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Starks returned after the conclusion of, met with his youthful love Tanya, who has a daughter Nelia over the years. Starkova acquaintance with the girl made him a different look at the relationship with Tanya and "ex-boyfriend".

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

In medieval Italy, a group of men plot to kill a cruel and despotic duke.

The Sorrows of Satan is a 1917 British silent fantasy film directed by Alexander Butler and starring Gladys Cooper, Owen Nares and Cecil Humphreys. Made at Isleworth Studios, and based on the novel of the same name, the plot involves a poverty-stricken author so depressed that he agrees to sell his soul to the Devil.

In a bakery in the French countryside, Father Latourte, his wife, and their staff are busy with customers, pastries, and baked goods of all kinds. The Latourtes' young daughter, called Red Riding Hood, reads by the firelight until her parents leave for a moment. She starts to play boisterously, getting the bakery staff mixed up in hijinks and pratfalls. Her father and mother return, chagrined by her escapades, and she is told to take a pot of butter and a galette to her grandmother's cottage. Red Riding Hood travels through the forest on her errand, meeting a wolf, who finds out where she is going. Encountering her friends from the village school, she happily pauses her journey to play and dance with them. Meanwhile, at a windmill near the cottage, the miller Sans-Souci has comic trouble with his mule.

When a sculptor falls in love with his model but finds his love unrequited, he plans to kill his love rival with the help of the owner of a Horror Wax museum. The film is considered lost.

A banker, after a prophetic meeting with a Gypsy fortune teller, becomes delusional as he searches for a trunk which the seer has told him holds the key to either his happiness or his death. This film is considered lost.

Chaney plays two roles: mad scientist Arthur Lamb and Lamb's "experiment", known only as the Ape Man. This hideous creature was the result of Lamb's attempts to transplant animal glands into human beings. A lost film.

It is a variation on the original legend of Alraune in which a Mad Scientist creates a beautiful but demonic child from the forced union between a woman and a Mandrake root. Not to be confused with the 1918 German version of Alraune.

Hajj, a rascally beggar on the periphery of the court of Baghdad, schemes to marry his daughter to royalty and to win the heart of the queen of the castle himself. This film is believed lost.

Two opposing characters are hidden in the person of the inconspicuous London gentleman Dr. Warren and Janus. A lost film.

It is 1595. Brutal wars have just ended in an uneasy peace between Protestant Sweden and Orthodox Russia. We focus on the spiritual defeats of two conquered Finnish brothers, one a hardened near-psychopathic war hero, the other a gentle scientist in an age with no use for such men. They find themselves in the swampy interior, demarcating the new border with a unit of sadistic Russians.

A period fantasy that told of the ageing king of Kamarpur, and his two rival queens, Navbahar and Dilbahar, and their rivalry when a fakir predicts that Navbahar will bear the king's heir. Dilbahar unsuccessfully tries to seduce the army chief Adil (Vithal) and vengefully destroys his family, leaving his daughter Alam Ara (Zubeida) to be raised by nomads. Eventually, Alam Ara's nomad friends invade the palace, expose Dilbahar's schemes, release Adil from the dungeon and she marries the prince of the realm.

A Son of Satan is a 1924 silent race film directed, written, produced and distributed by Oscar Micheaux. The film follows the misadventures of a man who accepted a bet to spend a night in a haunted house. Micheaux shot the film in The Bronx, New York, and Roanoke, Virginia. A Son of Satan ran into distribution problems when state censorship boards rejected the film based on its contents. New York censors objected to the film’s depiction of violence, particularly against women and animals (a cat is killed onscreen in one scene, a Ku Klux Klan leader is slain and a man chokes his wife to death), while Virginia censors complained the film’s references to miscegenation would "prove offensive to Southern ladies". In at least one state the film was banned for its title alone No print of the film is known to exist and it is presumed to be a lost film.

Myrtle Downing, an African-American woman, is coerced into marrying a corrupt would-be politician named Gyp Lassiter, even though she is really in love with Stephen Cameron, a young lawyer. When she discovers that her husband has conspired to support segregationist policies in exchange for support by white political power brokers, she objects to his crooked dealings and gets herself imprisoned in a secret dungeon where her husband had murdered his previous wives. Presumed to be a lost film.

When the crew of an American tugboat boards an abandoned Russian research vessel, the alien life form aboard regards them as a virus which must be destroyed.

Cole Harrington, the host of a popular outdoor series, sets out to track down the predator responsible for a series of cattle attacks in rural Nevada. The mystery deepens when he uncovers footage depicting the final moments of two missing university employees.

The hero Theseus with the help of his beloved, slays the Minotaur, a half-man, half-bull monster that demands a sacrifice of seven youths and seven maidens from Athens and Crete.

Alice-type Soviet girl, named Olya meets her counterpart Yalo, while looking into the mirror. Yalo is an absolute antipode to Olya: where Olya is precise and neat, Yalo is absent-minded, careless, etc. The explicit plot relates to Olya learning to see herself differently, but this occurs through an experience in the Kingdom of Crooked Mirrors which serves as a mechanism for commenting on the ability of a society to manufacture a false reality.

A fairy tale about a conceited young man and a young woman with a tyrannical step-mother, who must overcome magical trials in order to be together.