Views of rippling water.
Le grand roman de l'homme